Quotes by Frank Gehry - Page 4

You have to do every detail on every bloody piece of the building. You have to know how the engineering works. You have to know how the fittings go together. You have to master the mechanical, electrical, acoustical - everything.
Frank Gehry / Architect
Details
Engineering
Together
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I was in Peru and visited a building near Lima built by the Incas. It was low in height, with no windows at all, but all the way in the back there was air movement. And I couldn't figure out how they'd done it; it was incredible.
Frank Gehry / Architect
Height
Peru
Low
Near
Visited
Windows
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Democracy, obviously, is something we don't want to give up, but it does create chaos. It means the guy next door can do what he wants, and it creates a collision of thinking. In cities, that means people build whatever they want.
Frank Gehry / Architect
Chaos
Cities
Collision
Creates
Door
Next Door
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The game is if the orchestra can hear each other, they play better. If they play better and there's a tangible feeling between the orchestra and the audience, if they feel each other, the audience responds and the orchestra feels it.
Frank Gehry / Architect
Feelings
Games
Orchestra
Play
Tangible
Responds
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Some cultures tried to stop people from expressing themselves. In Mao's China, for example, the Communists tried to stop individual expression. For them the payoff was a society of equality. The problem of course is that it didn't work.
Frank Gehry / Architect
Culture
Expression
People
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There's a drive in us to express ourselves in some way or form. We pick up whatever material is available. It's primitive. Kids see sand on the beach, build something and show their parents: "Look what I did, Mama." It's necessary to us.
Frank Gehry / Architect
Kids
Beach
Parent
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A well-designed home has to be very comfortable. I can't stand the aesthetes, the minimal thing. I can't live that way. My home has to be filled with stuff - mostly paintings, sculpture, my fish lamps, cardboard furniture, lots of books.
Frank Gehry / Architect
Home
Book
Comfortable
Filled
Furniture
Lamps
Sculpture
Stuff
Stand
Lots
Books
Cardboard
Minimal
Mostly
Paintings
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When I start my class I ask the students to write their signatures on pieces of paper and put them on a table. I have them look at them, and I point out, "They're all different, aren't they? That's you, that's you, that's you, that's you."
Frank Gehry / Architect
Class
Signatures
Writing
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I make a model of the site. There are some obvious things: where the entrance should be, where the cars have to go in. You start to get the scale of it. You understand the client's needs, and what the client is hoping for and yearning for.
Frank Gehry / Architect
Car
Clients
Obvious
Obvious Things
Site
Yearning
Scale
Client
Entrance
Hoping
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I think the biggest problem with 'industrial' architecture is that it's lost its sense of humanity. Minimalist stuff drains all the humanity out of it. That idea works great for the money thing, but it doesn't work great for the feeling thing.
Frank Gehry / Architect
Feelings
Humanity
Thinking
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And I realized, when I'd come in to the meetings with these corrugated metal and chain link stuff, and people would just look at me like I'd just landed from Mars. But I couldn't do anything else. That was my response to the people and the time.
Frank Gehry / Architect
Mars
Meetings
People
Response
Stuff
Ties
Time Me Look
Anything Else
Chain
Landed
Time Look Me
Link
Metal
Realized
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I found myself starting architecture with a deep social, Jewish, liberal conscience, and the belief that architecture is for the people. It was a do-gooder base; I was born and raised that way. I was for blacks, whites, Italians, Poles, whatever.
Frank Gehry / Architect
Belief
People
Way
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For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
Frank Gehry / Architect
Motivational
Work
Approach
Insecurity
Sweat
Work Me Day
Like
Go
Start Me Day
Thing
Work Start Me
Sure
Me
Almost
Get
Did
Every
Work Me Start
Work Day Start
First
Day
Each
Ever
Working
Every Day
Project
New Thing
Start
Sweats
Where
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I think my attitudes about the past are very traditional. You can't ignore history; you can't escape it even if you want to. You might as well know where you come from, and you might as well know that everything has been done in some shape or form.
Frank Gehry / Architect
Traditional
Attitudes
Escape
Ignore
Shape
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Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
Frank Gehry / Architect
Architecture
Cities
Jazz
Liquid
Might
Play
Thinking
Together
Trying
Work Together Me
Understand
City
Each
Happen
Off
Improvise
Work Together
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What I have learned about museum buildings is that buildings have to have iconic presentations. The position of the art museum vis-a-vis other civic buildings needs to be hierarchal in the community. It has to be equal to the library and the courthouse.
Frank Gehry / Architect
Art
Community
Library
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I think people care. If not, why do so many people spend money going on vacations to see architecture? They go to the Parthenon, to Chartres, to the Sydney Opera House. They go to Bilbao... Something compels them, and yet we live surrounded by everything but great architecture.
Frank Gehry / Architect
Vacation
Architecture
House
Opera
Opera House
People
Sydney
Thinking
Money Great People
Compels
Spend
So Many People
Surrounded
Vacations
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When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.
Frank Gehry / Architect
Cities
Ideas
School
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Architecture is a small piece of this human equation, but for those of us who practice it, we believe in its potential to make a difference, to enlighten and to enrich the human experience, to penetrate the barriers of misunderstandin g and provide a beautiful context for life's drama.
