There are many tremendous artists that never make it. Talent is not enough if no one sees, hears and tastes your work.

It is important for me to help others because I was also helped by others before I became part of the Black Eyed Peas.

When I see the discrepancy between kids in the Philippines and the U.S., I feel like I have to give them an opportunity.

Usually when you hear about rappers in Asia, they always try to be like gangsters and stuff like that and I don't get it.

I was once a struggling artist, so I just want to help others, and provide my resources and connections and the people I know.

I've started my own record label - Jeepney Music - and I want to put out my own stuff and also stuff by other Filipino artists.

If there's a Filipino flag waving, will.i.am whispers to me, 'Filipinos are over there!' And then I wave towards that direction.

I was sponsored to go to the U.S. and became a Black Eyed Peas, and now I'm paying it forward and helping other children like me.

I have pursued my dream and I believe it is important to give back because I have been given the opportunity to be what I am now.

I actually got to go back to where I was born and perform there. I just brought my mom up onstage and was like, 'Look, here we are.'

I was just a kid. I had nothing to my name but I was still happy. But I was also given a chance to pursue my dreams, have an education.

I want to encourage Filipino artists to be original, write your own songs and don't be afraid to go outside the box and try new things.

When Will and I were growing up in Los Angeles, his girlfriends were always Israeli, so we'd always be hanging out with Israelis in L.A.

You need a screwdriver for screws and a hammer for nails. Anybody that's trying to screw in a nail with a screwdriver… that ain't too smart.

Queen Latifah once came up to me and said 'Bebot' was her favorite song. She said, 'I don't know what you're talking about, but it feels dope!'

There is some gangsta music I like, like Biggie Smalls - he reminds me of Slick Rick -doing the same thing, but he did it in a really artistic way.

But when I discovered music, I knew that that's what I wanted to do in my life and I just jumped in all the way and pursued my dreams as a musician.

I've been building classrooms for children. Computer labs for kids. It's such a huge problem and so many children just aren't given a chance in life.

Hip-hop is just bombarded with a lot of materialistic stuff. When a group like us with more creativity comes out, I think it will make some kind of change.

There's a lot of kids just like me growing up in the Philippines, so I don't want them to give up. So listen to your parents, work hard and you can achieve so much.

I remember I told my mom that I was scared. I asked her, how will I talk to everyone in English? And my mom gave me a dictionary, where I learned one day at a time.

I think anyone that's running for office really should focus on the education for our youth, creating more jobs and employment, and really focusing on our next generation.

I believe that there are many talented Filipinos and their talent is great and globally competitive, just waiting to be tapped. I don't want such great talent to be wasted.

Stan Lee is like the universal hero. He got every culture together by storytelling. He gave every community their own hero to follow, in fiction and actually in factual life.

I go out pretty much every night, and when you spend time in those clubs, watching how the DJs make their mash-ups to heat up the room, you want to create that sound yourself.

I want the kids in the Philippines to compete with the world, with other kids out there, to have the opportunity. You never know, you might find the next Black Eyed Peas out there.

I came to the U.S. to have opportunities. I saw a lot of people in gangs. I just didn't understand that - you live in the U.S., you have all these opportunities. And then you get in a gang?

Back in Sapangbato in Angeles City, my mom signed me up on this foundation called Pearl S. Buck where they support Fil-Am kids left during the time when U.S. soldiers where at the Clark Air Base.

Not only I am an adoptee, but I also want to prove to everyone that being legally blind with a rare eye disease called Nystagmus that you can do and be anything if you put your mind to it and believe in yourself.

Our first conversation went like: 'So, what do you do in the Philippines for fun?' 'Well, I like to rap and breakdance.' And Will was like, 'What?? Me too!' That sparked our friendship and from then on, we were inseparable.

We want to show people in the U.S. and Europe that hey, here in Southeast Asia, we have so much artists brimming with talent and so deserving. We needed to tap into that so that the West can take notice and sign them up, too.

I like to be hands-on because that's what motivates me. I like to involved from the ground-breaking to ribbon-cutting to auditing the funds. Just giving money away is a little discouraging because I don't know where it is going.

Building virtual classrooms was the brainchild of Charity Dreams. So many people play games online, it's a huge business - and so harnessing the power of the Charity Dreams community to help build classrooms just made a lot of sense.

I was blessed and lucky to have been given opportunity. I really thank my dad, Joe Ben Hudgens, for taking his time and adopting this kid from the Philippines, and gave him his future, and opportunities. Without him, I wouldn't be here.

We've had great experiences in Israel - besides traveling around, we got to go to some clubs. We didn't really know how the nightlife would be in Tel Aviv, and we were surprised how big the party was and what a high level the clubs and music were at.

To me, it's pretty much the same thing - I just love playing music. But the cool thing about DJing is that I get to play other people's music, I can mix it up between our songs and a variety of musical genres. It also enables me to be more intimate with the audience.

We met Ferg at one of our shows in L.A. She gave us her number. For the song 'Shut Up' on Elephunk, we needed a vocalist. Someone said 'yo, remember that white girl - we should get her in the studio.' Since then, we've become friends. She's one of the guys now, she isn't just a girl.

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