I ask myself, does Slipknot want to play next to the Foo Fighters? The answer is no, because my kids don't want me to do that.

I'm not gonna be like, 'Farewell tour!' then come back. Never say those words to fans - you have to come back if you say that.

Paul Gray - he believed in my art, and I believed in his music. Together, we decided to change the world, and that's what we did.

I've been fortunate to have been in Paris a dozen times, where I've gone to the Louvre. I'm very big on Impressionistic paintings.

It's not about me. It's about what I'm doing for kids. When I walk out onstage, there's 15,000 kids that, to me, represent potential.

It's very important every day that I get up and breathe, and I can say the word 'Slipknot,' and I still have friends that I do it with.

Believe me, I go and go, 'cause I know how short life is, and I know how very blessed all of us are to be here and how very short it is.

Because of Iowa, I like being in a different state that doesn't even have grass and think that I smell fresh-cut grass. It brings me home.

When I leave backstage, some of the fans ask if I'm a roadie, and I just tell them, 'No, I'm the bus driver.' And, of course, they believe it.

I bought a bar because we got banned from playing everywhere else. We were too nuts, and everyone was scared of us. It was Des Moines, Iowa, remember.

Everybody wants to escape, but our escape is the real deal. If we're scary, that's because we're taking you away from you being fed what you want to hear.

Maybe I thought the movie business would be a little bit different than the rock n' roll business, but, in fact, they're the same animal, just packaged differently.

Either people are going to start getting us, or they're not. And if they're not, I want them to quit wasting my time. I just want people to really get into the band.

There's a lot of different things that make me want to take photos. A lot of it is, for a long time I've been obsessed with the thought of time travel with my camera.

We love everyone. We appreciate the support. It has helped us; it has been noted. It has been needed, and it just proves that Slipknot is not a band: we are a culture.

I've been inside the Anne Frank house. You've only read about Anne Frank in grade school. I've been in it. I've seen the diary. Things that teachers couldn't teach you.

To the general public, just remember the people around you. You might not know what they're thinking, so it's always nice to be checked in on and to check in on people.

I didn't want to be in high school. I didn't want to go to grade school. I wanted to learn rock n' roll and paint pictures and throw pots and write haiku and study film.

People always ask me: Is it the music? Is it the masks? No, it's all of it. It's Slipknot. It's the optics, it's the masks, it's the music, it's the performance, it's the records.

The one thing that has always been there for me is music. Before I met my wife, there was music. If my wife were to pass or something, there would be music to help me through that.

After I started Slipknot, I was very honored because I got in touch with the masses. But I was very down on myself because I dropped out of college, which meant I dropped out on myself.

My oldest boy, when I do skip, he's gonna take over my slot. He was sitting on the stair in diapers wearing my mask with sticks while we were downstairs trying to learn how to be a band.

I would never, ever change the formula of what we would do, but what I want to do is go down somewhere really conceptual. Really artistic. Really theme-oriented. But I don't want to push anything.

Why should anybody see our faces? What have our clothes got to do with anything? So we got the masks and the overalls, and we set about developing the most insane live shows that anyone has ever seen.

I lost both my parents, and it wasn't as hard as losing Paul, because you've got your whole life with them - you know it's going to happen. With Paul being my best friend, I just didn't see it coming.

I don't need the new fan; I need the fan that has anxiety - parents are getting divorced, social problems, gender problems - I need them to come to the ultimate show, and they're going to get that at Knotfest.

I can't speak for anybody else but myself 'cause I usually get in trouble when I speak for other people, so I've learned my lesson not to do that, but for me, I've been known to pace for quite a while when I walk onstage, and that's just because I'm becoming one with my shell.

I've got dreams now of reinventing 'Hellraiser' and just getting my head on anything I can get my hands on that maybe I would love. 'Cause the possibilities are endless: I can make my own movies; I can make other people's movies. But if someone had a 'Hellraiser' script and had funding, and I loved it, let's go.

A lot of us in Slipknot, we get to go to wounded soldier hospitals where soldiers have lost their limbs. That's surreal. It's even more surreal to talk to them about your band. They're talking to you about war and losing their limbs, and at same time, they're talking about their favorite album, these kind of things.

I'm not drawn to people that much unless there's a really serious energy happening, but I'll take a lot of pictures of trees, or I'm always staring at the ground. I'll see an oil stain that looks like something out of 'Lord of the Rings' or something, and that's what kind of calls to me... I'm drawn to that aspect of photography.

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