Quotes by William Klein - Page 2

I like festivals of all kinds: in 1969, I made a film about the first Pan-African festival in Algiers, which celebrated the countries that had been liberated 10 years earlier. There was a tremendous feeling of kinship.
William Klein / Photographer
Liberated
Celebrated
Tremendous
Earlier
Festival
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I thought it would be good not to hide the fact that you're taking a photograph, and have people react and come in close and also make a commentary on what's being photographed: 'This is a photo, this is my point of view.'
William Klein / Photographer
Commentary
Point Of View
Good View People
Photo
Hide
Photographed
React
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I grew up in Manhattan. For Manhattanites, Brooklyn was the sticks, a second-rate civilization. My friends and I, we were so snobby. Living in the Bronx or Brooklyn was incredible... for me, that was like a foreign country.
William Klein / Photographer
Bronx
Manhattan
Second Rate
Snobby
Sticks
Me Country Living
Foreign Country
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I was fascinated by the Black Panthers because I'd been in contact with the Nation of Islam, thanks to Muhammad Ali, and their way of talking was that the whites were the devil, and they'd get rid of them once they took over.
William Klein / Photographer
Contact
Fascinated
Islam
Muhammad
Thanks
Ali
Rid
Whites
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I didn't really know who Cassius Clay was. I just wanted to show America through a heavyweight championship fight. Ever since my childhood, I'd been fascinated by the way the whole country becomes polarised around this event.
William Klein / Photographer
Championship
Clay
Fascinated
Event
Heavyweight
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The digital camera takes photographs in practically no light: it will dig out the least bit of light available. I was amazed to see the results of photographs that I wouldn't take ordinarily. That's the advantage of digital photography.
William Klein / Photographer
Advantage
Amazed
Available
Results
Camera
Photographs
Dig
Practically
Ordinarily
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I have always loved the amateur side of photography, automatic photographs, accidental photographs with uncentered compositions, heads cut off, whatever. I incite people to make their self-portraits. I see myself as their walking photo booth.
William Klein / Photographer
Cutting
Photography
Self
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I have always done the opposite of what I was trained to do... Having little technical background, I became a photographer. Adopting a machine, I do my utmost to make it malfunction. For me, to make a photograph is to make an anti-photograph.
William Klein / Photographer
Done
Machines
Opposites
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I'm known for fashion photographs, but fashion photographs were mostly a joke for me. In 'Vogue,' girls were playing at being duchesses, but they were actually from Flatbush, Brooklyn. They would play duchesses, and I would play Cecil Beaton.
William Klein / Photographer
Brooklyn
Photographs
Cecil
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My sister was brilliant: she was in the 25 top math students in the country. When she finished college, I said, 'Spend a couple of months here in Europe. You'll get another take on life.' She never came - married some schmuck who made clothes for fat women on Seventh Avenue.
William Klein / Photographer
Brilliant
Math
Fat
Avenue
Schmuck
Seventh
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I was making a film on Muhammad Ali in 1964, and I went to Miami to film everything around the fight for the world championship with Sonny Liston. I had the good luck of flying down to Miami, and there was one empty seat, and the guy sitting next to this empty seat was Malcolm X.
William Klein / Photographer
Championship
Empty
Flying
Good Luck
Luck
Miami
Muhammad
Ali
Good World Fight
Seat
Good Fight World
Malcolm
Sonny
World Championship
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Sometimes, I'd take shots without aiming, just to see what happened. I'd rush into crowds - bang! bang! ... It must be close to what a fighter feels after jabbing and circling and getting hit, when suddenly there's an opening, and bang! Right on the button. It's a fantastic feeling.
William Klein / Photographer
Bangs
Buttons
Feelings
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When you use film, you use accidents, but there aren't any accidents with digital photography. I don't mind that it's easy. But I do mind that there is a sort of consensus with the camera and the subject and the light, and you look at something, and you photograph it, and you get what you see.
William Klein / Photographer
Accidents
Consensus
Photograph
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My grandfather and his wife came to America at the end of the 19th century from Hungary. Everyone started out on the Lower East Side. They became embourgeoise and would move to the Upper West Side. Then, if they'd make money, they'd move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village.
William Klein / Photographer
East Side
Grandfather
Hungary
Village
West Side
Avenue
Lower
Park
Upper
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I don't roam around with a camera and never did. I took pictures in spurts, for my books, for some assignments or on special occasions. Like people who take out their cameras for Christmas and birthdays. Each time, like them, probably, I feel it’s the first time and as if I would have to relearn the moves. Luckily, it comes pretty fast, like riding a bike.
William Klein / Photographer
Book
Moving
People
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I feel like I'm doing something that's worthwhile. I feel like I'm showing something other people haven't shown. I don't get to talk to the people who I photograph, I just go, along, banging away. So I don't really have a relationship with them. A lot of people think it's very important. I don't. It's like love at first sight. I have an impression when I see somebody, and I have an idea of who they are, or what they are.
William Klein / Photographer
Love At First Sight
People
Thinking
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The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
William Klein / Photographer
New York
Lying
Photography
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William Klein Quotes - Page 2

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