Ice Cube Quotes - Page 6

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What I learned from architectural drafting is that everything has to have a plan to work. You just can't wing it. I can't get all the materials I need for a house and just start building. Whether it's a career, family, life - you have to plan it out.

That's always been my approach, to expose what's going on and what's not being said. I could go the selfish route, and probably make a whole lot more money, but that's not what it's about, it's about speaking for people who can't speak for themselves.

I used to game a lot, you know, back in the day. My gaming time done got so short that my skills ain't where they need to be to be online, you know what I'm saying? I just got that Xbox One. I gotta get my skills back, up the par to call myself a gamer.

The way I grew up and the neighborhood I come from, when you know somebody's beating you and you still let it happen, then you're a victim. You're no longer a man when you know something is happening and you don't stand up. So that's just how we raised.

Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.

If you give anybody the chance, they can always make a decent human being out of themselves. It's the people that don't have a chance, that we look down at like they're monsters or they're animals or that they want something different than the rest of us.

When you're spending your money for a nice outing, you want to go have a good time. And I always thought comedies, laughing, was something that was made for entertainment on that level. And records and maybe TV and stuff like that is really made to be heavy.

I'm trying to cut down a little on eating, on sodium, keep my blood pressure down, which is tough. Because I love food! I do, but it's unfair how everything that's bad for you tastes so good, and all the good stuff, veggies and green things, doesn't match up.

Success really comes down to the product, not to me, my personality, or what club I'm seen going into or coming out of. None of that matters. What's important is whether or not people feel like they wasted their time or money when they pay for a movie or a CD.

I knew a dude whose entire check was going to his car. He didn't care. This is back when the Mustang 5.0 came out in, like, '82. Between paying the note and insurance, I think he had like $40 left. A lot of people knew people because of their car, and not them.

You can go raise the money outside of the industry, and then what you're doing is fighting with your money to get back into the industry, or for them to use your money instead of their own. So, you got to figure out how to do it within the flow of the industry.

I hope everything works in our favor. The show is cool. It’s family fare. We ain’t aiming at the cheap seats. Instead, we’re making something with a broad appeal that people of any color or creed and from all walks of life can enjoy and maybe learn something from.

The best thing to do is to write about what you know, and if you write about what you know you can always pull those nice little tidbits that hook people, that shows that you know about this world and can bring people into a world that they may not know nothing about.

If it was all about me, I'd do a whole lot of pop records, make a whole lot of money, just rake in the dough. But it's never been all about me. It's all about being a voice for the voiceless. People who can't speak for themselves, who don't have a mic, don't have a say.

We should love the fact that we're not just getting one point of view. That we have this diversity in entertainment, and people are not scared to be themselves, and people are not scared to make people uncomfortable, and that's all part of it. That's all part of being free.

The biggest change in the government's behavior has been because of TV and its ability to show to the world what has happened in this community... that's the biggest change. But without TV... the separation between the government and the people would be much worse than it is.

My thing is: stay creative. And just because somebody starts to pay you, that don't mean all your creativity goes to that, and you don't save none for yourself to be able to do other, bigger and better things and still follow your dreams even if you start off inside of a box.

I believe how you measure a good movie is how many times you can see it. With comedies, I like to be a producer, because comedies can get corny and go off track real fast. I'm always the 'less is more' guy when it comes to a scene. So I'ma be the one who will keep it grounded.

We come from the days when rap used to agitate the mainstream. Now it's more buddy-buddy. That doesn't sit well with me. So what we need is [a bit more] street politics, bringing up issues, agitating you a little bit. And nothing can agitate you more now than a terrorist threat.

Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."

I always tell people that if you gave me a pen and a piece of paper when I was a teenager and said, "Write out how you'd like your career to go," I would have probably short changed myself compared to what it's been for real. I'm just extremely excited about what I've accomplished.

Money comes and goes, but your inner feelings, your gut feelings, your manhood, your womanhood, whatever, that stays with you. That don't go anywhere. So you either proud of who you are and how you handle situations or you not. If you handle a situation wrong, you, it will haunt you.

I think when hip hop first started, people were open to it, and groups like Public Enemy and there was groups like Poor Righteous Teachers and all these people who were spitting a lot of knowledge, a lot of history, questioning a lot of societal barriers was starting to be super popular.

I used to love to draw. I didn't want to go to art class because I felt that would be too corny when I was young, but architectural drafting was the cool thing to do because there was more precision. It taught me a lot about building and structures and doorways and frames and windowsills.

I was a very interested arts student, I was always into that part of school and when I got into high school I went into architectural drafting. It gave me an understanding of how to build things and it's really helped me put things in perspective. With my music and my movies, to me it's all art.

I was a very interested arts student, I was always into that part of school and when I got into high school I went into architectural drafting. It gave me an understanding of how to build things and it’s really helped me put things in perspective. With my music and my movies, to me it’s all art.

Most actors have to sit by the phone and wait for somebody to call them up to audition and stuff. I don't think I can exist in Hollywood just on that. I think I need to be proactive and making sure that things I really want to do are being developed to the point where somebody wants to make them?

Even though I have a nice house, nice family, the rest of my generation is still in South Central L.A. My cousins, my brothers, my sisters, they don't wanna move out. They don't want to and they don't have the means to sustain it. That's where my heart is and that's what I think about all the time.

