Quotes by Quentin Tarantino - Page 6

One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
Quentin Tarantino / Film Director
War
Mother
Song
Copy Quote
'Django' was definitely the beginning of my political side, and I think 'Hateful Eight' is the... logical extension and conclusion of that. I mean, when I say conclusion, I'm not saying I'll never be political again, but, I mean, I think it's like, in a weird way, 'Django' was the question, and 'Hateful Eight' is the answer.
Quentin Tarantino / Film Director
Conclusion
Eight
Hateful
Logical
Weird
Beginning
Definitely
Extension
Question
Weird Way
Copy Quote
One of the privileges you have of living the life of an artist and creating your own world and everything is the fact that, in-between times, you can kind of spend them however you want. Because, you know, once you open up your candy store again, you're open for business. And you have to be responsible. You have to be available.
Quentin Tarantino / Film Director
Available
Candy
Life Business World
Candy Store
In-Between
Privileges
Store
Copy Quote
I got into Facebook late, and I think if you get into Facebook late, you tend to use it the right way, as opposed to the people who got into it sooner and friended everybody and now have a thousand friends. I keep it at about 80 or so, and they're all people I know. Just because I do a movie doesn't mean I friend everybody in it.
Quentin Tarantino / Film Director
Movie
Late
Right Way
Thousand
People Way Know
All People
Sooner
Friend
Facebook
Opposed
Tend
Copy Quote
I'm not superstitious in my normal daily life but I get that way about writing, even though I know it's all bullshit. But I began that way and so, that's the way it is. My ritual is I never use a typewriter or computer. I just write it all by hand. It's a ceremony. I go to a stationary store and buy a notebook and then fill it up.
Quentin Tarantino / Film Director
Notebook
Hands
Typewriters
Writing
Copy Quote
I live in the Hollywood Hills. When I see a cop driving around there, I actually assume that he has my best interests at heart and that he has the best interests of my property at heart. I think if you'd go to Pasadena, they'd say the same thing. And I think if you knocked on doors in Glendale and asked them, they'd say the same thing.
Quentin Tarantino / Film Director
Heart
Hollywood Hills
Thinking
Copy Quote
When I went to do my big audition with actors for Mr. Blonde, the thing that was very interesting was the first person to actually do the audition with the song, and they kind of actually acted out the whole scene, they weren't so great. It wasn't that they were magnificent, but the song, it was the first -it was all - been in my head.
Quentin Tarantino / Film Director
Blonde
Interesting
Song
Copy Quote
I don't have any one way to tell a story. I don't have any rule book of how it's supposed to be done. But I've always said that if a story would be more emotionally involving told, beginning, middle, and end, I'll tell it that way. I won't jigsaw it, just to show what a clever boy I am. I don't do anything in my script just to be clever.
Quentin Tarantino / Film Director
Book
Boys
Clever
Copy Quote
I liked the idea of creating a new pop-culture, folkloric hero character that I created with 'Django' that I think's gonna last for a long time. And I think as the generations go on and everything, you know, my hope is it can be a rite of passage for black fathers and their sons. Like, when are they old enough to watch 'Django Unchained'?
Quentin Tarantino / Film Director
Generations
Hero
Rite
Fathers
Old Enough
Passage
Sons
Copy Quote
By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
Quentin Tarantino / Film Director
Feet
People
Writing
Copy Quote
I loved the idea of the fact that the way, like I said, they colored outside of the lines. You know, there was rules that they didn't have to follow. And you got -you got - you could get more of a sensational thrill, all right, with some of these exploitation movies or art films, or you could get something you wouldn't see at the normal cineplex.
Quentin Tarantino / Film Director
Art
Ideas
Way
Copy Quote
American Indians would, you know, scalp them and desecrate the bodies, you know, tie them to cactuses or bury them in anthills or things like that, and you know, cut up the bodies and stuff. And then the other enemy soldiers would come across and find their comrades laying there, ripped apart, and they would be sickened by it and it would scare them.
Quentin Tarantino / Film Director
Cutting
Soldier
Ties
Copy Quote
You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.
Quentin Tarantino / Film Director
Reading
Thinking
Writing
Copy Quote
They [American Indians] never did straight-up fights. It wasn't about, you know, getting killed in the line of fire. It was all ambush, ambush, ambush, and you ambush somebody, and then you take the scalps, and you - even though scalping wasn't created by the American Indians. It was created by the white man against Indians, and they just took it and claimed it.
