If you have a very good concept of your character, you can snap into it.

Military leaders aren't made. They are born. To be a good leader, you have to have something in your character to cause people to follow you.

The most important thing is to just be good at what you do. You do a good job playing the character, and people will be taken up with your character, not your clothes.

A good character is the best tombstone. Those who loved you and were helped by you will remember you when forget-me-nots have withered. Carve your name on hearts, not on marble.

If something touches me, I cry. That's it. I'm a bit raw, a bit rubbish, really. Often, a director will say to me, 'I don't think this is a scene where your character cries.' And all I can say is, good luck with that!

The opulence and grandeur of a lot of period drama really helps you get into character and appreciate the luxury of good quality. If you're fashion-minded in any way, you can't help but be incredibly inspired and apply elements to your own style.

Our job is to unleash the play. It's not just about your character or interaction with the other characters. There's an energy in all good plays which you have to find. And that is part and parcel of ensuring that an audience gets what it's about.

Yeah, it is, because it's a real discovery of your inner resources, you know. That's what my character is all about and what my playing is all about. But to get up there and just go inside and draw out something that makes you feel good first and foremost.

I would say runway is easier because your job is to look good or play a character that is just going somewhere. It's rather physical, whereas acting is terrifying because you're dealing with your subconscious, and those can be murky waters. But I definitely can say that I enjoy acting more as an artist.

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