Quotes by Stacey D'erasmo - Page 2

'The Girls' tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed.
Stacey D'erasmo / Novelist
Abandon
Darling
Eternity
Teenage
Attached
Indeed
Joined
Ruby
Spiritually
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Writers and musicians are very similar in that the chances of making a life in either field are so infinitesimal. And once you're in, the chances of staying viable are difficult. But there is something incredibly different about performing in front of a live audience, as opposed to sitting at your desk typing.
Stacey D'erasmo / Novelist
Performing
Staying
Typing
Life Your Live
Life Your Difficult
Chances
Desk
Live Audience
Musicians
Opposed
Similar
Viable
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Emotional grandeur, rendered in the vernacular, has been Mona Simpson's forte. In her novels, 'Anywhere but Here,' 'The Lost Father' and 'A Regular Guy,' Simpson wrote wide and long and high about the most profound human bonds: parents and children lost each other, found each other, lost each other again, but differently.
Stacey D'erasmo / Novelist
Forte
Grandeur
Profound
Vernacular
Wide
Bonds
Mona
Regular Guy
Simpson
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You can get anything online, including things that don't even exist. We've invented our own collective unconscious. The normal rules of time and space don't apply. It's held together by some other force than gravity. It's endless. It's like some unimaginably huge, messy novel that's writing itself both with and without us.
Stacey D'erasmo / Novelist
Gravity
Messy
Online
Time And Space
Unconscious
Collective
Space Time Together
Held
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You can conclude from the glossy surfaces of 'The L Word' that L stands for latte or Lexus and stop there. Or you can notice that in some of its less flashy moments, the show has staked a claim on Large - as in a larger, denser, more ambivalent imaginary world, populated by imperfect and riveting citizens of all sexual stripes.
Stacey D'erasmo / Novelist
Ambivalent
Flashy
Imaginary
Imaginary World
Imperfect
Stripes
Claim
Conclude
Sexual
Notice
Stands
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The railroads needed standardized time; as a result, the technology of train travel shaped the way everyone gets up, eats, goes to sleep, calculates age, and, perhaps of no small importance, imagine the world as a whole, ticking reliably, with reliable deviations, according to the beat of one central clock in a physical location.
Stacey D'erasmo / Novelist
Clock
Importance
Location
Railroads
According
Time Age Technology
Central
Eats
Shaped
Reliable
Standardized
Ticking
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I think for some people real success would mean having all the money in the world and having everyone love you every minute of the day. I don’t know if that’s really my aspiration. I just want to keep doing this. I just want to keep finding new ways and new paths and new territory. Every time I get to do it, it feels like freedom.
Stacey D'erasmo / Novelist
Love You
Mean
Real
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In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.
Stacey D'erasmo / Novelist
Distance
Intimacy
Maggie
Miles
Unexpected
Anticipated
Cultural
Geographic
Held
Joined
Measured
Previous
Separated
Temporal
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The ambition of 'Ten Thousand Saints,' Eleanor Henderson's debut novel about a group of unambitious lost souls, is beautiful. In nearly 400 pages, Henderson does not hold back once: she writes the hell out of every moment, every scene, every perspective, every fleeting impression, every impulse and desire and bit of emotional detritus.
Stacey D'erasmo / Novelist
Ambition
Debut
Fleeting
Impression
Impulse
Pages
Perspective
Thousand
Nearly
Saints
Souls
Writes
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Nazi Literature in the Americas, a wicked invented encyclopedia of imaginary fascist writers and literary tastemakers, is Bolaño playing with sharp, twisting knives. As if he were Borges's wisecracking, sardonic son, Bolaño has meticulously created a tightly woven network of far-right litterateurs and purveyors of belles lettres for whom Hitler was beauty, truth, and the great lost hope.
Stacey D'erasmo / Novelist
Knives
Son
Wicked
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