Quentin Tarantino / Film Director
Men
Fighting
Fire
Copy Quote
I liked the Hollywood stuff. But I also liked the fact that in both, you know, I guess in the, like, the auteur, the art film auteur at that time was Lina Wertmuller. So, you go see "Swept Away" or you go see a movie she did "Blood Feud" with Sophia Loren and Giancarlo Giannini. And I remember "Wifemistress" was a big movie at that time, really liked it, Laura Antonelli.
Quentin Tarantino / Film Director
Art
Blood
Feuds
Copy Quote
"Dukes of Hazzard" or something you could, you know that, your work is going to be made up of that - episodic television shows. Not that I got many of them, but that was where I - but actually oddly enough though, they were teaching camera terminology at the same time in this acting class, so I actually was able to understand what rack focus and whip pan and all that stuff meant.
Quentin Tarantino / Film Director
Class
Focus
Teaching
Copy Quote
I remember when it was reported that I was going to do the film in this format, people were actually speculating, and I guess I understand it. They were like, "Yeah, okay, that all sounds really great, but why would he do it for a thing that's so set bound?" That's not very profound thinking when it comes to 65mm. It's not just for shooting travelogues, mountain scenery and nature.
Quentin Tarantino / Film Director
People
Profound
Thinking
Copy Quote
And by banning [smartphones] from the set, the whole crew tends to work tighter with each other. And then it just becomes a thing where people kind of fall in love with the idea, 'This is the film-industry that I signed up for! This is really wonderful.' But then they go back to another set and everybody's on their cellphone, everyone's in their own little box, and they get depressed about it.
Quentin Tarantino / Film Director
Falling In Love
Ideas
Smartphones
Copy Quote
I love thinking about things subtextually and I actually - like for instance when I write, I actually, I'm not very analytical about it. I don't ever deal with the subtext because I just know it's there so I don't have to deal with it. I just keep it about the scenario. I keep it on the surface, on my concerns. And one of the fun things is is when I'm done with everything, like now, for instance.
Quentin Tarantino / Film Director
Fun
Thinking
Writing
Copy Quote
And there's wordplay and there's rhythms and you have to be able to get the poetry out of it. You have to be able to sell my jokes. And if you're talking about somebody like Sam Jackson, they do that. Sam Jackson can do that. Sam Jackson can turn it into the spoken word that it was always meant to be and he can sell my jokes. And Christopher Walken can do it and a lot of people can do it, all right.
Quentin Tarantino / Film Director
Able
People
Talking
Copy Quote
I shot the way I wanted to shoot [in The Hateful Eight]. The only real disadvantage I felt at the time, but I don't feel now, was that we weren't able to get a zoom lens, and I had really gotten used to using a zoom lens for that little zoom creep. But it was also a nice thing to be forced to not use all the tools that you've gotten used to, from time to time, and to be able to work in a different way.
Quentin Tarantino / Film Director
Eight
Nice
Real
Copy Quote
I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene just came to me.
Quentin Tarantino / Film Director
Book
Django
Writing
Copy Quote
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
Quentin Tarantino / Film Director
War
Cowboy
Jumping
Copy Quote
When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won’t allow their characters to go down those roads... I’ve never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I’ll follow them.
Quentin Tarantino / Film Director
Character
Down And
Writing
Copy Quote
When I'm writing in my bedroom, in a bar, at my kitchen table or wherever, I'm conjuring it all up on the page. That's all well and good, but it is going to be a limited perspective at that point and time. Occasionally, what I write might read really well initially, but then you change your mind while hunting for locations when you discover settings which offer even better opportunities for drama or dramatic staging.
Quentin Tarantino / Film Director
Opportunity
Drama
Writing
Copy Quote
When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.
Quentin Tarantino / Film Director
Jobs
Cinema
Writing
Copy Quote
Frankly, Django is an American story that needs to be told, when you think of slavery existing in this country for 245 years. In slave narratives there were all types of tales and drama and heroism and pain and love that happened during that time. That's rich material for drama! Everyone complains that there are no new stories left to tell. Not true, there are a whole bunch of them, and they're all American with a capital A.
Quentin Tarantino / Film Director
Country
Drama
Pain
Copy Quote
Oddly enough, I've always - I've never actually seen "The Alamo" itself, actually. So I don't really have the association of "Green Leaves of Summer" as being "The Alamo" theme. Oddly enough, I grew up watching kung fu movies. They would use the theme "Green Leaves of Summer" in a lot of needle drops in kung fu movies a lot. So I was actually more familiar with it in a Bruce Li movie than I was actually from the John Wayne film.
