Someone gives jewelry, and there's a bit of romance. If you buy it from a store, the store is trying to romance you. Even when I'm making the jewelry, I have to be romanced.

A racial community provides not only a sense of identity, that luxury of looking into another's face and seeing yourself reflected back, but a sense of security and support.

I didn't come to Hollywood to get on magazine covers or start my Porsche collection or to enjoy that kind of lifestyle, to go to the right parties and meet the right people.

My track record suggests that I'm not quite a mainstream darling, that's for sure. I don't want to only cater to a small audience, but it's just kind of worked out that way.

And kid Congress and the Senate, dont scold em. They are just children thats never grown up. They dont like to be corrected in company. Dont send messages to em, send candy.

When I die, my epitaph or whatever you call those signs on gravestones is going to read: "I joked about every prominent man of my time, but I never met a man I didn't like."

I want to take care of people. I want to help people. The maximum joy that I have is when I can create something that makes someone else's life lighter, brighter, or better.

You can't break poor people mentality. Once you grow up poor, you don't take anything for granted. It can have the negative side also because you can never truly be relaxed.

I so connected to symbolically being able to turn lead into gold. My grandmother used to say, "Life give you a lemon, you go ahead and make lemonade." To me, that's alchemy.

I did an HBO movie called 'Cinema Verite' where I played Candy Darling. That was really, really cool because I got to meet James Gandolfini and Diane Lane and Thomas Dekker.

I think that there's no doubt that to work in film is a bit more of a creative journey. It's not that I don't put the same time or heart into something that's on television.

You have to focus on what you're passionate about. For me it's the forests and of course, because I'm concerned about the forests, I'm concerned about the way paper is made.

I'm enjoying where I'm at in my life and I feel like I'm learning a lot on a daily basis. I'm learning without having to be behind a desk, so it's a pretty cool place to be.

Jesse McCartney is one of the nicest people around. I hate when I hear bad things about him, because anyone who knows him would agree that he's a good guy and really humble.

A child's death is really of less value than an adult's. I mean, what could you really accomplish in a year? Not much, and that's not even talking about, you know, pay-wise.

It blows my mind that there are people out there who deny the holocaust. Why would you ever deny such a great achievement. It's like denying the cure for polio or something.

The function of the killer and watching him - whatever that says about the world in which we live - it was always more about that world than it was about the actual watching.

When my family decided to leave England I could not have been happier. I was sort of like - America seemed like the land of opportunity and, you know, it was Hollywood to me.

If you make a 'Star Wars' reference, everybody's familiar with that. It's a common reference that most people can relate to - 'Bartleby, The Scrivener,' probably not so much.

It was funny to run into girls I knew after the movie came out because they would say, 'I saw you on 'Magic Mike,' but there was this look of embarrassment. It was very cute.

I say things, like every other parent, that reminds you of your own parents. One thing I do know about being a parent, you understand why your father was in a bad mood a lot.

Batman had a certain speech pattern that I established because he was always Sherlock Holmes-ian. He was Basil Rathbone. In other words, he was always musing about something.

Creativity means learning where the rules exist, and then breaking them! Saying, "It's better this way." But you have to know the rules in order to break them with any grace.

I didn't really grow up a comic book fanatic. I was a big baseball player, and my passion in life, in third grade, was collecting baseball cards. That was my childhood thing.

Because I'm CGI, [John Swartz] gave me a role of an Imperial pilot in one scene, so I had a day where I was on camera dressed as a black suit and a little cap that they wear.

As an actor, if you're just sitting and staring and you don't know who you are in your own mind, it's vacant. And sometimes the camera is an X-ray machine, it can pick it up.

Normally movies have the same people they use over and over for everything. It's called typecasting. They don't like to take chances. They'll go with the guy they had before.

I remember when I was 13 and telling people I wanted to be an actor, and being met with, 'Have fun waiting tables,' so I figured maybe that's not such a great idea after all.

I think Rachel Maddow is quite good at what she does. I also think she's a phony who doesn't have the same passion for the truth off-camera that she seems to have on the air.

I'm hesitant to do leading man character roles because I think they can be a little boring in terms of needing to be the everyman who navigates the amazing stuff around them.

I was a big fan of Joe's film, Narc, so when you hear there's a script coming over from Joe Carnahan, you know it's going to be interesting because he has such a fresh voice.

When you're in school until you're 25 and you get out and suddenly structure is not handed to you, if you're smart you realize that you need to create structure for yourself.

If you’re an alcoholic or a drug addict, we flirt with death. We pull ourselves to the brink of destruction and if we’re lucky we pull ourselves back. We all have that in us.

My weak spot is laziness. I have a lot of weak spots - cookies, croissants; my wife is always lecturing me about this, I tend to put it all down as habit or it's just acting.

I don't know why they gave me a knighthood - though it's very nice of them - but I only ever use the title in the U.S. The Americans insist on it and get offended if I don't.

I started doing motivational tours. I've seen all kinds of people, from the CEOs to the lowest executive, opening up to their fears. We don't introspect as much as we should.

I don't read the magazines that make things up about people. I know what the truth is. I don't sort of indulge in my own fodder. I don't really care what they write about me.

People have a tendency to cast me more as lawyers and doctors and just rich guys, rich assholes basically, a lot of rich assholes. That's what I'm normally seen as, you know.

The people I've encountered who are really dangerous in my life don't go around with their fangs drawn - they are dangerous because of the way they interpret what's going on.

As far as I know, you only get one shot at this life. It only goes round once and time is precious. When I'm not working, you'd better spend that time with someone important.

No one knows anything. You're going to make mistakes and you're going to do things that people think are stupid. You can't sit there and go, "I never want to make a mistake."

My mind is always going. I'm always thinking what I need to do, what I haven't done, what I did do, what I didn't do as well as I could - I'm relentless that way with myself.

The character of Brent Spiner. We certainly collaborate on the concept of that, but he basically writes the script, then it's sort of a combination of his voice and my voice.

[Out To Sea] began a relationship I had with [director] Martha Coolidge for a few years that was wonderful, and she certainly cast me in the best roles I've ever had in film.

I think I'm much more afraid of making a mistake in raising my daughters than I would be with any work that I do, as an actor. It's a much higher scale of fear, raising kids.

The TV business is like the produce section of the market. Today everything is fresh and glistening and firm. And tomorrow, when they find a bruise on you, they toss you out.

Smokey and the Bandit was the first picture [Hal Needham ] directed, and I knew he could handle it. I had just directed Gator, and he saw my style and used that as a pattern.

I felt good when I did a stunt, and if it was really dangerous - like if I got out on a horse or a bull that was rank, or jumped out of this building on a bag - I felt great.

I served at the Pentagon and at Fort Leavenworth - my job was video cameraman, and that allowed me to travel to places like Korea, Japan, Alaska, Germany and the Netherlands.

It was a big thing for me to read black writers. 'Fences,' by August Wilson. James Baldwin's 'Amen Corner.' 'The Fire Next Time.' 'The Autobiography of Malcolm X,' of course.

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