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  • My children have always existed at the deepest center of me, right there in the heart/hearth, but I struggled with the powerful demands of motherhood, chafing sometimes at the way they pulled me away from my separate life, not knowing how to balance them with my unwieldy need for solitude and creative expression.

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My children have always existed at the deepest center of me, right there in the heart/hearth, but I struggled with the powerful demands of motherhood, chafing sometimes at the way they pulled me away from my separate life, not knowing how to balance them with my unwieldy need for solitude and creative expression.

We really have to think about aging because women are living longer than men. More of the people who need care are women. A lot of them are living alone, with no one to care for them, or they're shunted into institutions. I would like to see a sensible aging policy more like what the Nordic countries have. They're cutting back those programs, but there you can still have in-home nursing care. You don't have to rely on your children. I personally don't want to be a burden on my daughter.
For me, it was always clear that Toni Erdmann is more a film about what globalization, capitalism, does with private relationships much more than making a "political" film. It's more interesting to raise questions, because I don't feel in a position to "make a statement" with the film. Toni Erdmann comes from a completely different generation then his daughter, it's the post-war generation, they were very politically engaged. They raised their children with a lot of human worldviews, sent them out in the world believing in a world without borders.

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