It's all very confusing. I think I'm very honest and candid, but I'm also proud of how honest and candid I am -- so where does that put me?

Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to love what you can't grab onto.

One of the things that makes Wittgenstein a real artist to me is that he realized that no conclusion could be more horrible than solipsism.

One paradox of professional writing is that books written solely for money and/or acclaim will almost never be good enough to garner either.

To be, in a word, unborable.... It is the key to modern life. If you are immune to boredom, there is literally nothing you cannot accomplish

sarcasm and jokes were often the bottle in which clinical depressives sent out their most plangent screams for someone to care and help them.

We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.

We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story.

And when he came to, he was flat on his back on the beach in the freezing sand, and it was raining out of a low sky, and the tide was way out.

I like the fans’ sound at night. Do you? It’s like somebody big far away goes like: it’sOKit’sOKit’sOKit’sOK, over and over. From very far away.

I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader.

Not that that mystical stuff's necessarily true: The only thing that's capital-T true is that you get to decide how you're going to try to see it.

...most Substance-addicted people are also addicted to thinking, meaning they have a compulsive and unhealthy relationship with their own thinking.

The fun of reading as "an exchange between consciousnesses, a way for human beings to talk to each other about stuff we can't normally talk about."

This appetite to choose death by pleasure if it is available to choose - this appetite of your people unable to choose appetites, this is the death.

I am concentrating docilely on the question why U.S. restrooms always appear to us as infirmaries for public distress, the place to reagain control.

For these cultures, getting rid of the pain without addressing the deeper cause would be like shutting off a fire alarm while the fire's still going.

What TV is extremely good at - and realize that this is 'all it does' - is discerning what large numbers of people think they want, and supplying it.

We're kind of wishing some parents would come back. And of course we're uneasy about the fact that we wish they'd come back - I mean, what's wrong with us?

TV's "real" agenda is to be "liked," because if you like what you're seeing, you'll stay tuned. TV is completely unabashed about this; it's its sole raison.

TV's 'real' agenda is to be 'liked,' because if you like what you're seeing, you'll stay tuned. TV is completely unabashed about this; it's its sole raison.

The way I think about things and experience things is not particularly linear, and it's not orderly, and it's not pyramidical, and there are a lot of loops.

This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants.

For those who've never experienced a sunrise in the rural midwest, it's roughly as soft and romantic as someone's abruptly hitting the lights in a dark room.

Writing fiction takes me out of time. I sit down and the clock will not exist for me for a few hours. That’s probably as close to immortal as we’ll ever get.

she committed suicide by putting her extremities down the garbage disposal-first one arm and then, kind of miraculously if you think about it, the other arm.

The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the ‘Oh how banal.’

The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, 'then' what do we do?

In reality, there is no such thing as not voting: you either vote by voting, or you vote by staying home and tacitly doubling the value of some Diehard's vote.

Footnote: 79) The anchor is gigantic and must weigh a hundred tons, and -- delightfully -- it really is anchor-shaped, i.e. the same shape as anchors in tattoos.

Say the whole point of love is to try to get your fingers through the holes in the lover's mask. To get some kind of hold on the mask, and who cares how you do it.

The desire for perfect release and the real-world impossibility of perfect, whenever-you-want-it release had together produced a tension they could no longer stand.

It was when I was the age where you can, as they say, "hear voices" without worrying that something is wrong with you. I "heard voices" all the time as a small child.

American experience seems to suggest that people are virtually unlimited in their need to give themselves away, on various levels. Some just prefer to do it in secret.

And he wishes, in the cold quiet of his archer's heart, that he himself could feel the intensity of their reconciliations as strongly as he feels that of their battles.

I had four hundred thousand pages of continental philosophy and lit theory in my head. And by God, I was going to use it to prove to him that I was smarter than he was.

True heroism is minutes, hours, weeks, year upon year of the quiet, precise, judicious exercise of probity and care—with no one there to see or cheer. This is the world.

I know I never work in whatever gets called an office, e.g., a school office I use only for meeting students and storing books I know I'm not going to read anytime soon.

My worst character flaw that I'm conscious of is that I tend to think my way into circles instead of resolving anything. It's paralyzing and boring for people around me.

That everything is on fire, slow fire, and we're all less than a million breaths away from an oblivion more total than we can even bring ourselves to even try to imagine.

We're all lonely for something we don't know we're lonely for. How else to explain the curious feeling that goes around feeling like missing somebody we've never even met?

Everything in my own immediate experience supports my deep belief that I am the absolute center of the universe, the realest, most vivid and important person in existence.

There happen to be whole large parts of adult American life that nobody talks about in commencement speeches. One such part involves boredom, routine, and petty frustration.

He knew what the Beats know and what the great tennis player knows, son: learn to do nothing, with your whole head and body, and everything will be done by what's around you.

Look, man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is?

I'm not afraid of new things. I'm just afraid of feeling alone even when there's somebody else there. I'm afraid of feeling bad. Maybe that's selfish, but it's the way I feel.

It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again.

Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly.

Certain sincerely devout and spiritually advanced people believe that the God of their understanding helps them find parking places and gives them advice on Mass. Lottery numbers.

K--: 'When they say "I am my own person," "I do not need a man," "I am responsible for my own sexuality," they are actually telling you just what they want you to make them forget.

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