I have no other pictures of the world apart from those which express evanescence, and callousness, vanity and anger, emptiness, orhideous useless hate. Everything has merely confirmed what I had seen and understood in my childhood: futile and sordid fits of rage, cries suddenly blanketed by the silence, shadows swallowed up for ever by the night.

When I was nine, the teacher asked us to write a piece about our village fete. He read mine in class. I was encouraged and continued. I even wanted to write my memoirs at the age of ten. At twelve I wrote poetry, mostly about friendship - 'Ode to Friendship.' Then my class wanted to make a film, and one little boy suggested that I write the script.

Every work of art (unless it is a psuedo-intellectualist work, a work already comprised in some ideology that it merely illustrates, as with Brecht) is outside ideology, is not reducible to ideology. Ideology circumscribes without penetrating it. The absence of ideology in a work does not mean an absence of ideas; on the contrary it fertilizes them.

Since the death instinct exists in the heart of everything that lives, since we suffer from trying to repress it, since everything that lives longs for rest, let us unfasten the ties that bind us to life, let us cultivate our death wish, let us develop it, water it like a plant, let it grow unhindered. Suffering and fear are born from the repression of the death wish.

As soon as one knows one is going to die, childhood is over.... So one can be grown up at seven. Then, I believe most human beings forget what they have understood, recover another sort of childhood that can last all their lives. It is not a true childhood but a kind of forgetting. Desires and anxieties are there, preventing you from having access to the essential truth.

I believe that in the history of art and of thought there has always been at every living moment of culture a will to renewal. This is not the prerogative of the last decade only. All history is nothing but a succession of crises - of rupture, repudiation and resistance. When there is no crisis, there is stagnation, petrifaction and death. All thought, all art is aggressive.

The universe seems to me infinitely strange and foreign. At such a moment I gaze upon it with a mixture of anguish and euphoria; separate from the universe, as though placed at a certain distance outside it; I look and I see pictures, creatures that move in a kind of timeless time and spaceless space, emitting sounds that are a kind of language I no longer understand or ever register.

For me, it is as though at every moment the actual world had completely lost its actuality. As though there was nothing there; asthough there were no foundations for anything or as though it escaped us. Only one thing, however, is vividly present: the constant tearing of the veil of appearances; the constant destruction of everything in construction. Nothing holds together, everything falls apart.

I have always considered imaginative truth to be more profound, more loaded with significance, than every day reality... Everything we dream about, and by that I mean everything we desire, is true (the myth of Icarus came before aviation, and if Ader or Bleriot started flying it is because all men have dreamed of flight). There is nothing truer than myth... Reality does not have to be: it is simply what is.

In the name of religion, one tortures, persecutes, builds pyres. In the guise of ideologies, one massacres, tortures and kills. In the name of justice one punishes...in the name of love of one's country or of one's race hates other countries, despises them, massacres them. In the name of equality and brotherhood there is suppression and torture. There is nothing in common between the means and the end, the means go far beyond the end...ideologies and religion... are the alibis of the means.

In the history of humanity there are no civilizations or cultures which fail to manifest, in one or a thousand ways, this need for an absolute that is called heaven, freedom, a miracle, a lost paradise to be regained, peace, the going beyond History... There is no religion in which everyday life is not considered a prison; there is no philosophy or ideology that does not think that we live in alienation.... Humanity has always had a nostalgia for the freedom that is only beauty, that is only real; life, plenitude, light.

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