Quotes of All Topics . Occasions . Authors
When one doesn't want the limelight, but is also creative in developing whatever it is they are, then you can have two equal people that aren't competing against each other. I think when you are in the same field, it's difficult to leave it outside and not compete. Then when the doors are closed; that pervades everything.
When one doesn’t want the limelight, but is also creative in developing whatever it is they are, then you can have two equal people that aren’t competing against each other. I think when you are in the same field, it’s difficult to leave it outside and not compete. Then when the doors are closed, that pervades everything.
Let's be honest. You let yourself be pulled in because it felt good to be wanted, needed. But then it went too far, as projected images always do. If it's not a real image, but one that has been projected on to you, then you can keep up the masquerade for only so long before the mask cracks and the paint on the mask peels away.
I've always seen the songs as having a consciousness. Since I was two-and-a-half they would come to me from nowhere. I never thought that I was conjuring them by myself, and I was always grateful they would come and visit... They've always been very much alive. They don't have a physical body like we do but there seems to be an awareness.
If you don't think, and you have no wit and you have so many hangups that you can't look beyond your cup of coffee then you're never going to understand what I'm really saying. Because you know what? You're going to shut down and close off before you hear me. If I'm threatening you, you're going to see it the way you need to see it so you can dismiss me.
It took the love of a good man [to heal]. When I was reverting back into my, let's say, perversions, he would say: 'Let's go get an ice cream. I am not going to enable you. If you can only come as a wanton woman for hire, because you feel dirty and shamed, then no. Women are goddesses.' And I know that and I believe that. I chose a man who believed that, too.
I do believe that we all are, fundamentally, divided creatures. Emotions split from intellect, spirit from flesh and far too often sexuality is disconnected from what we feel, and are, as total human beings. But how, for example, can anyone have an understanding of the virgin if they don't also have an understanding of the prostitute, the saint and sinner in one body?
We all get intimidated by showing ourselves, for whatever reason, we think, If I really show who I am, and someone goes [pfftt] then it's gonna crush me. Well, it's not gonna crush me. It doesn't crush you if somebody does that- somebody will do that. Many times. And once you accept that that's not why you're doing it, you're doing it because that's your form of expression.
If all I can say is I'm not in this swamp, I'm not in this swamp then there is not a rope in front of me and there is not an alligator behind me and there is not a girl sitting at the edge eating a hot dog and if I believe that, then dying would be the only answer because then Death couldn't come and say Peachy to me anymore and after all she has a brother who believes in hope.
I call that god the Little G. Because the god that we've been worshipping is not to me the Supreme Creator. Anybody who needs to control and make people feel ashamed. . .It's like, 'I send my only begotten son. . .' Well you know, that concept of sending a son where we as women could, like, breastfeed him and give him milk, but he's not gonna soil his dinky with us? What's that all about?
I salute to you Commander and I sneeze 'Cause I have Now an Allergy To your policies it seems Where have we gone wrong America? Mr. Lincoln we can't seem to find you anywhere out of the millions From the deserts To the mountains Over prairies To the shores Is this just the Madness of King George Yo George Is this just the Madness of King George Yo George Well you have the whole Nation on all fours.
Neil [Gaiman, creator of the comic Sandman, featuring the Amos-based character Delirium] believes that faeries have gone beyond cool. They've transcended cool. I just think alternate realities make you a good writer. If your work is any more than one dimension, you believe in faeries. I'm sure I'll start thinking now about all the people I know who don't believe, that I quite like. We can still go have a pint. Not the Chardonnay, though.
I survived this torture which left me paralyzed for years. That's what that night was all about, mutilation, more than violence through sex. I really do feel as though I was psychologically mutilated that night and now I'm trying to put the pieces back together again. Through love, not hatred. And through my music. My strength has been to open again, to life, and my victory is the fact that, despite it all, I kept alive my vulnerability.
Operation Peter Pan spanned from 1960-62 whereby over 14,000 children were sent away from their families in Cuba, some never to reunite again. Pan Am flights took the children to Miami FL, 'Never-Never Land', and the children became known as the 'Peter Pans.' I wrote this song for my daughter, and it is sung for all the daughters and mothers, fathers and brothers who felt this pain of separation all because of governments and their politics.
There certainly are situations where I feel not empowered or uninspired. Particularly when the person's agenda is to intimidate through abusing their position or their authority. When I am present and in a nonreactive state, then I can become like snake and slide through their "intimidation net" back into the creative plane. When I am in a reactive state, I usually regret responding, because usually all that happens is that the intimidator feels righteously vindicated.
In order for my live performance to work, which is about generating a focused energy for about an hour and a half, it is necessary for me to listen and take in someone else's focused energy the day of or the day before the live show. That can transpire through a conversation, or inspiration can occur by looking through any type of visual book which sparks a narrative. That narrative then becomes today's seed and can then take root in music terms, where a sonic tree begins to grow.
I can't have discussions about it anymore, I just can't. When someone asks me if I've found Jesus, I say, 'Yeah, I saw him at a Nirvana concert a couple of years ago.' It's like, Jesus has got things to do, he's got a ten o'clock. He's not going to fix things for me, I have to fix things for myself, so I try and have a sense of humor about it and nobody finds my humor very amusing. We've just got to lighten up on the savior bit, folks. You know, get off the cross, we need the wood.
Sometimes listening to music can motivate you. It can. But if you're a musician, that isn't always the way to get new ideas because you don't want to take somebody else's ideas. You need to find your own. So if you go to different artistic mediums, whether it's dance or it's visual arts or films or books, stories, sometimes it gets you hearing things, hearing progressions that you wouldn't come up with if you were just listening to other music because you don't want to copy progressions you've just heard.