Hobbies should be wives, not mistresses. It will not do to have more than one at a time. One hobby leads you out of extravagance; a team of hobbies you cannot drive till you are rich enough to find corn for them all. Few men are rich enough for that.

Oratory, like the drama, abhors lengthiness; like the drama, it must keep doing. It avoids, as frigid, prolonged metaphysical soliloquy. Beauties themselves, if they delay or distract the effect which should be produced on the audience, become blemishes.

It is, the most beautiful truth in morals that we have no such thing as a distinct or divided interest from our race. In their welfare is ours, and by choosing the broadest paths to effect their happiness we choose the surest and the shortest to our own.

Let youth cherish sleep, the happiest of earthly boons, while yet it is at its command; for there cometh the day to all when "neither the voice of the lute nor the birds" shall bring back the sweet slumbers that fell on their young eyes as unbidden as the dews.

Revenge is a common passion; it is the sin of the uninstructed. The savage deems it noble;but the religion of Christ, which is the sublime civilizer, emphatically condemns it. Why? Because religion ever seeks to ennoble man; and nothing so debases him as revenge.

Life is short - while we speak it flies; enjoy, then, the present, and forget the future; such is the moral of ancient poetry, a graceful and a wise moral - indulged beneath a southern sky, and all deserving, the phrase applied to it - the philosophy of the garden.

We are born for a higher destiny than that of earth; there is a realm where the rainbow never fades, where the stars will be spread before us like islands that slumber on the ocean, and where the beings that pass before us like shadows will stay in our presence forever.

He who sees his heir in his own child, carries his eye over hopes and possessions lying far beyond his gravestone, viewing his life, even here, as a period but closed with a comma. He who sees his heir in another man's child sees the full stop at the end of the sentence.

Evening is the delight of virtuous age; it seems an emblem of the tranquil close of busy life--serene, placid, and mild, with the impress of its great Creator stamped upon it; it spreads its quiet wings over the grave, and seems to promise that all shall be peace beyond it.

In beginning the world, if you don't wish to get chafed at every turn, fold up your pride carefully, put it under lock and key, and only let it out to air upon grand occasions. Pride is a garment all stiff brocade outside, all grating sackcloth on the side next to the skin.

The faults of a brilliant writer are never dangerous on the long run; a thousand people read his work who would read no other; inquiry is directed to each of his doctrines; it is soon discovered what is sound and what is false; the sound become maxims, and the false beacons.

It is the glorious doom of literature that the evil perishes and the good remains. Even when the original author of some healthy and useful truth is forgotten, the truth survives, transplanted to works more calculated to purify it from error, and perpetuate it to our benefit.

Bright and illustrious illusions! Who can blame, who laugh at the boy, who not admire and commend him, for that desire of a fame outlasting the Pyramids by which he insensibly learns to live in a life beyond the present, and nourish dreams of a good unattainable by the senses?

Of all the weaknesses little men rail against, there is none that they are more apt to ridicule than the tendency to believe. And of all the signs of a corrupt heart and a feeble head, the tendency of incredulity is the surest. Real philosophy seeks rather to solve than to deny.

Art employs method for the symmetrical formation of beauty, as science employs it for the logical exposition of truth; but the mechanical process is, in the last, ever kept visibly distinct, while in the first it escapes from sight amid the shows of color and the curves of grace.

I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.

A gentleman's taste in dress is upon principle, the avoidance of all things extravagant. It consists in the quiet simplicity of exquisite neatness; but, as the neatness must be a neatness in fashion, employ the best tailor; pay him ready money, and, on the whole, you wi11 find him the cheapest.

A man is already of consequence in the world when it is known that we can implicitly rely upon him. Often I have known a man to be preferred in stations of honor and profit because he had this reputation: When he said he knew a thing, he knew it, and when he said he would do a thing, he did it.

A man who cannot win fame in big own age will have a very small chance of winning it from posterity. True, there are some half-dozen exceptions to this truth among millions of myriads that attest it; but what man of common sense would invest any large amount of hope in so unpromising a lottery?

Birds sing in vain to the ear, flowers bloom in vain to the eye, of mortified vanity and galled ambition. He who would know repose in retirement must carry into retirement his destiny, integral and serene, as the Caesars transported the statue of Fortune into the chamber they chose for their sleep.

