I think time is a merciless thing. I think life is a process of burning oneself out and time is the fire that burns you.

Success is blocked by concentrating on it and planning for it... Success is shy - it won't come out while you're watching.

I saw that it was all over, put away in a box like a doll no longer cared for, the magical intimacy of our childhood together

We are all civilized people, wich means that we are all savages at heart but observing a few amenities of civilized behaviour.

Since that day, when people have spoken to me of "genius", I have felt the inside pocket to make sure my wallet's still there.

What is straight? A line can be straight, or a street, but the human heart, oh, no, it's curved like a road through mountains.

But there are things that happen between a man and a woman in the dark -- that sort of make everything else seem -- unimportant.

How long does it have to go on? This punishment? Haven't I done time enough, haven't I served my term? can't I apply for a-pardon?

What on earth can you do on this earth but catch at whatever comes near you, with both your fingers, until your fingers are broken?

Personal lyricism is the outcry of prisoner to prisoner from the cell in solitary where each is confined for the duration of his life.

Only some radical change can divert the downward course of my spirit, some startling new place or people to arrest the drift, the drag.

In all these years, you never believed I loved you. And I did. I did so much. I did love you. I even loved your hate and your hardness.

Time goes by so fast. Nothin' can outrun it. Death commences too early--almost before you're half-acquainted with life--you meet the other.

The theatre is a place where one has time for the problems of people to whom one would show the door if they came to one's office for a job.

Val: Why do you go out there? Sandra: Because dead people give such good advice. Val: What advice do they give? Sandra: Just one word- live!

They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!

Somebody said once or wrote, once: 'We're all of us children in a vast kindergarten trying to spell God's name with the wrong alphabet blocks!

Stella: And when he comes back I cry on his lap like a baby.. [she smiles to herself] Blanche: I guess that is what is meant by being in love.

I believe that the silence of God, the absolute speechlessness of Him is a long, long, and awful thing that the whole world is lost because of.

The future is called 'perhaps', which is the only possible thing to call the future. And the important thing is not to allow that to scare you.

I have always been more interested in creating a character that contains something crippled. I think nearly all of us have some kind of defect.

It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write.

I know I fib a good deal. After all, a woman's charm is fifty per cent illusion, but when a thing is important I tell the truth. - Blanche Scene II

Jim lights a cigarette and leans indolently back on his elbow smiling at Laura with a warmth and charm which lights her inwardly with altar candles.

Switch clicking off in my head, turning the hot light off and the cool night on and — [He looks up, smiling sadly.] — all of a sudden there's—peace!

You'll be surprised how infinitely merciful they [these tablets] are. The prescription number is 96814. I think of it as the telephone number of God!

For a creative person there's just as much pleasure in writing an eight-line poem as there is in writing a blockbuster play ... of the old '50s type.

I don't ask for your pity, but just your understanding - no, not even that -no. Just for your recognition of me in you, and the enemy, time, in us all.

When things don’t change, their sameness becomes an accretion. That is why all society puts on flesh. Succumbs to the cubicles and begins to fill them.

Hysteria is a natural phenomenon, the common denominator of the female nature. It's the female weapon and the test of a man is his ability to cope with it.

Luxury is the wolf at the door and its fangs are the vanities and conceits germinated by success. When an artist learns this, he knows where the danger is.

Oh, you weak, beautiful people who give up with such grace. What you need is someone to take hold of you - gently, with love, and hand your life back to you.

I don't believe anyone ever suspects how completely unsure I am of my work and myself and what tortures of self-doubting the doubt of others has always given me.

But since I have a poet's weakness for symbols, I am using this character also as a symbol; he is the long-delayed but always expected something that we live for.

They chatter together like birds on Cypress Hill, but all they say is 'Live, live, live, live, live!' It's all they've learned, it's the only advice they can give.

We are all of us born, live and die in the shadow of a giant question mark that refers to three questions: Where do we come from? Why? And where, oh where, are we going!

I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.

If I am no longer disturbed myself, I will deal less with disturbed people, but I don't regret having concerned myself with them because I think most of us are disturbed.

An artist must believe in himself - Possibly not so passionately as Lawrence - but passionately. Your belief is contagious. Others say - He is vain - but they are affected.

-You're simple, straightforward and honest, a little bit on the primitive side, I should think. To interest you a woman would have to... -To lay her cards out on the table.

It is, perhaps more than anything else, the arrest of time which has taken place in a completed work of art that gives certain plays their feeling of depth and significance.

I think no more than a week after I started writing I ran into the first block. It's hard to describe it in a way that will be understandable to anyone who is not a neurotic.

Kenneth Hari does not paint portraits as they are but as he is. I feel he is hiding something from me. To board a train into his mind would give me a ride into dark adventure.

We all live in a house on fire, no fire department to call; no way out, just the upstairs window to look out of while the fire burns the house down with us trapped, locked in it.

And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that's stronger than this-kitchen-candle.

Some things are not forgiveable. Deliberate cruelty is not forgiveable. It is the most unforgiveable thing in my opinion, and the one thing in which I have never, ever been guilty.

I wrote because I had to. I couldn't stop. There wasn't anything else I could do. If no one ever bought anything, anything I ever did, I'd still be writing. It's beyond a compulsion.

Don't you just love these long rainy afternoons in New Orleans when an hour isn't just an hour — but a little bit of eternity dropped in your hands — and who knows what to do with it?

Blanche: No, I have the misfortune of being an English instructor. I attempt to instill a bunch of bobby-soxers and drugstore Romeos with a reverence for Hawthorne and Whitman and Poe!

There is no pleasure in the world like writing well and going fast. It's like nothing else. It's like a love affair, it goes on and on, and doesn't end in marriage. It's all courtship.

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