It took me a little while to get sorrow under the belt enough to understand country music's lyrics and strengths.

I was lucky enough to have parents who started me on music very early, but most kids don't get that kind of exposure.

The music of the Clovers and Spaniels and the rest was like candy to me. I couldn't get enough; my teachers probably thought I had attention deficit disorder.

Grime reminds me, if there is an echo, of sort of near enough like Liverpool in the very early Sixties. It's a lot of kids obsessed with music - obsessed with it.

I think the whole question of meaning in music is difficult enough even if you hear me playing live right now in the same room! What I mean and what you take from it may be two quite different things anyway.

I'll play about with different sounds in the studio with no concept of music at all. I'll just build up a song in layers and when it sounds all right and gives me a vibe, that's enough, and I'll add vocals and move on.

If I play somebody's mixtape, if it gets on my nerves halfway through because it's too loud or everything sounds the same, it makes me want to approach every song I do differently. I don't want somebody saying, 'That's enough of this,' when they listen to my music.

I have a couple of things I do to clear my head when I need it. The first is exercise, the kind of exercise that makes me lie on the floor afterward gasping for breath and wonder if I'm actually going to be able to breathe enough to not die. The other one is playing music.

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