If you talk to some of the older players, they definitely say they see beauty in certain games. In my case, there are certain times when I think, 'Wow, that's so amazing, chess is so full of ideas.' But most of the time I tend to be much more pragmatic about it, as opposed to thinking about it as art or something exquisite.

Look at the catastrophic record Vishy Anand has against Garry Kasparov. Kasparov managed to beat him almost everywhere they played, even though Vishy Anand has belonged to the absolute top players in the world for fifteen years. This difference cannot be explained purely in chess terms, there must have been some psychology.

Well, I kind of split my life into two pieces. One was where my chess career lies. There, I kept my sanity, so to speak, and my logic. And the other was my religious life. I tried to apply what I learned in the church to my chess career too. But I still was studying chess. I wasn't just "trusting in God" to give me the moves.

Sometimes it happens that the computer's assessment is very abstract. It's correct, but it's not useful for a practical game. You have to prove the assessment with very strong moves and if you don't find all of these strong moves you may lose very quickly. For a computer this is not a problem, but for humans it is not so easy.

First, we are born in the same galaxy. Born of the same spe­cies. Our life­times over­lap. The meet­ings between humans are so unlikely as to be mira­cu­lous. To laugh, to cry, and to fall in love. Every­one is made up of a col­lec­tion of 1% chances. Thus, I am dazzled by the fact that there are so many mir­acles in this world.

Most chess books only sell a few thousand copies, and a book titled something like "Women in Chess" would sell even fewer. The idea with this title was to spread the book outside the competitive chess world. I'm interested in attracting readers who love chess but play only casually, and feminists interested in male-dominated fields.

I've never been much of a computer guy at least in terms of playing with computers. Actually until I was about 11 I didn't use a computer for preparing for games at all. Now, obviously, the computer is an important tool for me preparing for my games. I analyze when I'm on the computer, either my games or my opponents. But mostly my own.

It's a very special generation, because during our careers the computer entered chess. So we know how to play without computers, which is also important. We can analyse without computers. I am not saying that younger players cannot do this, but we are more in the habit of doing this. That's important to improve your chess understanding.

If Steinitz continually took pains to discover combinations, the success or failure of his diligent search could not be explained by him as due to chance. Hence, he concluded that some characteristic, a quality of the given position, must exist that would indicate the success or the failure of the search before it was actually undertaken.

Sometimes at lectures I am asked: how would the champions of the last century play today? I think that, after making a hurried study of modern openings, and watching one or two tournaments, the champions of the last century, and indeed the century before that, would very quickly occupy the same place that they occupied when they were alive.

Chess players, people who travel all over the world, should be trusted or else not sent anywhere at all. Why are these four people (Antoshion and three other official 'minders') sent along to supervise us? With their meagre experience, all that thay did was interfere, more than ever before. And when they were needed, they weren't to be found.

When I used to go to the Manhattan Chess Club back in the fifties, I met a lot of old-timers there who knew Capablanca, because he used to come around to the Manhattan club in the forties - before he died in the early forties. They spoke about Capablanca with awe. I have never seen people speak about any chess player like that, before or since.

She and I just don't see eye to eye together. She's a square. She keeps telling me that I'm too interested in chess, that I should get friends outside of chess, you can't make a living from chess, that I should finish high school and all that nonsense. She keeps in my hair and I don't like people in my hair, you know, so I had to get rid of her.

There are some things we do much better than computers, but since most of chess is tactically based they do many things better than humans. And this imbalance remains. I no longer have any issues. It's bit like asking an astronomer, does he mind that a telescope does all the work. He is used to it. It is just an incredible tool that you can use.

By playing slowly during the early phases of a game I am able to grasp the basic requirements of each position. Then, despite being in time pressure, I have no difficulty in finding the best continuation. Incidentally, it is an odd fact that more often than not it is my opponent who gets the jitters when I am compelled to make these hurried moves.

Chess is more than a game or a mental training. It is a distinct attainment. I have always regarded the playing of chess and the accomplishment of a good game as an art, and something to be admired no less than an artist's canvas or the product of a sculptor's chisel. Chess is a mental diversion rather than a game. It is both artistic and scientific.

