Quotes of All Topics . Occasions . Authors
I just love the weather. I live on Miami Beach, which is all boutique hotels and cocktails. I do sometimes go along to smart parties in my white suit, but I wouldn't really recognise any famous people if they were there because I'm not very good at star-spotting.
Bruce, you’re an ugly and silly old man. You’re very possibly an alcoholic and God knows what else. You’re the type of sad case who preys on vulnerable, weak and stupid women in order to boost his own shattered ego. You’re a mess. You’ve gone wrong somewhere pal.
People are really excited by Obama abroad because he seems to be the first American presidential candidate who has ambition to go out of the country. In a sense, with the power of globalization, you are kind of electing the leader of the Western world to an extent.
Everybody in my family were great storytellers. My dad and his brothers would just go on and on; they could tell amazing stories. I think it was something to do with the Celtic, oral storytelling tradition. People very much had that propensity towards telling tales.
Most people with good jobs, middle-class occupations, what have you, are only one pitfall away from social embarrassment and destitution. It's so precarious. Even salaried people in the West now feel this sense of being trapped, not having the freedom to strike out.
We've become used to processing images that are part of the non-linear narrative theory. I think there's a thinner line between fantasy and normality. People spend much more time in their own heads now. There's so much to conform to, so many influences coming at you.
If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.
It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
I go to the gym and work through a routine. But if you see someone with a personal trainer, you know they do 10 times more than you do. You give up your sense of identity. If you watch 'The Biggest Loser,' you see people give up their identity to become something else.
Bowie's death is a very emotional thing. My generation of working-class Britain, it feels like we lost our spiritual leader, our guru. I always thought that if I was to be a hundred, somehow Bowie would be a hundred and fifteen. He'd be there to still steer me and guide me.
When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what youre doing is not any kind of public show, until youre ready for it.
When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what you're doing is not any kind of public show, until you're ready for it.
Everybody that writes has their own area of inquiry. And mine has always been kind of, why is it that when life can be so hard and difficult, we compound it by self-sabotage, doing terrible things? That's always been my main area of inquiry, and it does lead you to dark places.
I think that in the future, as more and more money and wealth goes to the 1 per cent, it's going to polarize into the people who are for and anti-freedom. It's not that they'll have a left and a right wing thing, it's going to be a freedom and anti-freedom polarization, I think.
For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.
You know, people tend to get stereotyped for about forty percent of their behavior, so if you're completely crazy forty percent of the time you'll get stereotyped as crazy, even if you're totally boring thirty percent of the time and just studious the other thirty percent of the time.
We want to feel hyper-alive, and it's like, the more cartoonish and grotesque the level we can operate at, the better. It's like the world we live in has become quite safe in a lot of ways, and it has become harder to genuinely transgress. But the desire to transgress is a real feeling.
I think the silences we have on some issues are inductive of the fact that we need to write about them more, but I think there are some issues you have to write in a sensitive way and in a way that respects the reality of the situation. If you can't do that, you should leave them alone.
If I don't have something to do, I'm not the kind of person who can sit on a beach on holiday. I've got to go and check things out and see things and look at things, and have some kind of itinerary in my mind. I think that a lot of people who are, in some ways, successful are kind of like that.
I'm more of a warrior than you'll ever be. I believe in the class war. I believe in the battle of the sexes. I believe in my tribe. I believe in the righteous, intelligent clued-up section of the working classes against the brain-dead moronic masses as well as the mediocre, soulless bourgeoisie.
People either think I'm this totally savage, idiot-savant genius guy who's lucked out or they think I'm a super-manipulative crafty businessman, this kind of MBA guy who's spotted a gap in the market and knows how to create a product for it. It's flattering, but I've not got that much of a gameplan.
Chicago is seen as everything that Trump detests, which I think kind of reflects really well on the city I think, because it's a mark of what a classy, cool, sort of place it is. You can't tame everyone in America, as much as these people would like to, into some kind of small-town, Southern community.
