What the world really needs is more love and less paper work.

I love my work, but I do not think that I am saving the world... I am a Valley Girl.

When I started to work with UNICEF, it was a new way of giving some love and care to the world.

In an ideal world, I'd love to work on something that is on par with 'Lost' or better than 'Lost.'

Academics love to make theories about a body of work, but each book consumes the writer and is the sum of his or her world.

I'd just love to have an audience and it's the most fun in the world to get a new script every week and have the audience come in, and work with those actors.

I've been having meetings with people, just everywhere in the world, and it's like, 'Hey, really love you to work with me, send me some ideas.' That's the crazy part.

Personally, I really enjoy sci-fi. I watch it, I read comic books, and I play video games. I love this kind of world, so to be able to work in it is a dream. I enjoy it.

Once I moved to London I thought it was unbeatable. I work a lot in L.A. and love it, but would never give up London. It's a true world city, with an energy that's unique.

The only consistent hobby I've had is studying Spanish and French because of some delusion of grandeur to work around the world. I love sports but usually I'm looking for the next job.

I've fought a couple different places in the world. I love America, I'm American, but I have to say that American fans are the worst. I have to say it. They can get mad at me. I said it, and it's something they can work on.

I try to remain under radar as much as I can. In our line of work, whatever we do makes news, and with social media, people comment on everything. When it comes to love, the day I get married, I will tell the world about my wife.

When you're writing, it's so absorbing. It's like a drop cloth goes over you, and the world outside falls away, but you do have a miniature version of the world, your own world, that you actually have some control over. I love to work.

The fashion world tells me how much they love my work, but they don't hire me very often. Tom Ford did, and he hated it. Naturally, he wanted to Photoshop away the imperfections, which is perfectly understandable. They want their vision.

I love doing period work, like all the trappings and the wigs and everything. It really helps when it's such a different world that you're immersing yourself in; it helps to get into the story, I think, and step into that different place.

I'd love for there to be a situation - a world in which that's just not even a question anymore. We are all filmmakers - different stripes, genders, sexual orientations, colors - and our work can be taken on its own terms. I'm really looking forward to that day.

I love meeting people and analysing their world. I like having a puzzle to solve. That's why I do so much work in advance. Even if it doesn't affect my performance in the end, I just find it so much more interesting if I've got as wide as possible an understanding of the material.

Prisons function by isolating those of us who are incarcerated from any means of support other than those charged with keeping us imprisoned: first, they physically isolate us from the outside world and those in it who love us; then they work to divide prisoners from one another by inculcating our distrust in one another.

Because I was such a student of pop culture growing up, I love that on the list of things that I got to work on in my first years out of college were 'Scream' and 'Dawson's Creek' and, ultimately now, 'The Vampire Diaries,' which generations below me grew up on and can quote. I love that. I think that is the coolest thing in the world.

Share This Page