Quentin Tarantino / Film Director
Green
Summer
Use
Copy Quote
I would've written this story [Django] if [Barack] Obama were president or if he never existed. For one, I think it's time to tell a story that deals with this subject America has avoided for so long. Most countries have been forced to deal with the atrocities of their past that still affect them to this day. But America has been pretty slippery in the way that it has avoided looking slavery in the eye. I believe that's a problem.
Quentin Tarantino / Film Director
Believe
Country
Eye
Copy Quote
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
Quentin Tarantino / Film Director
Art
Ghetto
Italian
Copy Quote
I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.
Quentin Tarantino / Film Director
Class
Play
School
Copy Quote
It hit me that an Apache resistance would be a wonderful, you know, it would be a wonderful metaphor for Jewish-American soldiers to be using behind enemy lines against the Nazis because the Apache Indians... were able to fight off for decades both the Spaniards and the Mexicans and the U.S. Cavalry for years because of their - they were great guerrilla fighters. They were great resistance fighters. And one of their ways of winning battles was psychological battles.
Quentin Tarantino / Film Director
Fighting
Winning
Years
Copy Quote
You should be able to criticize civil servants for what you think is wrongdoing without being painted as a cop-hater. I don't feel the police are all corrupt, however I do feel they are suffering from institutional racism and there needs to be a top-to-bottom examination of the way they practice and the way they criminalize young black and brown males. The fact that they seem to have backed off from it seems to suggest they realize they overreacted on me and it looks bad.
Quentin Tarantino / Film Director
Practice
Racism
Thinking
Copy Quote
If it's too much for people, if audiences don't accept it, well I guess that's just the way it is. I'm not being cavalier when it comes to my financial partners, but I think I've earned the right to do my thing my way. While I really want it to do well and it would be lovely if it's popular, movies are for a long time. I'm really proud of the piece. If it ends up not connecting with audiences, I won't be heartbroken. I'll be a little disappointed, but I won't be heartbroken.
Quentin Tarantino / Film Director
Heartbroken
Long
Thinking
Copy Quote
The path of the righteous man is beset on all sides By the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, Shepherds the weak through the valley of darkness, For he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger Those who attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my vengeance upon thee.
Quentin Tarantino / Film Director
Brother
Children
Selfish
Copy Quote
Oddly enough, most of the books written about the subject aren't very good because they just focus on the more hateful movies that they did very early, early on when they were trying to, you know, get Germany into the war, whether it be anti-Semitic movies like "Jud Suss," or "The Eternal Jew," or movies made against the Polish to help, you know, create sympathy for them to invade Poland. You know, there'd be movies where there would be some German girl living in Poland who's raped by the Polish or something.
Quentin Tarantino / Film Director
Girl
War
Book
Copy Quote
One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.
Quentin Tarantino / Film Director
Block
Character
Writing
Copy Quote
Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.
Quentin Tarantino / Film Director
Play
Rocks
Writing
Copy Quote
There's another aspect about the Seventies. Blazing Saddles, as wonderful as it was, sort of hurt the Western. It made such fun of them, that you almost couldn't take them seriously from that point on. That's why only Westerns that had the stink of Watergate or Vietnam could be taken seriously. There were so few Westerns made since then, from the Eighties on, that the few directors who did were so pleased with themselves and so happy to have the opportunity that they got lost in visuals, they got lost in the vistas and the pretty scenery.
Quentin Tarantino / Film Director
Fun
Hurt
Taken
Copy Quote
In polite society, there is such a thing as sensitivity to some issues, as time has gone on. There was a time when we weren't politically correct, at all, and we all wince at moments when we look to the past and see that. I don't really know what the answer is, as far as that is concerned. However, me, as an artist, I don't really think about it, at all. It actually is not my job to think about that, especially in terms of me, as a writer, but also as a filmmaker. I'm not worried about the filmmaking part because, if I'm writing it, that's what I'm going to do.
Quentin Tarantino / Film Director
Jobs
Past
Writing
Copy Quote
You're not going to have the police force representing the black and brown community, if they've spent the last 30 years busting every son and daughter and father and mother for every piddling drug offense that they've ever done, thus creating a mistrust in the community. But at the same time, you should be able to talk about abuses of power, and you should be able to talk about police brutality and what, in some cases, is as far as I'm concerned, outright murder and outright loss of justice without the police organization targeting you in the way that they have done me.
Quentin Tarantino / Film Director
Daughter
Father
Loss
Mother
Copy Quote
Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
Quentin Tarantino / Film Director
Morning
Baby
Clothes
Copy Quote

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Quentin Tarantino Quotes - Page 6

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