When I start to play a game I try to forget about previous games and try to concentrate on this game. This game is now the most important to me. But of course I am not a computer and you cannot simply press a button, delete, and everything you want to forget disappears automatically. But if you want to play well, it's important to concentrate on the now.

For success I consider three factors are necessary: firstly, an awareness of my own strengths and weaknesses; secondly, an accurate understanding of my opponent's strengths and weaknesses; thirdly, a higher aim than momentary satisfaction. I see this aim as being scientific and artistic achievements, which place the game of chess on a par with other arts.

You can feel the same thing in football or soccer - that for the best teams in Spain and England, for instance, the public... they're not really going to cheer at all when they play against bad teams unless they do something spectacular. Even if they're winning by a few goals they'll probably just say, "nah." That's normal and they're not excited about it.

The United States is an illegitimate country, just like Israel. It has no right to exist. That country belongs to the Red man, the American Indian... It's actually a shame to be a so-called American, because everybody living there is a usurper, an invader taking part in this crime, which is to rob the land, rob the country and kill all the American Indians.

A man wants to walk across the land, but the earth is covered with thorns. He has two options - one is to pave his road, to tame all of nature into compliance. The other is to make sandals. Making sandals is the internal solution...it does not base success on a submissive world or overpowering force, but on intelligent preparation and cultivated resilience.

If you do your "homework" well you can be sure you'll feel more relaxed. Make sure you have a walk or rest before the game because the most important thing is to be focused during the game itself! If you get tired by preparation you won't have enough energy left for the whole game, and we all know that a single blunder can ruin all the work done beforehand!

All I expect are wins and to get pleasure from the game. And if someone thinks something about me, if someone's dissatisfied with something... that's not my headache. I hope someday I'll become World Champion - and I'll make all these people happy. But even if for some reason that doesn't happen it won't stop me getting pleasure from chess. I'm sure of that.

Yeah, I used to dress badly until I was about sixteen. But people just didn't seem to have enough respect for me, you know And I didn't like that, so I decided I'd have to show them they weren't any better than me, you know? They were sort of priding themselves. They would say, 'He beat us at chess, but he's still just an uncouth kid.' So I decided to dress up.

Too many times, people don't try their best. They don't have the keen spirit; the winning spirit. And once you make it you've got to guard your reputation - every day go in like an unknown to prove yourself. That's why I don't clown around. I don't believe in wasting time. My goal is to win the World Chess Championship; to beat the Russians. I take this very seriously.

I started playing chess when I was about 4 or 5 years old. It is very good for children to learn to play chess, because it helps them to develop their mental abilities. It also helps to consolidate a person's character, because as it happens both in life and in a chess game we have to make decisions constantly. In chess there is no luck and no excuses: everything is in your hands.

An exception was made with respect to me, because of my victory over Marshall. Some of the masters objected to my entry ... one of them was Dr. Bernstein. I had the good fortune to play him in the first round., and beat him in such fashion as to obtain the Rothschild prize for the most brilliant game ... a profound feeling of respect for my ability remained throughout the rest of the contest.

Self-confidence is very important. If you don't think you can win, you will take cowardly decisions in the crucial moments, out of sheer respect for your opponent. You see the opportunity but also greater limitations than you should. I have always believed in what I do on the chessboard, even when I had no objective reason to. It is better to overestimate your prospects than underestimate them.

One thing with Garry, and I think it is due in a large part to his Soviet training, he'll never quite understand that you have to be able to criticize constructively. When you have someone who is always on your case and it's never good enough no matter how you win a game, it just brings you down, you lose confidence. And as a chess player you have to be confident, you have to believe in yourself.

But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt. He [Capablanca] wanted to change the rules [of chess] already, back in the twenties, because he said chess was getting played out. He was right. Now chess is completely dead. It is all just memorisation and prearrangement. It's a terrible game now. Very uncreative.

Possibly, over the course of time, the brain capacity of homo sapiens will have made such great progress, that complications as contained in this game can be fathomed instantly with a shrug and a smile. Then, not only will the game of chess have ceased to exist, but also will the remembrance of frequently missed objectives elicit pity, as a reaction to the shortcomings of a lower organized form of life.

