With 'Delirium,' I had to spend time thinking about the political, social and religious structure of a different world. But it was a fun challenge.

When I write, I tend to be quite cut off from the world. At that point of time, I'm not thinking about editors, publishers or readers. I write the story the way it comes to me.

You start thinking the world is a certain way and forgetting that there's another world outside of the campus boundaries that has nothing to do with what is your world at the time.

I'm, like, the most terrible person to go to a party with in the world, because I just can't enjoy it. I'm just thinking all the time about what it means and what the implications are.

My thinking was scrambled when Sullivan and I separated. Something happened to me that had never happend before. I couldn't cope. It was heartbreak time. I thought it was the end of the world.

I'm always thinking about identity. And the middle-school years are a time of exploring questions about who you are and who you want to be. For the first time, you see the world in a broader sense.

I spend an awful lot of time just thinking about what is going on in the world and talking to people about that. It's probably one of my default social activities, just getting dinners with friends.

I don't spend a lot of time thinking about scary demons, but I think that there are things in this world that are unexplainable that are mystical or paranormal. The possibility is there, definitely.

I have spent more time thinking about European issues than even I can imagine - so many years thinking about Britain and the way our influence around the world was amplified through the European Union.

The world went by, and we didn't get caught up in all the other things, because we didn't have time. We had no spare time. It was always thinking about training and focusing on what we wanted, our goals.

I have all the time in the world. I am in touch with the timeless. I am surrounded by infinity. When I think like that, it doesn't mean I'm going to miss my train, it just means that I'm not thinking about it right now because I'm speaking to you.

The toughest time was lying in a Tenerife hospital with no-one speaking English, next to a window with the sun beating down and my leg tied up, thinking I would never box again or even walk again. It took every bit of shine off winning the world title.

First, hugely popular and talented romance/dark fantasy author Meljean Brook gives a really deep, wonderful story. She's clearly spent so much time thinking about the world of Sonja and her story in particular, it could easily have been a novel of its own.

Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.

I started when I was 15 years old. And at that time, I was not thinking about changing the world, I was doing graffiti - writing my name everywhere, using the city as a canvas. I was going in the tunnels of Paris, on the rooftops with my friends. Each trip was an excursion, was an adventure.

When the Egyptians were building the pyramids or the Romans were building roads, or you had the westward push with the railroads, I don't think that the guys on the ground were spending a lot of time thinking, 'Hey, hundreds or thousands of years from now they will look back at the brick I have just laid down here and say that I changed the world!'

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