I just got an iPhone, which is cool, but I don't download movies, I don't watch Hulu, I don't have Netflix. I don't do any of that. But I do geek out to music.

For me, pressure is self-imposed, and it's good for me. The best actors are the most prepared because it's all imaginary and you have to know the character inside out.

As an actor if you're working you're usually in three places, you're either prepping something, you're shooting something, or you're post on something or promoting something.

I drummed in some rock bands. I asked for a drum kit when I was 15 and my parents were kind enough to buy me one and I just started playing with my buddies who played guitar.

I think when you're looking for scripts or for characters around your own age, a lot of the times they don't have the kind of responsibility that is usually seen in parts that are older for you.

For me, I still have feelings for all of my ex-girlfriends. In different parts of my life, I would miss that person. There's something that drew me to that person, and I shared something with them.

I start a boxing movie and that's kind of something I've been able to get to the gym for. It's great anytime you can parallel a skill that your character has. I just think it makes it even more rewarding.

Just go to a bar, watch football - that's fun to me because I've not gotten to see anything because I've been travelling so much. Playing some shuffleboard and some pool and darts. I like kind of dive-y bars.

I was raised middle-class in a small town. I have all my same friends from high school. I'm close with my family. I'm dating a normal girl. So I want to feel people think I'm a man of the people. Because I feel that way.

I've been told that having an Instagram account will help me book more roles, get more endorsement deals. It makes you more of a brand. But I'm not interested. I want to build my fan base through movies and movies alone.

As a drummer, you can't fake the instrument. A trumpet, you could be blowing air; a person who plays the trumpet could still say, "Oh, those aren't the right hand motions." On drums, you have to actually hit them. You can't fake it.

I can't put much weight into whether the public likes me because the more important thing is that, as an actor, I can truly say that there's not a single director or actor who I've worked with who'd have a bad thing to say about me.

For me, the greatest kind of success that I've had on a particular project or in exploring a role does come through collaboration. I wouldn't want to do a movie where everything I do the director just says, "Good job" and I'm under directed.

I don't know if there's an actors' slow-pitch softball league I could join. My agency has a team, but they say it would be a conflict of interest for the people they rep to play because I could hit a pop-up and they'd have to drop it on purpose.

I'm not the kind of person to Google myself, because you'll find whatever you're looking for. If you want to read something that says you're the greatest actor that ever lived, if you want to find something that is pretty hurtful, you'll find it.

Going to high school in rural Florida, we always partied down in the woods. Somebody - one of the rednecks - would leave class and mow a path out to a field, and we'd drive out there. Dude, every party I went to was lit by a bonfire. Acoustic guitar.

I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.

I'm very proud to be part of a cast that's gonna put Hot Shots on screen for the first time, Hot Shots are the first line of defense against wildland fire and these guys are so selfless, they are guys that do what they do without wanting any kind of attention for it.

I was in good shape from Divergent. Damien Chazelle, the director of Whiplash told me, 'Stop Working Out! Don't go outside!' He wanted me pale and doughy. This is the first movie where I shut myself off from the world. It was, by far, the hardest thing I've ever done.

I just really enjoyed all that kind of responsibility, I loved the fact that many people cared. I was doing 4 hours of boxing, 2 hours of weights, an hours of accent and dialect training, I just enjoyed having to do all that for this character [ Vinnie Paz in Bleed for This].

When I was in high school, there was 'Superbad' and 'The Girl Next Door' and 'Wedding Crashers' and all these great movies. You hope to be a part of something that's smart, funny and in that Todd Phillips-vein. You want to make something like 'Superbad.' That movie was so good and so funny.

We were doing this close-up of my character on a cell phone, and the director's just like "Cut! Can we get somebody else's hand in there?" I do bite my fingernails, and you don't want to see a fat, bitten thumbnail on a 30-foot movie screen, so I get somebody with really nice, sexy hands and put 'em in there.

So I think that in the beginning of your career you're just looking to work. Luckily for me, my first movie was 'Rabbit Hole' and I got to work with incredible people, a Pulitzer prize winning writer, John Cameron Mitchell, and all the actors involved. So it's tough, man, because you want to have credibility.

When I first started getting into acting, I was doing improv in acting class, and I had done a serious monologue and everyone was cracking up laughing and I went to the drama teacher and said I don't want to be the class clown anymore, I want to do serious work, too, and they loved that, and so I started mixing in drama.

First play I ever did was 'Footloose.' I played the part of Willard when I was 16. I think I wore my drama teacher's jeans and her belt - that's how small I was. I know a lot of Willard's back story from the musical that's not explored in the film. Like he's got this whole relationship with his mama, and he sings this song 'Mama Says.'

First play I ever did was 'Footloose.' I played the part of Willard when I was 16. I think I wore my drama teacher's jeans and her belt - that's how small I was. I know a lot of Willard's back story from the musical that's not explored in the film. Like he's got this whole relationship with his mama, and he sings this song "Mama Says".

I was not a band geek, per say. But me and my two older sisters played instruments, so I would come home and my sister Dana would be playing the clarinet or playing the piano, and I would play the saxophone, my other sister would be singing, my mom would be singing. I was not afraid to be musical. That was not something that I thought was uncool.

I'm proud of everything I've done. If it's comedy, it's 'cause I think it's funny. If it's a drama, it's impactful. I'm leaning towards dramas now because I wrapped a couple comedies in a row. I don't like watching myself, but it's easier on me when I don't have to carry a lot of the comedy. But I enjoy making comedies but dramas come more naturally.

I enjoy the physicality a little more, with Vinnie Paz [in Bleed for This] that was the most prep I've ever had to do for a film, that was a legit like 7 months of diet and working out. And then I was able to do like an accent, I was able to change myself physically, I was able to do a lot of the things that I'd always looked at actors and admired when they did that. So I was excited to do that.

I think hopefully as you're getting older you're getting parts that require more preparation, and by that I just mean - I don't know, usually the older you get you get characters with more responsibility. Each one is different, there are certain movies that when the guy starts you pretty much come with that character on page one and then you see their growth, whereas other guys a lot has happened before that movie starts and you have to come in with something.

I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.

Acting is such a high art, and coming from theater, I know how hard it is and respect the craft. I want to look back when it ends, and say I challenged myself. I wanted to be an actor you always remember, and those who are the great ones. That's just a personal journey. If you're too comfortable you're taking it too easy. The director can direct you for two months but before that it's just you and your internal drive. I want people to go to my movies and know it'll be good, and with great actors. You never know what you'll learn from just staying in the same space with them.

I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we’re going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn’t feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It’s a proper character and that’s my favorite stuff to do.

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