Frank Gehry / Architect
Beautiful
Believe
Drama
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The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.
Frank Gehry / Architect
Art
Home
Unique
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My father was an urchin that lived in Hell's Kitchen. He was part of a family of nine. I mean, there were times that were better and worse, but mostly, by the time we got to L.A., they'd lost whatever they had. And it was a sad time. And both he and I became truck drivers for different companies.
Frank Gehry / Architect
Sad
Drivers
Father
Kitchen
Mean
Nine
Truck
Time Family Sad
By The Time
Companies
Family Sad Time
Mostly
Worse
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You never build the perfect building. Only Allah is perfect. Life is such. You make decisions on conclusions, then some guy invents something else and the world changes. That's comforting. There's no one way to use museums, no one way to do art. That also means there is no one way to build museums.
Frank Gehry / Architect
Art
Mean
Perfect
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Creativity is about play and a kind of willingness to go with your intuition. It's crucial to an artist. If you know where you are going and what you are going to do, why do it? I think I learned that from the artists, from my grandmother, from all the creative people I've spent time with over the years.
Frank Gehry / Architect
Creativity
Fun
Grandmother
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The present is filled with flotsam and irony and chaos and disorder in all arenas, political and sociological. I think we have to work in the present even if it's awkward, even if it's not necessarily good, even if we don't understand it ourselves. You only find out 10, maybe 20 years later what was going on.
Frank Gehry / Architect
Political
Thinking
Years
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I've been told I have the biggest ego in the world and that it manifests itself when you come to me and say, 'I don't like this' or 'I want a change'... and that I relish that because my ego's so big I think I can solve whatever you throw at me and make it even better. I enjoy the interaction and the challenge.
Frank Gehry / Architect
Challenges
Ego
Thinking
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If you're serious about being an architect, you've got to learn how to take responsibility. It's not fluff. You have to do every detail on every bloody piece of the building. You have to know how the engineering works. You have to know how the fittings go together. You have to master the mechanical, electrical, acoustical - everything.
Frank Gehry / Architect
Responsibility
Serious
Together
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One of my unsung heroes is Erich Mendelsohn. I met him when I was a student and he was a cranky old man and very unpleasant. But if you go to his Einstein Tower in Potsdam, Germany you see an enormous intellect at work with a language that was personal and new. It has a sense of urban design and of theater and procession I hadn't seen before.
Frank Gehry / Architect
Design
Men
Hero
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I know I draw without taking my pen off the page. I just keep going, and that my drawings I think of them as scribbles. I don't think they mean anything to anybody except to me, and then at the end of the day, the end of the project, they wheel out these little drawings and they're damn close to what the finished building is and it's the drawing.
Frank Gehry / Architect
Drawing
Mean
Thinking
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People live and work in uninspiring environments, but look inside those rooms. Look at the painted walls and the decorations. People rebel even in the most controlled office environment in which they're not allowed to do anything. You see the little bulletin board in front of a person's desk with their photos, clippings, cartoons and whatever else.
Frank Gehry / Architect
Office
People
Wall
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When I was a child I could do math and art, so I had left- and right-brain capabilities. But I've seen my children, who are more right-brained, struggling. My son was told he wouldn't make it to college, but he dogged it through and ended up being accepted by 10 major art schools after the high school advisor said, "Please don't apply. You're going to be disappointed." That kid's an artist now.
Frank Gehry / Architect
Art
Children
Struggle
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I think you've got to accept that certain things are in process that you can't change, that you can't overwhelm. The chaos of our cities, the randomness of our lives, the unpredictability of where you're going to be in ten years from now - all of those things are weighing on us, and yet there is a certain glimmer of control. If you act a certain way, and talk a certain way, you're going to draw certain forces to you.
Frank Gehry / Architect
Cities
Thinking
Years
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I do my best to choose carefully. If I don’t feel that collaboration is going to happen, I say no. Think about it. These projects can involve a five-to-seven-year partnership. If you don’t feel comfortable with someone, you can’t get rid of them. I just walked away from a job for that reason. Every one of these projects is an emotional investment, like falling in love. You’ve got to believe in it and you’ve got to like the people you work with.
Frank Gehry / Architect
Believe
Falling In Love
Love You
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I used to read more when I was a kid than I do now. It was all sort of fuel for the fire to teach you how to think and how to make things and it informed the architecture that I was doing. It's better coming in with that history and that kind of knowledge and depth of understanding of humanity that is very important for building buildings - for understanding people and how they should live and how you could make your lives better and stuff like that.
Frank Gehry / Architect
Kids
Fire
Thinking
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Generally people are afraid. They pretend they aren’t; it’s part of the denial. We’re all part of it. As much as we pretend otherwise, we want what’s comfortable, and we’re afraid of the different. We’re afraid of change. It happened in Los Angeles, too, when the first models of Disney Hall were shown. You should have heard the outcry from the public, critics and press. It was called “broken crockery,” “outlandish” and blah blah blah. Of course now the feeling is different.
Frank Gehry / Architect
Broken
Feelings
People
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Frank Gehry Quotes - Page 4

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