Quotes of All Topics . Occasions . Authors
Cats don't need you that much. They like to come and get stroked now and then, and they need you to feed them. But other than that, they're not very demanding, are they? I quite like that.
I simply want to take a break and catch my breath. But I also think that, sometimes, the bravest thing you can do is to deliberately keep some time free and see what the world throws at you.
I remembered a mantra that one of my teachers used to tell me at drama school, that every thought will pass across your face. Even if you're thinking about Shreddies the camera will read it.
I always vaguely knew I wanted to perform, but I haven't got the greatest singing voice and my dancing isn't up to scratch. Acting was really the only alternative. My parents have been really supportive throughout.
There's always been a religious strain in me. I can't get rid of it. I don't want to get rid of it. I'm not involved in a church, but I understand that impulse to believe in something that's never going to betray you.
There's such a huge link with fashion, with front covers of magazines and selling products, but that's not what you go into the job for, and yet you're persuaded that's what you have to do to create the opportunities for yourself.
I come from theatre, and I feel like I have to go back to it every few years because it's like nourishment for the soul. And, as an actor, it's the place you have most control: no one cuts or edits you, and you get to tell the story each night.
For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.
I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic.
You never have a consistent job as an actor, so you're always looking for the next thing. It's defined by the opportunities that come across your doorstep at the time. A career is totally in the hands of fate, in terms of how those opportunities arise.
The only ultimate power you have as a human being is over your choice to live or die. Everything else is chaos. If you try and think you have control over some of your life, essentially, that's the only real control you have, is whether you decide to exist.
It's a good time for me, but it's only recently I've become comfortable in my job. At the start, it's hard having the nerve to call yourself an actor, let alone doing it. I gave myself two years after drama school, and if I didn't make it, then I'd give it up.
I come from the south, so you're useless, and you're a bit pathetic. That's the first thing that the northerners think of you. You're also from the city, so you are used to having your cappuccinos and your luxuries and getting your chicken from a plastic packet.
Leaving Europe in my mind wasn't the best thing; it's not the best way of having that political voice. But that's the only voice people in Britain could have. People turned out in their droves to vote, more than for prime minister. So it was huge and very divisive.
In Britain, we haven't got enough money to make these long-running shows. We always do little mini ones. You have more control as an actor over what you want to do with it. On these you drive yourself mad trying to know what's going to happen, because the writers don't.
Even now, for women to be contemplating the act of ending their life is considered horrific because they are the giver of life. They're seen in a patriarchal society as the one who offers life and has to nurture a child and have a child within them. That's your only role.
You can argue about globalization and the many benefits it has had, but also you have to appeal to the mass with everything. The Chinese, the Americans, the Russians... Everything becomes this very bland product, and that's all we're producing at the moment. It's driven by money.
There has been inequality for so long, and now that someone like Trump is in charge, we're face to face with how much misogyny there is in the world. But things are moving quickly, and you just want to say, 'Let's think about this, because we don't want to jeopardise real change.'
I love meeting people and analysing their world. I like having a puzzle to solve. That's why I do so much work in advance. Even if it doesn't affect my performance in the end, I just find it so much more interesting if I've got as wide as possible an understanding of the material.
I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic. I fail to get anything that way.
I do get recognised, but if I'm in a restaurant, I'll get one person noticing me, not the whole place. It is uncomfortable when people try and sneak a picture; sometimes, I don't feel like being seen. But I don't stop myself doing stuff. I go to Barry's Bootcamp and yoga just like anyone else.
Brexit for me was really interesting because I was in the heart of Yorkshire, which is a "leave" area. It was quite odd actually, a real deep sense of unease. You felt very odd for your country. You have lots of people that are angry. It's a very physical and public stand that these people are making.
Hollywood is no longer the top. I love going to the cinema. I've always adored the idea of being in great, epic films. But they just don't really exist anymore. It's a real shame. There's great auteurs that create small movies, but it's really hard for anyone to see them, and for them to make any sort of money, or for them even to be made in the first place.
The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.