When I sit down to interview people, I don't hold questions and I don't know the answers. They're more like conversations that become lessons.

A lot of people from my generation of music are so focused on playing things correctly or to perfection that they're stuck in that safe place.

I never needed much, and I never thought I'd get more than what I had. A trip to Burger King was the biggest thing in the world to me. Heaven.

There's always gonna be rock n' roll bands, there's always gonna be kids that love rock n' roll records, and there will always be rock n' roll.

There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.

I love Black Sabbath. They made an amazing contribution to music today. Almost every band that made it big in the Nineties owed a debt to them.

When I listen to the radio, I just hear so much music that doesn't even sound like people. The vocals are all tuned, and the drums are all fake.

There's something about heartbreak that makes for great music, but the same could be said for Jägermeister. Hangovers make for great music, too.

When it comes to making an album I take that very seriously. I am meticulous, overworked. That's my time to put everything under the microscope.

People should never be afraid that Foo Fighters are ever going to break up, it's like your grandparents getting divorced - it's not gonna happen.

Never lose faith in real rock and roll music. Never lose faith in that. You might have to look a little harder, but it's always going to be there.

Being in Nirvana was amazing an experience that will never happen again for me. And I look on them as some of the best and worst times of my life.

I love to play. And fortunately, I don't know a lot of musicians that suck. I know a bunch of really good ones, and they're always up for playing.

'Some Kind Of Monster' is such a nightmare for any musician to watch because you're watching a band be honest to each other. Not a good idea, man!

There are times when I feel like I'm a traveling minister. I'm trying to go out and get kids to pick-up yard sale instruments and change the world.

When Nirvana became popular, you could very easily slip and get lost during that storm. I fortunately had really heavy anchors - old friends, family.

The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.

I think that if you're passionate about something and you're driven and you're focused, then you can pretty much do anything that you want to do in life.

When there's so much left to do, why spend your time focusing on things you've already done, counting trophies or telling stories about the good old days?

Usually, when Nirvana made music, there wasn't a lot of conversation. We wanted everything to be surreal. We didn't want to have some contrived composition.

I guess it was exciting that every time I pulled up to the gate of my house, I wondered if someone was going to jump out of the bush and stab me in the face.

I think actually singing the words is more therapeutic than just sitting down to write them, because then you are letting it out, and it's coming from your gut.

As I get older... I start to realize that life ain't half bad. Each year, I'm amazed that I'm still alive. I don't take any of this for granted, I'm a lucky dude.

It's tough to go to sleep at night, and I wake up after five hours because I feel like I'm wasting time. I just sit up at night and think about what I can do next.

My whole life, I have listened to people like Neil Young, or Crosby, Stills & Nash, and artists that have made a career out of the mellow, folky, acoustic dynamic.

I've experienced great things, I've experienced great tragedies. I've done almost everything I could possibly ever imagine doing, but I just know that there's more.

From the time that 'Nevermind' came out in September of 1991 to the time that Nirvana was over, it was really just a few years, and a lot happened in those few years.

Singing into a microphone and learning to play an instrument - learning to do your craft - that's the most important thing! It's not about what goes on in a computer!

I dropped out of high school and I couldn't go to college 'cause I wasn't smart enough, so I'd resigned myself to loading trucks and playing punk rock on the weekends.

I was at a New Year's Eve party, and someone asked me how was my year, and I said, 'I honestly think 2011 was the best year of my entire life,' and I actually meant it.

There's something about pulling out a real tape from a shelf and looking at it and knowing that 'Everlong' is on it, or 'Best of You' is on it, and it's really special.

Nothing's going to keep me from making music. If I were in the want-ads in the back of the paper or playing to six people at a coffee shop, I'd still love to make music.

There weren't a lot of career opportunities in crazy-fast hardcore punk, so you didn't have a lot of ambition, just the love and passion to play music with your friends.

It's not until recently that I could even imagine myself as an adult. But these kids today, they look at me like I'm Neil Young. Nirvana is the band their parents listen to.

To me the most important thing is getting into a studio and making an album that is 12 or 14 amazing songs, getting up onstage, and making people happy by livening the rock.

I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.

We're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing.

I think I'm scared a lot. I'm scared of almost everything. And I'm constantly trying to work my way through each obstacle, whether it's a present, past, or future relationship.

For every Foo Fighters record, we've had two or three beautiful, acoustic-based songs, but they never usually make their way to the record, because we want to make rock records.

In this day and age, when you can use a machine or computer to simulate or emulate what people can do together, it still can't replace the magic of four people in a room playing.

I have crazy claustrophobic dreams, weird elevator dreams where the elevator closes in and all of a sudden I am lying down - oh my God, it's a casket. Just freaky stuff like that.

CBGB represents a lot to New York City and to underground rock and to new wave and post-punk and whatever. But, you know, it's like tearing down the Jefferson Memorial or something.

In a way, as much as we love to be a big, loud rock band, the acoustic album was a lot easier to make than the rock records. I think because it was brand new territory for the band.

Once I got into punk rock, I started mail-ordering albums, because a lot of the record stores in my area didn't carry the punk bands from England or Sweden or Chicago or Los Angeles

I taught myself how to play the guitar, I taught myself how to play the drums, and I kind of fake doing both of them. But drumming comes more natural to me, and it just feels better.

I'd like to imagine I won't end up in Hell, but I think I've done too much acid and listened to too much death metal to sit on a cloud next to God with angels floating above my head.

'In Utero' was the first time I'd made an album that reached into the dark side. I remember the conflict and the uncertainty. I remember all those things when I hear 'Pennyroyal Tea.'

A place like Sound City, which was just a big, beautiful room where you would hit record and capture the sound of the performer - a place like that isn't necessarily in demand anymore.

It's good to wander into the studio and walk out with something that's better than you'd imagined it to be. If everything was as you imagined it to be, it just wouldn't be as much fun.

You know why Foo Fighters have been a band for 20 years? Because I've never really told anybody what I think of them. The last thing you ever want to do is go to therapy with your band.

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