There is always a bit of seduction to it when one person is clothed and the other is naked, which can be a little weird. Everybody should be naked. In that case, it would be easier. Let's do a huge naked photo shoot!

I don't like intellectuals, or, at least, people who call themselves that way, because I am under the impression that there is always something condescending in their demeanour, and I don't like condescending people.

When in doubt, wear a suit. Look at male politicians: you see them in a suit, and they look fine. But if you see a picture of them on the weekend or on vacation, there's a good chance they look terrible and unstylish.

When I was young, no one got married. Now, all the young people, they want to get married, they want security. Now that my children's friends are getting married, I go to more weddings than I ever did when I was young.

Yves Saint Laurent liked women to put their hands in their pockets, or to hold cigarettes, and act a bit like boys. It was to give an impression of composure, some self-assurance, and to counter the feminine appearance.

Beauty can be quite boring, especially if you're talking about beauty that doesn't last. And what lasts is exactly the thing that maybe wasn't pretty at first. It comes over time to be beautiful or interesting or exciting.

People ask me 'Why you want to do another magazine - 10 years at 'Vogue,' a great magazine? Why do you want to make a new one? It's so difficult and there's already so many.' I wanted to do something new, bring a new vision.

Blogs are quite a new development - now, everyone wants to know you, everyone wants to know everything about you. And you can build a following that way. In a way, it's a good thing if you want to create a buzz around yourself.

I think, in many ways, certain people sought me out maybe because they liked my body language or they liked the way I wore a slit skirt, the way I cross my legs or carry my purse. It's quite inspiring to play the seduction card.

Maybe people have no idea how much work is behind a picture. It can seem very effortless but there is a lot of work. It’s exactly like doing ballet. It’s hours and hours but when you go onstage it’s just the pleasure of dancing.

Maybe people have no idea how much work is behind a picture. It can seem very effortless, but there is a lot of work. It's exactly like doing ballet. It's hours and hours, but when you go onstage, it's just the pleasure of dancing.

When you get older, you have to stay a bit rock n' roll so that young people will still be interested in you. The way you move, the way you talk, maybe the way you have your hair in your face a little bit - this keeps you interesting.

We have the sort of beautiful older woman here in Paris. People like Loulou de la Falaise and Betty Catroux, all these beautiful looking women over 60... So there is culture here in France that even if you are older, you can stay beautiful.

I discovered the slip dress, which I think is one of the more French things because when you take off your clothes, even when to go into a shop to buy something, or you're going to Riccardo Tisci to try on a suit, it's like having protection.

Like this. The wristbands you get at nightclubs next to all the bracelets? It's always the details that give me the ideas. It's fun to play with fashion because it is a fantasy. Each morning you dress to become a different woman. Fashion helps.

I think that each women, whatever age, needs to recognise something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful décolletage or a beautiful waist or beautiful hands. Everyone has something great.

I think that each woman, whatever age, needs to recognize something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful decolletage or a beautiful waist or beautiful hands. Everyone has something great.

I am very obsessed with ballet now because it is a very difficult sport and a beautiful one because it is not about money. It's not like playing football or tennis - dance has no sponsors, it's just for the beauty. Maybe it is the only last pure sport.

When I was working with Tom Ford, he would just look at me and ask, 'Will you wear it?' I'd say, 'Ah, too long, too short, lower waist, deeper V, unbutton' - that sort of thing. I don't create clothes, but I definitely know how to make them come alive.

I think it's difficult to do fashion for men, because either you become very over-homosexual fashion or very boring fashion. You don't want a boy who looks 15 in a little pair of shorts with some strange art... But to see just a jacket and tie is boring.

The true test of a man's style is the haircut. There are some men who look good no matter how their hair is styled, whether it's trendy or not. A man can change his haircut many times, but to pull off any haircut, you have to be very chic. Like Brad Pitt.

Karl Lagerfeld looks very tough because of the glasses, and he has all these rings and the leather gloves, and he's so smart. But he's a very nice person... when he comes into a room or studio, he is going to say hello to each person, and the same when he leaves.

I am not a celebrity. I work with celebrities, and it is very difficult. When a celebrity wears a dress, it's good for business, so brands fight for the red carpet. Me? I don't like it, because fashion becomes a job about dressing celebrities. And it's a bit boring.

One time, a burglar came to my apartment, so we called the police. My son was here, so I think they left before they tried to steal something. So the police come to my apartment, and they say, 'Oh my God, did they steal everything?' I was like, 'No, it was like that!'

I get an award for being the best dressed, but at the end of the day I'm not Daphne Guinness. I don't like people to look at me for my dress. The letter is more important than the envelope. But if you feel good in your envelope, then you will feel better about yourself.

I think that when you're taking pictures with my principles, you can try anything. Dare to do a lot of things - dare with sexuality, dare to break taboos as long as it remains photogenic. As long as I find an elegance and beauty in it, I am not afraid to tackle anything.

It's very difficult to know when you're crossing the boundary. I hate the word boundary because I never think about it when taking a picture. Very often it doesn't mean anything because it depends on who's looking at the picture more than the content of the picture itself.

I think it's good that [my granddaughter] here because I lost my parents and now it's great that there's a new generation. And she's taught me new things that I've forgotten. Like, when you're on holiday and see what it's like to see a shell or go into the water for the first time.

I am not a good professional of fashion. I am not an expert about how clothes are constructed or the history of fashion. I never start with fashion. I always think of the girl and her personality - because all that matters to me when you look at a page is, "Do you want to be that girl?"

Look at someone like Steve Jobs. His look wasn't very special - black turtleneck and jeans - but he had style. He looked the same, and you knew it was him when you saw him. Plus, he was a very smart person, which is also very attractive. His style was simple, not distracting, and very strong.

I think that life has brought a lot to fashion, and fashion brings plenty to life. I took my children on photo shoots, at the same time, I borrowed my father's sweater for a photo shoot and, then, I am inspired by a Russian princess because of my Russian roots. Everything is all mixed in together.

People might think I'm very hard, what with my black make-up, my hair over my eyes, etc. My innocence didn't always help me, but it did preserve something in me that maybe others don't have anymore. I'm inside my bubble, you could say, and thankfully so, because I don't think daily life is always great. It protects me.

Each time I’m coming out of my apartment I remember the quote of Coco Chanel; she said, ‘Each time I’m leaving my apartment or my hotel, I’m looking at myself in the mirror and I take off one piece of my look. It’s always one thing too much.’ And it’s a bit the same, always I take off my scarf or I take off my bag or jewellery because I like it simple. Coco Chanel is a great consultant I think.

Maybe it's good a thing that people see me this way [in the documentary film]. They expect to see me with the high heels, the glamour looks, but now they will see me running through an airport with flat shoes! Also, they'll discover that stylists with "names" are in general nicer, sweeter, have a heart, have great relationships with family and friends, and that's important. It shows that people in fashion aren't just freaks.

I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.

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