Quotes of All Topics . Occasions . Authors
Few things focus the mind like fear.
I'm not frightened of a bit of silence.
I don't like tea! Never have, never drunk it.
Although I was a shy child, I was also a bit flamboyant.
I like doing both TV and live stuff, though it's nice to mix it up.
I've realised I need a gnawing, nagging, anxious doubt when I wake at 4 A.M.
I was not a 'Doctor Who' fan. As a kid, I thought it was scary and for boys.
That's the poisoned chalice: when you're shy, people assume you're arrogant.
No one got anywhere by being too scared to open their mouth in case nobody laughed.
Nothing prompts creativity like poverty, a feeling of hopelessness, and a bit of panic.
At my core, the glass isn't half-empty, it's not even what I ordered in the first place.
At my core, the glass isn't half-empty - it's not even what I ordered in the first place.
Don't take criticism personally; take from it what's useful. Apply it and move on to something better.
I'm naturally quite lazy, and I actually think I'm lax about my career. None of my work defines who I am.
My advice to you is please don't ever sit in your room and lock yourself away because you don't think you're good enough.
I'm an incredibly negative person, so any form of success is only ever going to be a relief to me and set my default position back to neutral.
Because I was a shy and awkward child, I used humour to deflect attention. It was a controlling mechanism. Because I could use it to control my image.
I will absolutely say that whatever job I was asked to do, whatever schedule I was asked to work, it is never going to be as hard as looking after a child.
It's never been a point of reference to look to a man. It's not always a good thing, I suppose, but I think independence is always preferable to dependence.
Any degree of success or achievement for me is only ever a relief. My version of getting carried away is: 'Mmm, that wasn't as bad as I thought it was going to be.'
There's no game plan when it comes to thinking up new characters; inspiration can come from anything - from a wig I've seen to an expression I've heard someone use.
I've never really thought I'd get married. It's not that I'm suspicious of it or anything like that, it's just that I don't have a reference for it because my mum wasn't.
How nice it would be to breeze through life and just brush things off. I never read reviews because I hate to lose more than I like to win; I experience negative emotions far greater than positive ones.
By a lot of peoples standards, I lived a very privileged life. I never wanted for attention, I never wanted for material things. In some ways, I was probably spoiled because I never had to share. And I was doted on.
By a lot of people's standards, I lived a very privileged life. I never wanted for attention, I never wanted for material things. In some ways, I was probably spoiled because I never had to share. And I was doted on.
Writing comedy is an exposing thing because you're putting yourself on the line with every joke you write, and although you can't second-guess an audience, if you want to be successful, you have to write stuff people like.
My mum left my dad when I was six months old, so I don't know him at all. I had no male figures in my life, really. I had my godfather, but he's more like a grandfather, so I was quite sheltered. I've never tried to find my father.
I tried four times to get into the Central School of Speech and Drama before I got accepted. I started when I was 17, which was too young, in retrospect, and finally went when I was 21. I just kept plugging away. Determined? Yeah, I think I was.
If I hadn't had a baby, a part of me thinks I might have turned up on the red carpets all the time and gone, 'Hi, it's me!' Maybe other people do it because they haven't got kids and they've nowhere else to be. But because I have, I don't feel like that.
Nothing is ever going to be as important or as exciting as a baby. Everyone has their highs and lows, but if you've got that one constant in your life - in my case, a baby - the highs are never going to be as big, and the lows are never going to be as bad.
When I realised I had a facility for humour, I latched on to it, and it gave me confidence and I built my personality around it. So I subconsciously made myself become the funny one so that would be my label rather than the ginger one or the red-faced one.
I went from an unemployed actor's life to doing stand-up comedy, and that was fortuitous. It's not the usual way the crow flies, going from being in a TV sketch show to playing one of Shakespeare's finest characters, but, hey, that's the way it has happened.
Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.
I used to go red when anybody spoke to me. It's awful because you absolutely cannot control it. If you are a child that blushes, or is shy, the one thing you want in the world is to be the child who comes in and says, 'Hi,' to everyone and goes up and makes friends.
'Writing' always means 'not writing' to me because I will do anything to put it off. I think this is mainly because writing anything down and then handing it over to a third party - especially in comedy - is such an exposing act that you naturally want to delay the process.
I realised that if you get yourself labeled as the funny one, people don't look any further. I've used that as I've got older. It's controlling: I decide what part of my personality you're seeing. I don't want you to look at me, I really don't. I don't want you to comment on my clothes, my hair or the way I look.
If you want more people to come to the theatre, don't put the prices at £50. You have to make theatre inclusive, and at the moment the prices are exclusive. Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.