I think just getting up and getting to the desk is a big thing. If you can do that, you're in the zone because there're so many distractions that can stop you. From my bedroom to my office isn't really that far, but I have to go via the kitchen and there's so many things that can stop me and interrupt me.
We have to concentrate back on: Where is the money going? Where's it been going for the last thirty years? How do we start to redistribute the cake more evenly, and give people opportunities? That's as much about poor white people in West Virginia as it is about poor black people on the Southside of Chicago.
The first of the Trainspotting crew to die. Out of the five of them like, Begbie, Renton, Spud, Sick Boy and [Margaret] Thatcher. Who'd have thunk she'd have been the first to go? She was the invisible author of the book, really. She created the conditions and the hubris whereby that whole culture flourished.
Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
It's crazy for somebody who's kind of empowered and wealthy like myself to say, "Oh, I don't need to be patronized by the state, I can make my own choices." But I've got things to look forward to, and places to go and if that'd been me there forty years ago, when I was a young kid in Muirhouse, it might've been a different story.
In the cross-over, you get to a point where you realize that you've got all this genetic inheritance, and you've got all this social conditioning, but there is a point where you do have to make a choice, and that's the optimist in me: you have the freedom to make a choice about how you are going to be, and what you're going to do.
When you think about what Homo sapiens are about, you almost feel that we are replacing ourselves. We won't be able to breathe and breed on this earth, so we replace ourselves with androids that can do. The androids can go up into space and take the future of humanity forward because maybe we just bow out with a carbon-based epoch.
If you continue to transfer the wealth of the population of the planet to a very small amount of people, it becomes untenable at some point, a democracy, because people eventually will realize what's going on. You can only bulls - t people through kinds of media outlets for so long, and eventually you have to physically control them.
It was the books I started reading. It was the music I started listening to. It was the television I started watching. I found myself thinking again. I tried to stop because it was only causing pain. I couldn't. Wen all this is in your head it has to come out into your life. If it doesn't, you get crushed. I'm not going to get crushed.
I think that Europe has to get its act together very quickly. The Belgian guy who's leading the negotiations against Brexit, he sees it as a whole chance to reboot Europe and reclaim the kind of social mission of Europe from all this corporate, bureaucratic, globalist stuff that has got into, building Europe for the people rather than the banks, again.
I was anti-everything and everyone. I didn't want people around me. This aversion was not some big crippling anxiety; merely a mature recognition of my own psychological vulnerability and my lack of suitability as a companion. Thoughts jostled for space in my crowded brain as i struggled to give them some order which might serve to motivate my listless life.
People even split up by text message, they dump each other by text. Everything seems so disposable, so throwaway, but you have to engage with that if you're writing about the modern world. You've also got all these pop references that you feel obligated to make. They're just part of the bricolage of the whole thing, whether or not these are actually significant elements themselves.
I think that there are just so many people that can't afford not to have Obama win. He's gotten so many disenfranchised people back into the political system that if he didn't win, the disillusionment in America and the idea of more of the same failed policies of the last eight years [2000-2008], internationally and domestically, would be so bad for the country and the world as a whole.
Ah walk doon Hammersmith Broadway, London seeming strange and alien, after only a three-month absence, as familiar places do when you’ve been away. It’s as if everything is a copy of what you knew before, similar, yet somehow lacking in its usual qualities, a bit like the wey things are in a dream. They say you have to live in a place to know it, but you have to come fresh tae really see it.
The thing about drugs is that it [dealing] gives people an income to deal with, and it also gives people a compelling drama in their lives that they used to get from the office and the factory, and they're no longer there. What happens if you have everything in the hands of the state, particularly in the line of an authoritarian state, they just give people drugs to keep them doped up, to keep them passive.
We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.
When you look at the whole explosion of the Internet, the decline of print journalism, there are all of these plus-or-minus ramifications, and you have to work it out. The great thing about books is that you have a tactile thing that's there. You can download this or download that, but how long do you want to be staring at a screen for the rest of your life? You've got to have some kind of proper interface for people that's not about the screen.
