To be able to make statements, you need to be confident about what you think. You need to have a sense of right and wrong.

There is a very thin line dividing characterisation from impersonation. I've to make sure I don't cross over into mimicry.

Four days a week, I do gymming, four days marital arts. Once a week I normally play lawn tennis, and once a week I horseride.

Everything happening around me is very random. I am enjoying the phase, as the journey is far more enjoyable than the destination.

People assume that actors working in films won't have the time to do theatre. But I make sure that whenever I'm free, I watch a play.

The best thing is to accept the circumstances, not take them personally, deal with them, stop complaining, and give everything your best.

Frankly, I'm an actor right now because of Shah Rukh. When I was in school and even when studying engineering, I used to watch his films.

When I was in the eighth standard, I would dance to 'Suraj hua madham.' I have to achieve many things before I become even the 'S' of SRK.

I am not bothered with whether my characters are conventional or not. Because I am not in this for the designer labels and the autographs.

Every character that I've chosen has made me evolve as an actor. And I am lucky that my directors have shown so much faith in my abilities.

I come from a family of doctors and engineers, and everyone expected me to take up a similar career. That was the most natural thing to do!

Filmmaking is all about what we like to do on-screen. We have attempted that in the film. I have worked very hard to perform the character.

A man should definitely own a couple of blue denims, white crew neck T-shirt, a versatile blazer, comfortable pair of boxers, and coloured sneakers.

Cricketers have to perform in front of millions, and there are no retakes. If then you become a hero, you deserve all the accolades coming your way.

Practical knowledge of what works and what doesn't work is much better. Theoretical knowledge is important, but I think practical knowledge works better.

I crave for adventure. It makes me feel alive and excited. It's a constant tussle between what you want to do and other parameters that aren't in your hands.

Whatever dream you have, be sure that it is going to be happen, and then forget about it. Then you have to come back to the present and be there 100 percent.

I think, for every actor, the most challenging part of playing a character, specially a real-life character, is to convince yourself that you are the character.

Dibakar and Shekhar have the vision that we would associate with European cinema. They leave their actors on their own to give a personal narration on the screen.

Theatre is a must for actors. They should try it at least once. It makes you disciplined, teaches you to respect your work, and boosts your confidence as an actor.

I was very excited and interested as a background dancer or as a theatre actor or when I was working on TV, or even on the film which didn't do well, like 'Byomkesh.'

Nawazuddin Siddiqui is the best actor because his choice of roles are so diametrically opposite from each other, and he pulls it off almost every time so convincingly.

An actor has to remember the primary reason why he chose the profession that he did. If every role that I do doesn't challenge me, then what is the point of being an actor?

I am ecstatic that 'KPC' was a commercial hit and was critically acclaimed. The 60 days we shot for it were the best days of my life. I still get goosebumps when I think of them.

We should never forget the inevitable, as we will lose everything eventually. So, why fret over any kind of security? The idea is to just fly and experience it all while it lasts.

I'm a trained engineer, so I'm conditioned to come up with a right answer to a difficult question, but when it comes to art, there is no definite answer because it's so subjective.

I left everything I had to become an actor. So, I better be excited, or otherwise, there is no point in doing all this. Else I would end up being disappointed with whatever I achieve.

The closest synonym of happiness is excitement, and you can generate it by doing something that you can't completely comprehend. This understanding makes the process rich and exciting.

Since I think I am very boring in normal life, I tend to hide behind all these exciting characters, making people believe that I am someone else entirely. That feeling is very powerful.

I realised quite early that by the time I articulate my thoughts into words, I'm on to another thought. And what comes out wasn't what I thought of exactly. So not talking was a better option.

Everybody is in a hurry to decode you in a certain way, and then they expect you to adhere to their definition. How can they possibly do that when you yourself are finding it hard to discover yourself?

I pray to God every day that he makes me the biggest superstar, but before that, I ask God to make me a good actor. Being a star is hard, but being an actor is even harder. I want to be both before I am done.

Bringing out your vulnerable side and shedding your privacy in front of complete strangers is so very difficult, but when you are into the performance, the relief and release is so extraordinary that you get addicted.

I think people generally are lost, as they keep thinking about what is going to happen and what they have done. They are not alive anymore. The art of listening is missing. In their head, they are doing something else.

What people think of me doesn't affect me. As bizarre as it sounds, I don't have a Google alert on my phone; I don't read newspapers, and I don't watch television. If something important happens, I will get to know about it.

The way Nolan looks at things is just amazing. It can be easily seen in all his films. I was just watching his videos on how he came up with the screenplay of 'Memento,' and it's just extraordinary. It just opens up your mind.

I was the youngest child and the only son. I was expected to shine in academics. It seemed like too big a risk to take up cricket as a career. I thought I had to live up to my family's expectations. So I chose to be an engineer.

When I was young, I was supposed to study in the afternoon, and 4 - 5:30 P.M. was playtime. The entire day would revolve around that time. We would play anything - kabaddi, cricket. Those one and half hours would feel like 5 minutes.

If 'Befikre' was representing the new-age youth of India and romance as what it was claiming, it would have been great irrespective of the box-office numbers. But unfortunately, it didn't do that, and hence, I would not be interested.

No matter what you achieve, what you want to aspire to be, or how famous and powerful you become, the most important thing is whether you are excited about each and every moment of your life because of your work and people around you.

I remember when the results of the All India Engineering exams came out. I ranked 7th. I even got a scholarship. But it was during the sixth semester of my engineering course that I decided to call it quits and pursue acting seriously.

I think we are all insecure, and there is nothing wrong in accepting that. But the problem arises when we try to counter this insecurity by cultivating this illusion of control, and we start taking ourselves and everything we know too seriously.

The equation I share with the camera doesn't change whether you place a camera in front of me or a live audience. Just the pay cheques differ. But that doesn't matter to me because I've so much money, I don't even think about it. It's just lying there.

It took me 13 months just to prepare for 'M.S. Dhoni'... I started by watching every single video I could find of his, repeatedly. After three months, people who met me started saying that they could see similarities, and I knew I was on the right path.

Both Dhoni and me, we are so interested in what we are doing right now that we don't sit and think about future. This thing commands your attention because you love it so much. Your experience is not distorted by your fear or desire to attain something.

There are so many ways to approach a character. You have to figure out the similarities between you and the character, build on them, and at the same time, blur the dissimilarities. Since you do it day in and day out, it becomes a process and a part of you.

Things are difficult for outsiders in the industry, and it is very evident, too. It does not mean that insiders have it easy or that it's impossible for outsiders to break in. More often than not, the difference is about how successes and failures are viewed and magnified.

I really wanted to buy a Range Rover. It was a big dream, and the day I bought it, I was very happy, but by evening, I was immune to it. That's when I realized that excitement, if it's happiness, is not in reaching the goal but in the process. Thus process trumps over realization.

Along with some of my college friends, I would often bunk classes and drive to Murthal, which is about 50 km from New Delhi, just to have some piping hot parathas. There was this small roadside dhaba where they would serve absolutely delicious aloo parathas with dollops of butter.

I have songs that define characters from each film of mine. It can be a song from that particular film or something that just goes with the wavelength of the film; you listen to it, and it gives you that rhythm. I can't articulate how it helps, but it somehow gives you an understanding of the character.

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