Chess never has been and never can be aught but a recreation. It should not be indulged in to the detriment of other and more serious avocations - should not absorb or engross the thoughts of those who worship at its shrine, but should be kept in the background, and restrained within its proper province. As a mere game, a relaxation from the severe pursuits of life, it is deserving of high commendation.

He is the so-called father of the modern school of chess; before him, the King was considered a weak piece and players set out to attack the King directly. Steinitz claimed that the King was well able to take care of itself, and ought not to be attacked until one had some other positional advantage. He understood more about the use of squares than Morphy and contributed a great deal more to chess theory.

It feels a little silly to annotate a game in which I didn't make a single move on my own, just following my preparation all the way. [...] A pretty finale. I was obviously hoping for the beauty prize sacrificing both my rooks and all, but OK, Im [sic] afraid requirements are one makes a move of his own for that it seems. Something I could avoid doing in the last five rounds in Dresden. Silly game, this chess.

A knowledge of tactics is the foundation of positional play. This is a rule which has stood its test in chess history and one which we cannot impress forcibly enough upon the young chess player. A beginner should avoid Queen's Gambit and French Defence and play open games instead! While he may not win as many games at first, he will in the long run be amply compensated by acquiring a thorough knowledge of the game

No great player blundered oftener than I done. I was champion of the world for twenty-eight years because I was twenty years ahead of my time. I played on certain principles, which neither Zukertort nor anyone else of his time understood. The players of today, such as Lasker, Tarrasch, Pillsbury, Schlechter and others have adopted my principles, and as is only natural, they have improved upon what I began, and that is the whole secret of the matter.

I wasn't sure what I wanted to do with my life. I always wanted to pursue either music or comics, so when the opportunity came from comics publisher Fantagraphics for my brothers Jaime and Mario and I to make a comic book together, we jumped at the chance: "Let's just do it and see what happens." Really, we weren't sure where we were going to go with it. We thought our work was good enough to be out there, but we didn't know that the response was going to be pretty good, pretty quick.

When Grand Masters play, they see the logic of their opponent's moves. One's moves may be so powerful that the other may not be able to stop him, but the plan behind the moves will be clear. Not so with Fischer. His moves did not make sense - at least to all the rest of us they didn't. We were playing chess, Fischer was playing something else, call it what you will. Naturally, there would come a time when we finally would understand what those moves had been about. But by then it was too late. We were dead.

It's the fault of the chess players themselves. I don't know what they used to be, but now they're not the most gentlemanly group. When it was a game played by the aristocrats it had more like you know dignity to it. When they used to have the clubs, like no women were allowed and everybody went in dressed in a suit, a tie, like gentlemen, you know. Now, kids come running in their sneakers. Even in the best chess club-and they got women in there. It's a social place and people are making noise, it's a madhouse.

I love chess, and I didn't invent Fischerandom chess to destroy chess. I invented Fischerandom chess to keep chess going. Because I consider the old chess is dying, it really is dead. A lot of people have come up with other rules of chess-type games, with 10x8 boards, new pieces, and all kinds of things. I'm really not interested in that. I want to keep the old chess flavor. I want to keep the old chess game. But just making a change so the starting positions are mixed, so it's not degenerated down to memorisation and prearrangement like it is today.

In chess the most unbelievable thing for me is that it's a game for everybody: rich, poor, girl, boy, old, young. It's a fantastic game which can unite people and generations! It's a language which you'll find people "speak" in every country. If you reach a certain level you find a very rich world! Art, sport, logic, psychology, a battlefield, imagination, creativity not only in practical games but don't forget either how amazing a feeling it is to compose a study, for example (unfortunately that's not appreciated these days but it's a fantastic part of chess!).

A form of intellectual productiveness, therein lies its peculiar charm. Intellectual productiveness is one of the greatest joys - if not the greatest one - of human existence. It is not everyone who can write a play, or build a bridge, or even make a good joke. But in chess everyone can, everyone must be intellectually productive, and so can share in this select delight. I have always a slight feeling of pity for the man who has no knowledge of chess, just as I would pity the man who has remained ignorant of love. Chess, like love, like music, has the power to make men happy.

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