I met Eva Ibbotson before I became a writer myself, and was in awe of her then.

As long as I'm able to write across the media and across the age groups, I'm happy.

I love writing plays because they are living, fluid things that are energised by the producer, designers, musicians, actors and audience.

Maybe we all want to burn off across the horizon, into space, perhaps, to take off into some unknown territory and meet ourselves out there.

The sea was at the bottom of my road, and I seemed to spend my childhood in it or on it, hearing, tasting, smelling it. Now, still, I need to be near water as often as possible.

I love to watch the movement of light on water, and I love to play in rivers and lakes, swimming or canoeing. I am fascinated by people who work with water - fishermen, boatmen - and by a way of life that is dominated by water.

I love writing picture books and story books because of the exciting, visual life that artists and illustrators give to them. And most of all, I love writing novels because of the inner, emotional journeys that they take me on. Hopefully, the reader comes with me!

I wrote 'Snowy' as a result of spending a week on a narrow boat with daily classes of children, helping them to write about canal life, the work of barges, the simple pleasure of watching the water creatures. There was no doubt that the star of their week was Snowy, the working barge horse who pulled us daily along the towpath.

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