Science fiction, to me, has not only things that wouldn't happen, but other planets.

The young adult category is particularly interesting to me in terms of science fiction and fantasy tropes.

One of the many things that surprised me about 'Wool' is how many of its fans don't consider themselves science fiction readers.

One futuristic novel that had a huge impact on me was Mary Shelley's 'Frankenstein,' which is kind of science fiction plus Gothic.

At one of the first science fiction conventions I ever went to, I saw a guy wearing a sandwich board promoting his book. Count me out of that one.

No one was going to stop me from writing and no one had to really guide me towards science fiction. It was natural, really, that I would take that interest.

As a fellow science fiction author, Heinlein largely raised me, and I resent it when some folks lazily dismiss Heinlein as a 'right winger' or even 'fascist.'

I had read tons of science fiction. I was fascinated by other worlds, other environments. For me, it was fantasy, but it was not fantasy in the sense of pure escapism.

As a child I always steered clear of science fiction, but in the autumn of 1977, the bow-wave of publicity for the first 'Star Wars' movie had already reached me, so I was eager for anything science-fictional.

I didn't have a manifesto. I had some discontent. It seemed to me that midcentury mainstream American science fiction had often been triumphalist and militaristic, a sort of folk propaganda for American exceptionalism.

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