I like doing thrillers.

The Gospel can stand up to scrutiny.

I always want to be on the cutting edge.

When I was a kid, I really got into monsters.

Prac­tice doesn’t make per­fect. It makes bet­ter.

You want proof there's a God? Look outside, watch a sunset.

Don't worry about getting perfect, just keep getting better.

I'm just a slow writer. I'm picky and careful and fastidious.

Kids are not going to sit and read a slow-paced book. Neither are adults.

I just feel the need as a writer to try something kind of deep and fulfilling.

The problem is, if you really want the Truth, then you have to have God along with it.

A little love and attention can go a long way...too bad more people don't realize that.

I'm trying to move a little more toward literary fiction while still retaining a popular feel.

I'm a very methodical writer. Before computers, I used reams of paper and stacks of index cards.

If you're going to read a Peretti book, you're going to get a message. But the book is a pretty good read.

Sin is the Monster we love to deny. It is crouching at the door and it wants you, but you must overcome it.

We have a God who loves us. We are in the palm of his hand. He doesn't leave us, and He doesn't forsake us.

Staying alive is nice, but you can’t do that forever. It’s how you live the life you have while you have it.

My main goal is still for the books to minister in some way, to teach a spiritual truth, to enlighten people.

Just like all my novels, 'Illusion' is a good way to observe where Frank Peretti was in his life when he wrote it.

Killing one person makes you a murderer. Killing a million people makes you a king. Killing them all makes you God.

the depth of a person's character is not measured by his or her physical strength, but by the depth of his or her nobility.

The people that usually have the most trouble with my books are the ones that pick them apart from a theological point of view.

A good book or movie or screenplay should be emotionally satisfying. When they're done, you want people to breathe a deep sigh and say, 'Wow.'

Evolution is the key to avoiding the whole issue of God. When you challenge evolution, you're basically challenging someone on a spiritual level.

I'm given a lot of credit with opening the doors for Christian fiction. It was kind of a difficult field when I got into it... But I don't feel like a king.

I'd like to write a series that, in an adventurous and fun way, teaches kids a way to discern between good and evil, to establish a foundation on moral absolutes.

It's man's nature to abuse knowledge and power, be it in the realm of science, government, or Wall Street. Take God out of the picture, and you have real trouble.

I wanted to write a novel where the meaning is in the story and characters and the subliminal, in the shades and nuances. It's exciting to develop that as a writer.

There is a vital lesson to be learned here, a Truth our society must not lose sight of, and that is the sanctity of every human life and the dignity of every individual.

I became very timid, very retreating. I wouldn't talk to anybody. I didn't look you in the eye. I just had that kind of personality as a kid that basically puts a target on you.

My earlier books, 'The Oath,' 'This Present Darkness' were pretty straight adventure. 'The Visitation' is like a deeper book, more thought-provoking. It probes at character more.

At the bottom of a Peretti novel is the biblical view of things, the Christian message. Whether you're a Christian or not, you're still going to have to deal with good versus evil.

Let's be honest: Ignoring is acting, and nothing more — acting as though the words or actions of your oppressors don't hurt. You hear the words, you feel the insults, and you bear the blows.

'Illusion' is a story of God's love and our hunger to find him when we're separated from him. If I can paint a picture of two people still in love after 40 years, that's a pretty good message.

There's a reason evolution is a hot-button issue. It's not just a matter of science, either. It's a matter of the big questions in life - why are we here, what is truth, where is our moral basis?

The claws of Truth were painful. The lies tore away like scabs, and John bled there for hours, stifling his cries of pain in the sleeve of his overcoat - the overcoat he'd received from his father.

When people get their mind made up about something, then it's: 'Don't bother me with facts.' They've got their minds made up and dismiss you out of hand. Some people don't even give you a fair hearing.

Some folks run from the doubt and go backward. You try for all the spiritual Band-Aids you can find... when actually, what you need to do is press forward, to accept those doubts and work through them.

Comfort can be a dangerous thing. You stick around home all the time where it’s safe and nothing ever changes, and before you know it, you get set in your ways and you quit learning, you quit changing, you don’t grow anymore.

There's nothing sacred about the book you've written. The Bible says there's safety in a multitude of counselors. The movie is the movie, and the book is the book. They're different critters, and each must stand on their own merits.

When you are making a movie, there are a zillion cooks in the kitchen, and you don't always get what you want to do. The story can always go in a different direction than what you would like. You compromise, and there is dealing and bickering.

I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.

The Lord God carries us throughout our lives just as a father carries his child. The Lord carried me, and He still is. He made you. He knows what you're good at. He knows what you can do and what you can become. Trust Him. Love Him. He'll always love you back.

The logical outcome of evolution is that it makes monsters. We turn into monsters because evolution takes away everything that makes us human in the sense of our moral accountability, our moral absolutes, and our idea of being distinct from the animal kingdom.

First of all, I was a good Christian kid. My mom and dad taught me never to fight. So I never fought. The other kids picked that up right away. They said, 'Oh, he's not going to try to do anything.' They'd push me, shove me, hit me. I'd just stand there and take it.

Moviemaking is just really neat, and I really like doing that. I'd like to get into it more, but in terms of my role in all of this and in terms of the gift that God has given me, I had to come to the conclusion that my strength is as a storyteller, creating the story.

Generally, my notes and outlines comprise more words than my novels. I suppose that's one reason I'm a comparatively slow writer, something that has always bothered me given the fact that other authors can turn out a book every six months while I usually take about two years.

God does not waste an ounce of our pain or a drop of our tears; suffering doesn't come our way for no reason, and He seems especially efficient at using what we endure to mold our character. If we are malleable, He takes our bumps and bruises and shapes them into something beautiful.

If Truth is taken away from us, then Right and Wrong are taken from us as well. If we don't know Right and Wrong, then we can't, we won't control ourselves, but will look to someone else to bring order through brute force and raw power. We will be controlled by a tyrant, and we will no longer be free.

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