I am not an artist. I am a craftsman.

For me, cinema is a vice. I love it intimately.

My private life has nothing to do with my films.

In America, sex is preached; in France, it is done.

Cinemascope is not for men, but for snakes and funerals.

I was called the greatest director in Europe, but I was just a hard worker.

I like folk songs, but ten horses couldn't bring me to a concert or an opera.

There can be no understanding between the hand and the brain unless the heart acts as mediator.

Music is the same to me as it was to Goethe - a pleasant noise. I am an eye man, not an ear man.

I was something that is always hated in Hollywood - a perfectionist; nobody likes a perfectionist, you know.

Each picture has some sort of rhythm which only the director can give it. He has to be like the captain of a ship.

I should say that I am a visual person. I experience with my eyes and never, or rarely, with my ears... to my constant regret.

I am profoundly fascinated by cruelty, fear, horror and death. My films show my preoccupation with violence, the pathology of violence.

You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale - definitely.

You cannot make a social-consciou s picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale - definitely.

It is just that all my life I have been so involved in my work that I guess one could say in general that, whenever I had to balance my private life and my profession, my profession always won out.

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