Happy indeed the poet of whom, like Orpheus, nothing is known but an immortal name! Happy next, perhaps, the poet of whom, like Homer, nothing is known but the immortal works. The more the merely human part of the poet remains a mystery, the more willing is the reverence given to his divine mission.

The imagination acquires by custom a certain involuntary, unconscious power of observation and comparison, correcting its own mistakes, and arriving at precision of judgment, just as the outward eye is disciplined to compare, adjust, estimate, measure, the objects reflected on the back of its retina.

Westward, beyond the still pleasant, but, even then, no longer solitary, hamlet of Charing, a broad space, broken here and there by scattered houses and venerable pollards, in the early spring of 1467, presented the rural scene for the sports and pastimes of the inhabitants of Westminister and London.

What a mistake to suppose that the passions are strongest in youth! The passions are not stronger, but the control over them is weaker! They are more easily excited, they are more violent and apparent; but they have less energy, less durability, less intense and concentrated power than in maturer life.

Sooner mayest thou trust thy pocket to a pickpocket than give loyal friendship to the man who boasts of eyes to the heart never mounts in dew! Only when man weeps he should be alone, not because tears are weak, but they should be secret. Tears are akin to prayer,--Pharisees parade prayers, imposters parade tears.

As a general rule, people who flagrantly pretend to anything are the reverse of that which they pretend to. A man who sets up for a saint is sure to be a sinner; and a man who boasts that he is a sinner is sure to have some feeble, maudlin, snivelling bit of saintship about him which is enough to make him a humbug.

Love is a very contradiction of all the elements of our ordinary nature -- it makes the proud man meek -- the cheerful, sad -- the high-spirited, tame; our strongest resolutions, our hardiest energy fail before it. Believe me, you cannot prophesy of its future effect in a man from any knowledge of his past character.

The man who succeeds above his fellows is the one who early in life, clearly discerns his object, and towards that object habitually directs his powers. Even genius itself is but fine observation strengthened by fixity of purpose. Every man who observes vigilantly and resolves steadfastly grows unconsciously into genius.

Say what we will, you may be sure that ambition is an error; its wear and tear of heart are never recompensed, -it steals away the freshness of life, -it deadens its vivid and social enjoyments, -it shuts our souls to our own youth, -and we are old ere we remember that we have made a fever and a labor of our raciest years.

It was a dark and stormy night; the rain fell in torrents - except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.

In some exquisite critical hints on "Eurythmy," Goethe remarks, "that the best composition in pictures is that which, observing the most delicate laws of harmony, so arranges the objects that they by their position tell their own story." And the rule thus applied to composition in painting applies no less to composition in literature.

A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel.

Society is a long series of uprising ridges, which from the first to the last offer no valley of repose. Whenever you take your stand, you are looked down upon by those above you, and reviled and pelted by those below you. Every creature you see is a farthing Sisyphus, pushing his little stone up some Liliputian mole-hill. This is our world.

A chord, stronger or weaker, is snapped asunder in every parting, and time's busy fingers are not practiced in re-splicing broken ties. Meet again you may; will it be in the same way? With the same sympathies? With the same sentiments? Will the souls, hurrying on in diverse paths, unite once more, as if the interval had been a dream? Rarely, rarely!

Ask any school-boy up to the age of fifteen where he would spend his holidays. Not one in five hundred will say, "In the streets of London," if you give him the option of green fields and running waters. It is, then, a fair presumption that there must be something of the child still in the character of the men or the women whom the country charms in maturer as in dawning life.

The distinguishing trait of people accustomed to good society is a calm, imperturbable quiet which pervades all their actions and habits, from the greatest to the least. They eat in quiet, move in quiet, live in quiet, and lose their wife, or even their money, in quiet; while low persons cannot take up either a spoon or an affront without making such an amazing noise about it.

Genius in the poet, like the nomad of Arabia, ever a wanderer, still ever makes a home where the well or the palm-tree invites it to pitch the tent. Perpetually passing out of himself and his own positive circumstantial condition of being into other hearts and into other conditions, the poet obtains his knowledge of human life by transporting his own life into the lives of others.

Certain I am that every author who has written a book with earnest forethought and fondly cherished designs will bear testimony to the fact that much which he meant to convey has never been guessed at in any review of his work; and many a delicate beauty of thought, on which he principally valued himself, remains, like the statue of Isis, an image of truth from which no hand lifts the veil.

