Well, because music is my life and music is not work for me.

I work on music with different people, and I work on music on my own. That's my life.

Music has always been so integral to my life. It's always been my work and my passion.

I'm going to try to do music for the rest of my life, but that's just trying. Maybe it's not going to work out. Who knows?

I know I want to work for my whole life because I know I can't live without music or dancing. But I don't know if I want to be a big star.

Unlike motor sport, I didn't get into music for the live performances. I like writing and studio work and seeing how a song can come to life.

To me, getting to do music and videos, you work on a character. Being onstage is acting; you get to be larger than life and larger than yourself.

I look forward the day that I could work on my farm, create music, write books, and be with the wife and kids around the clock - and live a normal life.

A big part of what kept me focused on the music was already failing with basketball. I played basketball all of my life. When basketball didn't work, I knew that I had to make it in whatever I decided to do next.

Tintinnabulation is an area I sometimes wander into when I am searching for answers - in my life, my music, my work. In my dark hours, I have the certain feeling that everything outside this one thing has no meaning.

When I was young, I played the piano and studied classical music and jazz. I wanted to be a concert pianist, and if I'd devoted myself to it, I could have been. But it would have been too much work and a very lonely life.

All my life, I had loved music and been in choir, and I have a degree in music, but I never planned on doing it as a job. I had a realistic perspective on that. I thought maybe work at a church or be a teacher if you wanted to work in music.

I dropped out of high school when I was, like, 15, so I just focused on doing music. It's all I wanted to do; I didn't want to work or anything else. I took all the negativity and obstacles that came with life, and I just put it in the music.

I've done bits of writing for other people but when I'm writing music as Years & Years, I'm using my life and my stories and my experiences. I want it to be authentic and real but also to work as a pop song - I never want to just put in a cheesy line.

You know, it's very easy to have a few beers with people in the music industry and suddenly be friends for life - 'Let's work together!' All of a sudden, you're trying to form a super group with a few people you've met in a club. I'm not into that, myself. Those aren't your mates.

I find that music makes people just sit and listen, firstly. Then, they seem to interpret their own emotions with the music and it makes them ponder their own life a lot. And then they start to question: Am I happy in my work? Am I happy in my relationships? What am I striving for?

It's all about the mood I'm in and the scene I'm writing. 'Cause work controls my life, writing controls my life, performing controls my life. So I don't listen to any music that's not an influence on what I'm working on that day. Music is a big influence in my work and sometimes drives the energy of where I want to go.

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