I probably looked pretty conventionally successful as a 24-year-old getting paid $125,000 a year, plus bonus, wearing suits, and living in a Manhattan apartment. But I hated my job, I didn't admire the people I was working with, and I felt that I was becoming a smaller, less imaginative, less risk-taking, less likable version of myself.

I want young Indian composers to be able to do more than just film music. I want to give them the skills that will enable them to create their own palette of sounds instead of having to write formulaic music. It doesn't matter if they become sound engineers, producers, composers or performers - I want them to be as imaginative as they like.

I must discipline myself. I must be imaginative and create plots, knit motives, probe dialogue - rather than merely trying to record descriptions and sensations. The latter is pointless, without purpose, unless it is later to be synthesized into a story. The latter is also a rather pronounced symptom of an oversensitive and unproductive ego.

All things which have a directing force here in the physical world cease to exist when one arrives in the imaginative world. If, on the physical plane, you imagine yourself to have done something you actually have not done, you will soon be persuaded by the facts of the physical world that this is not so. This is not the case in astral space.

Through systematic exercising of our thinking faculties, we can train ourselves for exact clairvoyance. Imaginative Knowledge is the first step in supersensible perception, and through it we reach the first element of the supersensible it is possible to reach, namely, the supersensible body that we bear within our earthly body in physical space.

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