Quotes of All Topics . Occasions . Authors
My parents are deeply pious Hindus.
I don't really revise. I tend to rewrite.
I think that books are fundamentally educational.
I think one can be more honest in fiction than in a memoir.
For me, a memoir is nonfiction and nonfiction has to be absolutely true.
It is hard to write about physically difficult things without causing the reader to disengage.
Why do people always think hurting others is all right, as long as they hurt themselves as well?
Exposition suggests a great trust in the reader, and this expression of trust makes a book feel tender.
I am shamelessly biased about the people in my life, and it makes sense to me that other people are the same.
It's easy when you grow up in fear to act out of fear. I don't want to embrace that fear; I prefer to be kind.
My wife is the most wonderful woman in the world, and my parents are the most extraordinary father and mother.
I thought it was quite wonderful coming to America. I think immigration is a very difficult thing, but America is a very wonderful place.
Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
'Family Life' is a blueprint of my life. It was horrible and physically gruesome in a way the book doesn't attempt to capture. It was emotionally very bleak.
Novels should be judged rigorously. Either a book works or it doesn't. The fact that something is true in the real world should not lend authority to it in fiction.
I think immigrants, when they're stressed, think that there's something wrong with America, when it's really just difficult to leave a country and all that you know.
I can't have composite characters. I can't attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: Why did success pass me by?
When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: 'Why did success pass me by?'
We are often unaware of how much we love the people around us. This is true for everyone. We may think that we love certain people, but we don't know how profoundly we love them.
For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don't try to be funny, but am relieved when an opportunity comes up for humor.
As a human being living one's life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
When you read Chekhov, everything has an even gray tone. When you read 'Family Life', everything has an even white tone. It is almost like when you paint on paper, and you can see the paper through the paint.
Seven years into writing a novel, I started to lose my mind. My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.
I need to tell the things that are important but which don't make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides.
To me exposition always contains tenderness. While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
We are all human beings, immigrant or non-immigrant. We all feel fear. We all love and become confused when we don't act as well as we would like to. We all get depressed and have feelings of uselessness. All of these things are true and have always been true.
As a teacher, I can help my students see what is working and not working. I can show them certain solutions. I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer, I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
During my breakdown, many things, tiny things I had not even registered before, had begun to torment me with guilt. I used to steal Splenda from Starbucks. I would go into a Starbucks whenever I needed the sweetener and would take a fistful of packets, even when I didn't buy a coffee.
The little babies are missing their families from their past lives. The babies have old souls and the old souls have to shrink to become little babies. The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they'll forget.
The monsoon is such a dominant part of Indian life that it is hard to overstate its importance. One's life completely changes based on the rain. After the monsoon, because the dust settles, one can see further and so it feels like one's eyesight has improved or that one is living in a different country where there is more light.
Intern will resonate not only with doctors, but with anyone who has struggled with the grand question 'What should I do with my life?' In a voice of profound honesty and intelligence, Sandeep Jauhar gives us an insider's look at the medical profession and also a dramatic account of the psychological challenges of early adulthood.
I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.
I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships. We all become afraid. We all look at others and think these other people are more fortunate than us. Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
If anybody reads an Indian newspaper, all these things are obvious, and so I am not breaking news. All I am doing is representing my community as it actually is. Also, I have to assume that readers are sophisticated enough to know that not every person in a community is the same, and so there are many people who would not force an abortion just because a fetus is female. Even within my stories, people hold opposing views.
Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money. There are also so many emotional aspects to money - feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.