Quotes of All Topics . Occasions . Authors
I'm 78. We've lost a lot of our great stars. I can't hang out with those who aren't here. The phone service to Heaven is so bad, you know. But I get to visit with their memories.
I believed that the husband takes care of the family, and the wife takes care of him, and they are true to each other. I know that sounds a romantic illusion, but it can be true.
I think the press does, too; it's just the few crazies and paparazzi that give them a bad name. Real writers write good things. My daughter's a writer, and she's a quality writer.
One take, so you better be ready and you better be good. One take and that was it. It was something that was spontaneous. Both Sid Caesar and Jackie Gleason was like that as well.
I loved Frank [O'Connor], he was wonderful...just don't get on his bad side. I don't think I would have wanted to marry him, but I probably should have since I married idiots anyway.
The heads of the studios, like Louis B. Mayer, didn't want to create any more musical stars. So Bobby [Fosse] left and went to New York City to be a choreographer, and created brilliant work.
If you're a dancer, study singing. You have to do everything and do it well. You have to study acting. You have to study all of it. You have to find workshops, get out on the stage...and fail.
I also have a pair of ruby red slippers from the 'Wizard of Oz' and Dorothy's gingham dress...and on and on. I saved as much as I could and still do, because people are still interested in it.
Donald O'Connor was in the film [ 'Singin' in the Rain' ] as well, and he was only 27 years old. So we were closer in age, and had more fun together on the set. Gene was more my teacher and mentor.
I think one of my favourite films is 'Dark Victory' with Bette Davis. Why? She was so wonderful in that film. And maybe I just want a good cry once in a while without having to go through a divorce.
For 'Singin' in the Rain,' I bought most of the costumes - the 'Fit as a Fiddle' costumes and the 'Make Them Laugh' Donald O'Connor outfits and the 'Good Morning, Good Morning' clothes we danced in.
I had the sets that meant so much to this character built - right in my home, especially the kitchen, which was important both for her character and for your introduction to her when Albert comes to visit.
I don't think you can ever be bitter about anything, because if you don't allow your heart to stay open, then all you have is a filled heart of hate and bitterness, and you're never able to love or like anybody.
Everything about the studio was enormous. You walked through the gates of iron, and it was palatial looking. The first day, I was introduced to Clark Gable. He said, 'Hello, kid. Welcome to MGM. I'm just leaving.'
The young people today are really so creative and talented - I mean, the ones who are really are and they get together and produce and create. They're an entirely different breed from what I was when I was their age.
Those were hard times, but I loved living there. I would walk on the tracks, hopping, skipping. I enjoyed the neighborhood, I enjoyed El Paso. I remember being chased by tumbleweeds on windy days; they came up to my neck.
I would never stop watching film. The reason why I say I like the old ones is I like the subject matter better. I thought they had more variety to them, they had more romantic comedies and things that appealed to me more.
A lot of people don't feel like doing very much. Or one project is really all they can do at one time. I can have five or six things going at the same time. It doesn't bother me or tire me, but sometimes it does rattle me.
I do an act, and I've been doing an act for 50 years. I do a variety show, which is a musical comedy show. I do comedy, and I do singing, Broadway show tunes and different songs that I like. Been doing it for many, many years.
I don't think it's the fans, I think it's the fact that they get paid a lot of money for a picture of you doing something wrong. They don't seem to be interested in anything good any more.I think people appreciate what you do.
I never dreamt of being in the movies. I was from a very average, I would say, a rather poor family, so my big treat was to work hard all week - I mowed lawns and babysat and washed dishes and washed cars - to go to the movies.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
I loved going to films, but as far as a movie buff, when I came into the movies at 16, life changed a little bit for me, from an onlooker to a person that lived within the industry. So now I would call myself a different sort of fan.
I still perform live primarily. I just keep traveling and doing live shows. The main difference in film, you know in your mind that you are doing it for posterity, you are doing for the eventual audience and it will be around forever.
I think people want to stay home and run movies with their whole family at home. It become a family hobby instead of going out to the theater, sad to say. But I think it's very good because it reaches millions that would never see these movies.
We slept in the park before we had a house, and eventually we shared a home - my parents, my grandparents and five uncles, my family, all of us - on White Oaks Street by Magnolia Street near the railroad. Those were hard times, but I loved living there.
I've always put my own money into my own shows because today, if you want to stay in the business, you have to produce your own product because there is not enough production and enough people that create today so if you wanna work you produce it or you stay home.
I really can't answer that off the top of my head, my favorite movies. Each one individually was wonderfully made, wonderfully directed, wonderfully written, wonderfully acted, and each one was entirely different.I like romantic movies. I sort of go for the older movies.
He caressed my backside. I had heard that he was famous for his 'admiration' of the ladies, but I didn't expect him to be handling my booty. As handsome as Prince Philip is, I wasn't sure if he was making a pass or just exercising some royal rights to squeeze the foreigners.
When I was doing theater in the 1950's, 60's and 70's we weren't allowed to film any of the shows that I did, it was against union rules. It was a stupid law, because so much is lost. We now have no record of these famous stage plays, so it turned out to be very narrow-minded thinking.
I live right in front of my daughter. I have a little house right in front of her because I can stay in touch. It's like a little commune, and it's very nice, because you can be close. I can see my granddaughter. I live very close to my brother, too, and my son. We're a very close family.
Old age is a wonderful time of life. At least, that's what everyone tells you. But let me tell you: it is not true. What's true is that your hips, knees and ankles gradually give up on you - everything is quite dreadful, really. And it was a terrible thing to have told us because we believed it.
If you do a musical, it's really thrilling and it's a lot of work, but it's very rewarding. I would say, for me, what I like best is what I do, which is, I call it vaudeville, I call it live, I call it in concert, I call it what Bette Midler does, and what Garland did for years, and Ethel Merman.
I wanted to have no ribs. I wore what was called a waist-nipper in those days. My mother made it. It's a piece of rubber band I wore around to hold my rib cage in. I don't know why I always loved that. I guess I was a glutton for punishment. I think I was born one of those people who loved swords and fought in armor.
Years ago nudity was not done in the United States. But during that late 1950s era in Vegas it began at the Tropicana, and spread to the other venues. Now the showgirls are going away again and Cirque du Soleil, the magic acts and the animal acts reign in Las Vegas. But I don't think you'll completely lose the boobie shows.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.