To live On means not yours--be brave in silks and laces, Gallant in steeds; splendid in banquets; all Not yours. Given, uninherited, unpaid for; This is to be a trickster; and to filch Men's art and labour, which to them is wealth, Life, daily bread;--quitting all scores with "friend, You're troublesome!" Why this, forgive me, Is what, when done with a less dainty grace, Plain folks call "Theft.

Of all the conditions to which the heart is subject suspense is one that most gnaws and cankers into the frame. One little month of that suspense, when it involves death, we are told by an eye witness in "Wakefield on the Punishment of Death," is sufficient to plough fixed lines and furrows in a convict of five and twenty,--sufficient, to dash the brown hair with grey, and to bleach the grey to white.

There is a world of science necessary in choosing books. I have known some people in great sorrow fly to a novel, or the last light book in fashion. One might as well take a rose-draught for the plague! Light reading does not do when the heart is really heavy. I am told that Goethe, when he lost his son, took to study a science that was new to him. Ah! Goethe was a physician who knew what he was about.

The more I think of a people calmly developing, in regions excluded from our sight and deemed uninhabitable by our sages, powers surpassing our most disciplined modes of force, and virtues to which our life, social and political, becomes antagonistic in proportion as our civilisation advances - the more devoutly I pray that ages may yet elapse before there emerge into sunlight our inevitable destroyers.

Art itself is essentially ethical; because every true work of art must have a beauty or grandeur of some kind, and beauty and grandeur cannot be comprehended by the beholder except through the moral sentiment. The eye is only a witness; it is not a judge. The mind judges what the eye reports to it; therefore, whatever elevates the moral sentiment to the contemplation of beauty and grandeur is in itself ethical.

Woman makes half the sorrows which she boasts the privilege to sooth. Woman consoles us, it is true, while we are young and handsome; when we are old and ugly, woman snubs and scolds us. On the whole, then, woman in this scale, the weed in that. Jupiter! Hang out thy balance, and weigh them both; and if thou give the preference to woman, all I can say is, the next time Juno ruffles thee, O Jupiter, try the weed.

Nine times out of ten it is over the Bridge of Sighs that we pass the narrow gulf from youth to manhood. That interval is usually marked by an ill placed or disappointed affection. We recover and we find ourselves a new being. The intellect has become hardened by the fire through which it has passed. The mind profits by the wrecks of every passion, and we may measure our road to wisdom by the sorrows we have undergone.

We may observe in humorous authors that the faults they chiefly ridicule have often a likeness in themselves. Cervantes had much of the knight-errant in him; Sir George Etherege was unconsciously the Fopling Flutter of his own satire; Goldsmith was the same hero to chambermaids, and coward to ladies that he has immortalized in his charming comedy; and the antiquarian frivolities of Jonathan Oldbuck had their resemblance in Jonathan Oldbuck's creator.

It is a wonderful advantage to a man, in every pursuite or avocation, to secure an adviser in a sensible woman. In woman there is at once a subtle delicacy of tact, and a plain soundness of judgement, which are rarely combined to an equal degree in man. A woman, if she be really your friend, will have a sensitive regard for your character, honor, repute. She will seldom counsel you to do a shabby thing: for a woman friend always desires to be proud of you.

When some one sorrow, that is yet reparable, gets hold of your mind like a monomania,--when you think, because Heaven has denied you this or that, on which you had set your heart, that all your life must be a blank,--oh, then diet yourself well on biography,--the biography of good and great men. See how little a space one sorrow really makes in life. See scarce a page, perhaps, given to some grief similar to your own, and how triumphantly the life sails on beyond it.

In early youth, if we find it difficult to control our feelings, so we find it difficult to vent them in the presence of others. On the spring side of twenty, if anything affects us, we rush to lock ourselves up in our room, or get away into the street or the fields; in our earlier years we are still the savages of nature, and we do as the poor brutes do. The wounded stag leaves the herd; and if there is anything on a dog's faithful heart, he slinks away into a corner.

Nature never gives to a living thing capacities not particularly meant for its benefit and use. If Nature gives to us capacities to believe that we have a Creator whom we never saw, of whom we have no direct proof, who is kind and good and tender beyond all that we know of kindness and goodness and tenderness on earth, it is because the endowment of capacities to conceive a Being must be for our benefit and use; it would not be for our benefit and use if it were a lie.

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