Frank Oz Quotes

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  • Film Director
  • born 1944
  • 45 quotes

Frank Oz, Film Director (born 1944), is quoted 45 times on QuoteForever. The subjects that come up most often are People, Character, Kids and Different.

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Impossible to see, the future is.

Do or do not. There is no try. Only do.

Always two there are, a master and an apprentice.

Once you get a character, you lock it in your heart - it's there.

A Jedi uses the Force for knowledge and defense, never for attack.

In order to be a star performer you have to have someone to play against.

The more work I do, the more important it is to work with people I like - who are very talented.

First impression is unfair, because a first impression of somebody is guarded, and you don't know the person.

I want to get into the theater. I really wanted to be a theater director, but I turned out to be a movie director.

I don't buy diamonds, I don't buy cars, but I enjoy travelling. I'm not a very possessive person as far as things go.

I was a weird kid. I should've been gay because I listened to a lot of Broadway musicals. I don't know why I'm not gay.

In a stage play, you kill the leads and they come out for a bow - in a movie, they don't come out for a bow, they're dead.

I'm not an art director; I'm just not. I've always been somebody who has a sensibility that I hope is the same sensibility of others.

I've always wanted to do non-comedies. I've always done dramas, comedies, music, and I always like to bop around and do different things.

I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things.

I don't like to have these words banded about, like "British sense of humor," "American sense of humor," though I'll be damned if I know what they are.

I've done TV for tons and tons of years, so I'm not crazy about doing more TV, but with films, all I want to do are different projects that aren't all the same.

I've rewritten a lot of the scripts I've done. 'Little Shop Of Horrors' was a complete rewrite, but I didn't touch the dialogue. Essentially, I'm a very good editor.

I'd like to read a book sometime. I've never read a book before. That'd be an adventure. I understand they have pages and everything. Yeah, I've got to do that sometime.

I just want to do good work. That's all I want to do. I don't have big aspirations like being the President of the United States, I just want to do good work. That's all.

I wouldn't like to be that famous, I value my privacy. Mind you, Miss Piggy enjoys every moment of it. If it were not for me, she would spend all her time in the limelight.

I'm not politically committed at all in the popular sense; that is, to any party. I'm committed to whatever's best for the normal working person. I'm not a great fan of politics.

I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.

I just want to work with talented people who are enjoyable to be with, and take big huge risks from high comedy to deep, dark, brooding drama, to thriller. I just want to go back and forth.

Our job as directors is to entertain an audience, it's not just to do it for the director. You might as well sit in a white room and look at the movie for the rest of your life - it's ridiculous.

Oakland Technical High School. Like any high-school experience, it was ambiguous. I was shy with girls; I had friends, but there were times I didn't feel I had the right friends. My grades were only so-so.

When I did Yoda, me and three other people worked our asses off, and I was sweating every single day, it was tough as hell. Now that it's CGI, 24 people work on Yoda, and I get all the credit -- I do nothing.

I never wanted to be a puppeteer. I stopped puppeteering when I was about 18. I puppeteered when I was eleven years old to 18 to make extra money to go to Europe, which I made half of and my parents gave me half.

What I remember most about the 'Road' movies is my enjoyment at watching the two characters sparring with each other. But more important than that was my feeling that Hope and Crosby were enjoying the sparring, too.

Well, Hollywood isn't made up of individual studio heads anymore. It's made of corporations. And corporations are looking for the bottom line. They don't want to take chances. They want the money back for stockholders.

I don't look back, I just go forward. I'm just proud of the fact that my parents were immigrants and we had nearly nothing, and all of the sudden, with the help of a lot of people and my parents as a model, I amounted to something.

I'm always amused that people zero in on one thing, and it's the wrong thing to zero in on, but nevertheless, the reason they do that is because the voice is what they know - the voice represents everything about the character, that's why.

Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.

The power of the 'Muppets,' and the popularity of these characters, is so iconic in people's lives that I had to distance myself from publicly. Not privately... Privately, hell, I'm with them for life, and I love these people. They're my second family.

There's a few movies I wanted to do, and I didn't get to do them partly because they wanted me to be part of the horse and pony show, getting the money, and I'm just not doing that. There's a few movies that people wanted me to do, but they were too safe.

I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up.

I was a weird kid. I shouldve been gay because I listened to a lot of Broadway musicals. I dont know why Im not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.

I bought a tape recorder and some stuff and went to Europe for three months when I was 18. The puppeteering was only there as a hobby. I wanted to be a journalist. When I was 19, and after I had spent about a year in college, Jim Henson asked me to come out and try puppeteering for awhile.

'The Stepford Wives' was too big, and it was unsatisfying to do. Not that it was unsatisfying to do, but it was unsatisfying as a result because, as much as I loved parts of it, and I'm really proud of so much of it, the entire movie wasn't what I wanted it to be. It's my own fault; I didn't follow my instincts.

Hope and Crosby made seven 'Road' movies, starting in 1940 with 'Road to Singapore.' The movies were always about Crosby and Hope fleeing America and finding Dorothy Lamour in some exotic location. Bob's character was cocky and cowardly; Bing's character was smooth and unruffled. They were great characters - lousy, lovable guys.

I was born in Hereford, England, in 1944. We moved when they had an opportunity to get a visa, about 1950. My dad always thought Europe was a bit too small for him. He wanted to see the United States... The typical immigrant story. He wanted a better life for his children, too. He always tried to get the visa, and it didn't come up.

I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things. I'm looking for something a bit tougher, more muscle mass, something small, but the thing is, I get all the best comedy scripts, I don't get all the best drama scripts. So I'll just go with what's the best script.

If I'm intimidated, I shouldn't be directing a movie. I gotta treat 'em as characters, not as stars. It's hard to not treat Marlon Brando as a legend, a star, it's difficult not to treat Robert De Niro as a star, but that had to go away very fast after I knew them, because I had to work with them. I'm the director, I'm the boss. They're looking to me for guidance.

I'm most proud of my kids, for one, and my family and my parents. Outside of that - what am I proud of? I don't know. I don't look back, I just go forward. I'm just proud of the fact that my parents were immigrants and we had nearly nothing, and all of the sudden, with the help of a lot of people and my parents as a model, I amounted to something. And I'm doing some very decent work.

I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up. I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.

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