I've been caught in parachute pants. And on my high school yearbook, they used the wrong picture. They were supposed to use the picture of me with a nice suit on. They used me with my collar flipped up, in a fuchsia and white striped shirt. I blame Prince and Michael Jackson in the Eighties for that.

Everybody thinks the grass is greener on the other side. If you talk to most artists, they think they can play something, you know, "If I had stayed playing football in high school, if I had been doing basketball..." Everybody's got their fantasies and thinks the grass is greener. It's not. It's not.

The police don't look at you as long when they drive past. Sometimes they don't look at you at all. In South Central, you've got them looking and lurking. I think it's basic harassment. It's part of their tactics to have everybody nervous of them. In the valley, at least I don't feel it the same way.

My grandmother worked at one of those Bel-Air mansions, and we would go - not too often, but every now and then - to pick her up. Hollywood was probably 12 miles from my house, but it might as well have been a million miles away. The only time I saw that world was on TV. Until I started making records.

Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.

The '80s was brand new. It was AIDS. It was gangbanging. It was starting to become big dope-dealing, and crack was starting to flood the neighborhoods. And then you had hip hop, which was something new, other than what we were doing, which was sports, playing football, basketball, baseball. And I was excited.

I've always gotten good grades, you know, with my teachers and my English teachers, 'cause I was able to - they'd say, "What did you do for the summer?" I'm able to explain it to them in a written form. And my teachers always patted me on the back for that, being able to take what's in my mind and put it on paper.

'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them.

Keep everybody out your business, that's how you do it. And I mean everybody. It ain't about having a relationship outside of the house. It's about having a relationship within each other. When something go down don't be calling your sister or your mother; I'm not gonna be calling my brother or uncles. We're gonna work it out.

Sometimes when you're relegated to your neighborhood, you forget that there's more important things than your neighborhood going on out in the world. And that just gave me a chance to see how life could be. And it gave me a chance to interact with everybody, not just black people or Mexicans. It made me just a little more worldly.

They thought we were just basically keeping ourselves underground on purpose. And it was just strange for people to approach music that way. And for rap, trying to get recognition, and be seen as a regular form of music like anything else. I mean, the Soul, R&B, Rock 'N Roll, they would dis the hell out of rap when it first came out.

I think hip-hop has changed. When I first came out, hip-hop was more of a kind of way to learn about new places, new things. What are kids doing on the East coast, what are kids doing here. Then it left that and is like a party mode. I think it's going back to people wanting to get messages and wanting to learn things from the music.

It's not like I'm the first man ever to do this, y'know? You gotta go back to Nat King Cole, Bing Crosby and Sammy Davis Jr. Those are people who've done music well and movies well, and y'know, Frank Sinatra and Elvis and all these dudes have made the transition. I don't know about Elvis, 'bout doin' 'em good, y'know? It's nothin' new.

[Make a sitcom] was really the idea of Executive Producer Joe Roth who owned the property over at Revolution Studios and said he was thinking about taking it to TV. And after he said that he already had [writer/director] Ali Leroi on board, and that he was going after Terry Crews, to me it was a no-brainer. I said, "Let's put this together!"

You become a writer on a television show, and you see yourself doing bigger and better things, you don't wait till they tell you, "Here's the way to do bigger and better things," you start writing. You start writing that material that you might be doing off to the side. Nobody's going to be paying you for that, but it could turn into something big.

Well, for the transition from rapper to actor, I was fortunate that director John Singleton pursued me for about two years to be in Boyz 'N the Hood. I really wasn't even thinking about acting at the time, since I was singularly focused on being the best rapper in the world. So, that was really a blessing, because I wasn't really taking him seriously.

I think you have to find how the machine can work for you. That's what I mean by "attaching yourself to the machine," 'cause the machine is going to be there, and you can rage against the machine, which is cool, but there's ways that you can benefit off the machine if you're savvy enough and you're sharp enough, smart enough. We all got to live and eat.

Everybody in the world has to compromise. I don't know one person that gets everything they want, so the politicians are going to have to figure that out and stop pointing out, "He shook hands with a Democrat in 1989. He ate with a Republican last week." It's petty high school, even junior high stuff going on. It's junior high politics going on, so it's a shame.

I think people, if you really want to be happy, you have to find God yourself, and you're going to have to have a personal, one-on-one relationship and not look to get through these traditions or these rituals and all this crazy stuff when you could talk to him right here, right now, anytime, anywhere, any place, from any position. And that's the kind of relationship you want, not a standard.

I never go to the Grammys. I just never go. I don't know if I care enough, and I went because my son wanted to go, and they asked us to present Best Hip Hop Group of the Year. You know, we had two records from Compton in there, and it was just like a cool thing to do, and to do with your son, and it was just cool. But we was the first award up, so after I did my thing I just jumped in the car and came on back home.

As far as producing, once we started shooting, I soon realized where the critical decisions about the movies were really being made, and it wasn't on the set. They were being made in the production meetings. That's where producing a movie happens. And that's where I wanted to be. I didn't just want to be a piece, a pawn being played. I wanted to take part in the creative process, and that's how I sort of got introduced to the idea.

We used to have MTV and all these ways we can show our videos, and it was these rap shows, and it was everything. And then it became not cool to be conscious; it became cool to just hang out. Escapism rap became the norm. And, when I say "escapism rap", I mean getting high, get your cars, get your money, get your jewelry, go to the club, have your women, and it just became all about escaping your reality and not making your reality better on a real tip; not just on the have fun tip.

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