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Bernardo Bertolucci Quotes - Page 1
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New York has always embraced me.
Bernardo Bertolucci
/
Film Director
New York
Always Me New
Embraced
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A dolly move is a moral commitment.
Bernardo Bertolucci
/
Film Director
Commitment
Moral
Moving
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I lived in a kind of dream of communism.
Bernardo Bertolucci
/
Film Director
Dream
Communism
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You live day by day. You can't build your life.
Bernardo Bertolucci
/
Film Director
Life Your Day
Build
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I left the ending ambiguous, because that is the way life is.
Bernardo Bertolucci
/
Film Director
Ambiguous
Left
Life Is
Way
Ending
Way Life
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I wanted already to be a filmmaker after I saw 'La Dolce Vita.'
Bernardo Bertolucci
/
Film Director
La
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I don't film messages. I let the post office take care of those.
Bernardo Bertolucci
/
Film Director
Care
Film
Messages
Office
Post Office
Take Care
Care Take Care Take
Post
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
Bernardo Bertolucci
/
Film Director
New York
Apples
Hollywood
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I saw 'Avatar' and liked it very much. It was a great achievement.
Bernardo Bertolucci
/
Film Director
Achievement
Great Achievement
Avatar
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I don't think you can in any way export culture with guns or tanks.
Bernardo Bertolucci
/
Film Director
Gun
Tanks
Thinking
Guns
Export
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I make movies in order to make things understood, not to be shocking.
Bernardo Bertolucci
/
Film Director
Shocking
Understood
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A monoculture is not only Hollywood, but Americans trying to export democracy.
Bernardo Bertolucci
/
Film Director
Democracy
Hollywood
Trying
Export
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
Bernardo Bertolucci
/
Film Director
Cameras
Eye
Two
Imitate
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My father basically had two ways of judging anything. Either something was poetic or it wasn't.
Bernardo Bertolucci
/
Film Director
Judging
Poetic
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
Bernardo Bertolucci
/
Film Director
Late
Sometimes
Sync
Advance
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You know, in ten years you're gonna be playing soccer with your tits, what do you think of that?
Bernardo Bertolucci
/
Film Director
Women
Soccer
Thinking
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I am still against any kind of censorship. It's a subject in my life that has been very important.
Bernardo Bertolucci
/
Film Director
Censorship
Important
Kind
Life I Am My Life
Life I Am Important
Subject
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
Bernardo Bertolucci
/
Film Director
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
Bernardo Bertolucci
/
Film Director
Children
Choices
Sadness
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After many, many years, I fell out of love with politics. It's not something I like but it's the truth.
Bernardo Bertolucci
/
Film Director
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
Bernardo Bertolucci
/
Film Director
Instinct
Sometimes
Thinking
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There's no more film; now everything's digital. I welcome this. It's fantastic for me to have a new chance.
Bernardo Bertolucci
/
Film Director
Chance
Digital
Welcome
Chance Me New
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I don't see my movies. I think it's healthier and safer to keep a bit of distance. I'm afraid to be disappointed.
Bernardo Bertolucci
/
Film Director
Disappointed
Distance
Thinking
Healthier
Safer
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
Bernardo Bertolucci
/
Film Director
Paris
Political
Thinking
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If you mention any ideological thing about shooting 'Last Tango in Paris,' I was thinking I was doing a political film.
Bernardo Bertolucci
/
Film Director
Ideological
Shooting
Tango
Mention
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English dialogue is the best in the world. So dry and direct. The Italian language is beautiful, but it is too literary.
Bernardo Bertolucci
/
Film Director
Dialogue
Direct
Dry
Italian
Best Beautiful World
English
Literary
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back... abandoned.
Bernardo Bertolucci
/
Film Director
Technology
Abandoned
Feels
Explore
Otherwise
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
Bernardo Bertolucci
/
Film Director
Hollywood
Moments
Phases
Thinking
Love Great Movies
Unfortunately
To Love
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
Bernardo Bertolucci
/
Film Director
Father
Normal
Writing
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Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.
