I am an agnostic, even though I respect and am interested in all religions. If there's something I believe in, it's a mysterious energy; the one that fills the oceans during tides, the one that unites nature and beings.

Because I'm pretty, everybody thinks I'm stupid. But it is like a mask, and you have to break the mask to show that there is something else behind it. You have to show who you are to make the others come to discover you.

After a while in marriage, it doesn't work anymore. There is something missing, there is something wrong. There are few marriages that stay alive forever. We like something, and after a while, we hate what we used to love.

When I did 'The Passion,' nobody believed in the movie. Everybody was telling me, 'You shouldn't do this movie... But I wanted to play Mary Magdalene. I thought that I could do something strong and deep with this character.

I always wear some make-up, even on quiet days when I am not doing so much with my time. I like to start using Dolce & Gabbana Perfect Finish Creamy Foundation as a base, as it's lighter than air and doesn't make me feel 'caked.'

It doesn't surprise me that men in their twenties and thirties are often looking for a much older woman. What is the problem with a man of 30 being with a woman of 50? It is a matter of energy and the soul, not a matter of age of the body.

I don't work all the time. That's why I waited to have children until I was ready for that. I try to organise my time according to them because they need me. I don't want to put my work first anymore because it's not as important as my children.

Men have the power in everything: journalism, acting, direction; in banks, finances, schools. All the laws are made by men. Men think that women, when they're not able to procreate any more, become old. That is not true - they are still amazing!

Sometimes when we think about femininity, we think also fragile. But I think you can be feminine and very strong. I think make-up goes with that femininity. I think it's a natural gesture for women and one they do more for themselves than for others.

My body is an object of work. That's why I think to be an actor is one of the most violent jobs. If you're a pianist, you have your piano. If you're a guitarist, you have your guitar. But if you're a dancer, or you're an actor - your instrument is your body.

Truly, I am a woman of the last minute. When I was pregnant, I organised three different hospitals because I couldn't decide where I wanted to have my baby: London, Rome or Paris. In the end, I decided to go to Rome, arrived on the Monday and gave birth on the Saturday.

In so many places in the world, women have been prisoners for so long that they feel they have to scream about their rights. But when you scream, nobody listens to you. Real authority comes when you no longer need to scream - and that's something we women still need to learn.

I don't know Hollywood very well. I've never lived in Los Angeles or New York. But what I can see in Paris, where I live, is that actresses like Catherine Deneuve, Isabelle Huppert, Charlotte Rampling, still get the chance to play strong, sexy roles even though they're not 20.

I grew up in Perugia, Umbria, in a world outside of fashion, so I didn't learn about it until I was older and moved away. In Milan, the women are really into fashion, and all the big fashion brands are based there, but I don't think they feel pressure to look good all the time.

I like a movie that brings out many discussions. From my experience, every time I have done movies, they create this kind of situation. Like 'Irreversible,' 'The Passion of the Christ,' 'Malena'; it's so interesting. I like to explore the dark side of humanity. That's why I'm an actor.

I think the person creates the artist. And I think when you get lost within your person, your artistry get lost, too. It's like in 'Birdman.' Because the artist inside you is attached to your soul. And when you're not attached to yourself anymore, the soul goes away. You can't let that happen.

If you believe what you are on the red carpet, then you would have to go see a doctor, and there are so many actors like that. You have to know very well this is a moment of glamour, and when I go back home, I don't have the airbrush, and I have dark circles because I don't have the make-up on.

I'm not someone that wants to control everything. I like to work with people that bring their talents to the project. So I like it when the makeup artist has a chance to do their work, when the dresser does their work, when the director does their work. They all come with stories and ideas to think about.

For me, true beauty has nothing to do with wrinkles and everything to do with the fact that my maternal grandmother raised five children just after the war and remained a fighter throughout her life. True beauty is the slick of red lipstick my paternal grandmother would put on before going to church on Sunday.

I speak a little Portuguese, but my daughter speaks it better than me. I always feel that Italy is my home, but it is important for my husband that we also live in France. Sometimes we live as a family all together, but as we are two working actors, sometimes we have to be apart. Sometimes I'm shooting a movie; sometimes he is.

We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.

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