My personal style is a big mix. A lot of it's pretty vintage. I love vintage looks. I'm obsessed with the mid '60s era, even '70s, it was a good era for clothes, hair, music, and cars.

I love words. They're fun. I don't think any word can just be filler. There's no room for it. It's like a puzzle. Every song can be written a million times. How can you say it differently?

I'd rather be more of the hippie country chick - as in, instead of pointing a finger, just maybe saying, 'We're all screw-ups. We're all in this kind of together. We're all just figuring this out.'

I think if you're everyone's cup of tea, that probably means you're a little bit boring, or you're not pushing yourself. Creativity happens where it's dangerous and scary: where you're not comfortable.

My fans are pretty spot-on with their gifts. This girl that was super into baking had made this entire batch of cookies - there were one with a dandelion on it, one with a trailer, and some had my face.

I didn't necessarily grow up in a trailer park, but there is a brief part of that in my life. So I can make fun of it a little bit. I'm not too much of an outsider, where I'm just making fun of someone.

Lee Ann Womack is from near where I grew up in East Texas, so I've always looked up to her. I sang a lot of Dolly Parton as a kid and a lot of traditional western swing, like Patsy Cline and Roy Rogers.

When I was nine, I was singing western swing: Roy Rogers and Patsy Cline. It got me noticed because no one my age was doing it, but it made me feel inferior because none of my friends could relate to it.

I had a blast on tour with Little Big Town. We got to play some beautiful rooms around the country - some really amazing old theaters. And it was just cool to see a band that's been together for so long.

I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.

I always draw from things around me that people around me have gone through... The story that could be taken really literally is not from my life exactly. But bits and pieces are, and the sentiment behind it is.

Make lots of noise Kiss lots of boys Or kiss lots of girls If that's something you're into When the straight and narrow Gets a little too straight Roll up a joint (or don't) Just follow your arrow Wherever it points.

Certain kinds of people will always have an issue with my music. But that's fine; it's OK. I don't want to be the McDonald's of music. I don't want to not turn anyone off. If you were everybody's cup of tea, you'd probably be boring.

My parents have always had a great sense of humor. And I really appreciate good humor in songs, witty lyrics that sneak up on you and then you listen again, and say: 'That's so funny.' John Prine's songs have always had this really witty tone.

I feel like, big city or small town, you can relate to following your parents' footsteps or putting your own dreams on the back burner or vices that we get caught up in - that whole cycle. That's not just a small-town thing. That's a life thing.

A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.

If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.

I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.

Different people have different ways of doing things. For me, becoming a songwriter first and falling in love with the Nashville songwriting community and the process of songs and getting better and putting more in what I wanted to say, was absolutely vital in me even wanting to be an artist.

The idea of massive amounts of fame-having my face on Walgreens end-caps and pizza boxes-I don't fantasize about that. I'm happy with just being a songwriter. I'd rather have smaller numbers [of fans] that are really into what I'm doing than a massive amount of people that don't really know what I'm about.

Obviously I've always loved singing and performing, but I fell in love with songwriting and then I enjoyed doing that for other people and getting coached. But then I kind of stumbled into the right group of people that really started to create some unique music for me and what I wanted to say, so then it made me want to be an artist.

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