Bernardo Bertolucci
/
Film Director
Teacher
Cinema
School
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
Bernardo Bertolucci
/
Film Director
Children
Hands
Heart
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I haven't made a movie for a while, but I've watched a lot. It's my major waste of time. I like to work, but also to be waiting for work.
Bernardo Bertolucci
/
Film Director
Waiting
Waste
Wasting Time
Work Time Waiting
Waste Of Time
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A name? Oh, Jesus Christ. Ah, God, I've been called by a million names all my life. I don't want a name. I'm better off with a grunt or a groan for a name.
Bernardo Bertolucci
/
Film Director
Jesus
Names
Self
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The conformist understands that the reason of his desperate look for conformism is that he realises he is different and that he never accepted his difference.
Bernardo Bertolucci
/
Film Director
Accepted
Conformist
Desperate
Understands
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Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere... terrible! In London, it is the same. Every pavement is uneven.
Bernardo Bertolucci
/
Film Director
Commuting
London
Pavement
Rome
Terrible
Everywhere
Uneven
Wheelchair
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For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
Bernardo Bertolucci
/
Film Director
Mystic
Oscars
Adolescent
Dreaming
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I started in '69 to have psychoanalysis, and I realised very soon that I was changing, and that's I think why my movies were changing. They became much more open to dialogue.
Bernardo Bertolucci
/
Film Director
Dialogue
Psychoanalysis
Realised
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
Bernardo Bertolucci
/
Film Director
Cameras
Reality
Return
Attempt
Interpretations
Poem
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What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
Bernardo Bertolucci
/
Film Director
Blushing
Pride
Scorsese
Coppola
Francis
Martin Scorsese
Spielberg
Steven
Steven Spielberg
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I remember being young in the 1960s. We had a great sense of the future, a great big hope. This is what is missing in the youth today. This being able to dream and to change the world.
Bernardo Bertolucci
/
Film Director
Dream
Missing
World
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
Bernardo Bertolucci
/
Film Director
Editing
Loyal
Writing
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I remember being young in the 1960s... we had a great sense of the future, a great big hope. This is what is missing in the youth today. This being able to dream and to change the world.
Bernardo Bertolucci
/
Film Director
Missing
Youth
Change Future Hope
Change The World
Great Sense
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
Bernardo Bertolucci
/
Film Director
Cameras
Ideas
Thinking
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English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
Bernardo Bertolucci
/
Film Director
Dialogue
Italian
Needs
Theatrical
Literary
Hemingway
Nothing Always More
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'Dreamers' was because I really wanted to go back after I heard so much nonsense about '68. I wanted to go back to what for me was '68, when young people thought that they could change the world.
Bernardo Bertolucci
/
Film Director
Nonsense
Change World Me
Change The World
Young People
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I like being able to see an innocence in people. I see a lot of beauty in youth. Young people are in progress. Their faces and bodies and minds are constantly changing. It's exciting to capture that on film.
Bernardo Bertolucci
/
Film Director
Capture
Faces
Innocence
Bodies
Young People
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I am in love with the idea of doing a movie in 3D. I think 3D would be great in a kind of realistic normal story without throwing objects to the camera, but using the 3D on the emotions in an intimate story.
Bernardo Bertolucci
/
Film Director
Intimate
Realistic
Throwing
Love Great I Am
Camera
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I don't see my movies. When you ask me about one of my movies, it just goes in my memory because maybe sometimes I confuse one for another. I think all movies are like sequences, which is the body of my work.
Bernardo Bertolucci
/
Film Director
Work Movies Me
Confuse
Maybe
Memory
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I like to be in a huis clos, as the French say - in one place. It's something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
Bernardo Bertolucci
/
Film Director
Bits
Claustrophobia
Love Me Place
French
Immediately
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
Bernardo Bertolucci
/
Film Director
Special
Stories
Thinking
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