I read true crime books, and I read when people do case studies of stuff. I'm into books like that. Case studies or forensics or murder - all that good stuff.

You know no one ever accomplishes something like this without a lot of help from good people along the way. And this is certainly true in my case, and I would like to thank some of those people.

To begin with, I want to tell a good story, a story that people will listen to and that they'll think this is true, even if it is a story that might be defined as - as myth or legend or even fanciful.

I had this mentality that I had to go out to everyone's show so everyone at the end of the week would come to mine - that I had to go out and rub elbows, find exposure. A small part of that is true. But if something is good, people will notice when you put it out.

It's a mixed feeling when everything you've ever wanted in making films is coming true, and yet you feel scared because it's happening all at once. Suddenly you're in rooms with people you've looked up to for years, the Judi Denches. You wonder if you're good, if you have what it takes.

Americans are a lot more open, of course. There's something more declamatory in the way you express emotions. It's a stereotype but it's true. British people can appear repressed in expressing emotions. Not very good at self-evaluating, or affirming situations, touching, anything like that.

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