I think the media in America have been absolutely fantastic about the rise of Trump, they've kept a firm eye on the ball: this constitutes democracy, this constitutes transparency, this constitutes fairness, this constitutes the way to behave in a civic society, this constitutes fascism, this constitutes authoritarianism. They're drawing that line, and they're calling him out every time. That's really what needs to happen, and you just have to do that.
He emphasised basic truths: you are not dying yet, you have to live your life until you are. Underpinning them was the belief that the grim reality of impending death can be talked away by trying to invest in the present reality of life. I didn’t believe that at the time, but now I do. By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be.
I'm not interested in details that might get someone into trouble. I'm more interested in generalities rather than the particulars, as a journalist would be. Names, dates and times don't interest me at all. I'm interested in feelings and emotions. Most people are game, once they realize that you're on the level as far as that's concerned and you're not about exposing them, then they feel quite free to talk about it. Police officers and social workers are no exception.
Even as I'm shoveling up my hooter, I realize the sad truth. Coke bores me, It bores us all. We're jaded cunts, in a scene we hate, a city we hate, pretending that we're at the center of the universe, trashing ourselves with crap drugs to stave off the feeling that real life is happening somewhere else, aware that all we're doing is feeding that paranoia and disenchantment, yet somehow we're too apathetic to stop. Cause, sadly, there's nothing else of interest to stop for.
People go to the big urban centres because they have a quality of life, a quality of intellectual inquiry in the big urban centres that you don't necessarily have in smaller, rural communities. I've got loads of friends and relatives that live there. People like living there, bringing up their kids there and all that stuff, but it'd be the death of me. I couldn't be in a small town, ten minutes I'd enjoy it, and then I'd get fed up because you're so constrained and constricted by it.
I was in Athens for a football match when 9/11 went down, and it was quite spectacular - we went into this bar and tried to find out what happened, and the bartender said "it's only the American and the Arabs. They're not big football nations." So the feeling was, what's it got to do with us? Why are football games being cancelled in Europe? The intelligentsia in the West feel like they have to figure out the significance of it all, whereas people have other pressing concerns, related to basic needs.
You've got the whole stuff with transgender toilets and stuff like that - that's no way for a government to behave. We're supposed to be against ISIS, so why are we trying to slowly introduce a country-club version of Sharia law in America, you know? It doesn't make any real sense at all. I think there's going to be a lot of energy, there is already a lot of reaction against that - people are prepared to really stand up and be counted for democracy, and in the process to find out what is and what isn't.
I think, ironically, the media's been good for America, but Trump's been good for the media. He's revitalized The New York Times and CNN - it's never had so much integrity and so much power ever, and that's because being attacked by constant authoritarians and fascists with an agenda has actually got them to sharpen up and to get back to base principles about what the media should actually be. It's also that the circulation boost has removed this horrible, incipient commercial pressure that compromises media.
We start off with high hopes, then we bottle it. We realise that we’re all going to die, without really finding out the big answers. We develop all those long-winded ideas which just interpret the reality of our lives in different ways, without really extending our body of worthwhile knowledge, about the big things, the real things. Basically, we live a short disappointing life; and then we die. We fill up our lives with shite, things like careers and relationships to delude ourselves that it isn’t all totally pointless.
The first time I went to West Virginia I was surprised by how poor it was. It was like north India, there's kids running around in bare feet. The white working class has been disenfranchised as well. It's been disenfranchised by the liberal-left as well as the conservative-right. You really have to get people right across America and Britain and Europe and the world as a whole concentrating on the economic issues that affect them, because when you don't have that, you have all these phony, racist and cultural wars, and sexist wars.
It's the UK: We have to get beyond that imperialist state. I think that kind of imperialist, hierarchical, elitist state has made it easier to basically shaft everybody in the country, which it's been doing for the last thirty years. It has also sort of made it more difficult for England to fulfill its destiny, which in my mind is creating a multi-ethnic, multicultural society that is truly at the head of that post-imperial commonwealth ideal. I think that that's what England should be and that that's the kind of nation we should be.