I think my friend Tom Hanks knows me. He understands me very well. He's always had a sort of parental feeling toward me. He knows I'm a big mush ball, which is just part of my personality.

Most people forget that you have to create relationships. The allure of the first years settles down, and at that moment, you better start creating it; otherwise, you're going to lose out.

My frank response to all sex questions is that there is too much significance put on them to begin with. Sex is part of human nature, and I don't know why such a big deal is made out of it.

I think aerobatic flying is athletic. I don't do aerobatic flying, but I would put that in a category of a sport. I would put regular flying in the category of an art or machine-type thing.

The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good.

The women I liked when I was growing up, as a little boy, were Anita Ekberg, Sophia Loren, Marilyn Monroe and Elizabeth Taylor, because they had these curvaceous figures, and they were erotic to me.

When I was a very little boy I lived underneath the air pattern of LaGuardia airport in New York and I watched the planes fly to their destinations. I was in love with the design of these airplanes.

I've always thought of, of a relationship with an actor to an audience as a marriage, you know. And a story, you know. And there are ups and downs, and you work through them, and you work with them.

When I was a very little boy, I lived underneath the air pattern of LaGuardia airport in New York and I watched the planes fly to their destinations. I was in love with the design of these airplanes.

At fifty you realize that you are no longer a kid. I ignored forty. It was like I was almost at middle age. Maybe it's the baby boomer thing. But undeniably, I am a man. I have to accept [mortality].

The upper echelon of the movie industry is easier to deal with and the work is much easier to accomplish because of this generosity of spirit and confidence that they instill in the group around them.

Christopher Walken was probably the most experienced dancing partner I've had in movies, because he has the same background as I do. He's from theatre, Broadway and off-Broadway, and we both shared that.

I'm definitely working class, and I still believe in those values. I know that losing everything would not be an unfamiliar feeling. Meaning, if you don't have it anymore, you didn't have it to begin with.

America isn't as lucky as you guys (Europeans), who for the most part have this quality of food that keeps you slim. We're over-eaters in the United States by nature, with fast food and all this kind of thing.

I do feel fortunate in that I am probably allowed more often to be a character actor then most actors are allowed to be, and I don't take that lightly or superficially at all. I mean, I really do appreciate it.

From the time I was a kid, I had a wanderlust. I always wanted to travel, in any form - plane, train, boat, car, motorcycle. So I think that if I ever do have a mid-life crisis, I have all the toys to refer to quickly.

I learned early on to stay away from gossip magazines and reviews. That stuff just makes you unhappy, and I know actors that read everything that's written about them and they're miserable. You can choose what to let into your life.

I love Scientology. I've been involved for 38 years, and I don't think I'd be here without it because I've had a lot of losses and different negative things that have happened over the years and it really got me through brilliantly.

I don't want to create controversy; I just have an opinion on things, and there is nothing wrong with stating your opinion if you are asked. Everyone wants that right, and because you are famous doesn't mean you have less of a right.

I have fame on the level of a Marilyn Monroe or an Elvis Presley, but part of the reason I didn't go the way they did was because of my beliefs. People make judgments about Scientology, but often they don't know what they're talking about.

I grew up, in my childhood, with some of the greatest women performers, on stage and on screen, and even my family - my mother and my sisters. So I was very busy watching women, as a child! I have a lot of memories of great women performers

Playing a bad guy is always a freeing experience, because you don't have the same envelope of restrictions as you have playing a good guy. Good guys restrain themselves; they kind of have their moral fiber cut out for them in varying degrees.

Princess Diana was a nice dancer because she had confidence. In fact, when we danced together she started to lead, and I looked her in eye and went, 'No, you have to let me lead.' So I grabbed her around the waist and we were off to the races.

I'm realizing that for so much of my life I had an older viewpoint; I saw things as an older person. That's common among change-of-life babies. So I have this dichotomy where I'm either, like, super young or feel like I'm coming to the end of my years.

The only thing I ran into is that I am a wanderlust, as far as travel and adventure. I will go off on any given moment with the family and friends to explore the world. I go around the world once a year. I go to Africa, you know, Russia, wherever... I love it.

I couldn't function if I weren't allowed to stretch and do really different characters where I can change the whole "beingness" of that person. That's my pleasure in acting and has been since I was a kid. That's always been my pleasure to create complete characters.

The Beatles meant everything to me growing up, and John was part of that. I loved Lennon's persona. He knew who he was and he knew what he represented to a worldwide public... I think he incited and inspired a whole group of youth to speak out and say what they felt.

I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.

People really need to take time and read a book. You know? That’s my advice. You could read A New Slant on Life, you could read Dianetics. And I think if you really read it, you’ll understand it, but unless you do, you’ll speculate. And I think that’s a mistake to do that.

My nature is happy. And all I can control is my response to input. If you come around me and tell me bad news all the time, I can say, "You know what? I don't want to hear it." If its just gossip, you know, I can choose not to hear it. And that, in effect, can control my mood.

I've done so many interviews that I've gotten past the ego and the personality. I used to feel that there might be something missing, but a few years ago I realized that I was so causative over how the interview went that I was no longer concerned over the effects of the interview.

When my mother died, it sort of put a damper on things. My career didn't have the same significance or excitement. It had always been about doing well for my family - my brothers, sisters, father, mother. Then something interesting and important happened - I started doing things for me.

Something can happen in your life, and you might want and need something different from your spouse. Most people forget that you have to create relationships. The allure of the first years settles down, and at that moment, you better start creating it; otherwise, you're going to lose out.

As you get older, you have to force yourself to have new dreams. For instance, I've been flying for 37 years, but now teaching others to fly is interesting for me. Sometimes you have to find new angles on life to keep you interested, like sharing successes and inspiring and helping others.

I'm a jet jockey and I've always escaped ever since I was a kid. I've always been a weekend type runaway person. Work hard, play hard type thing. It's not been a mid-life thing at all, it's been a habit because I think it changes your environment and how you feel even if it's for the day. It's a good thing.

For a while, I was saying 'no' way too often. I turned down 'An Officer and A Gentleman,' 'Splash' and 'Midnight Express.' I could name you tons more. I would go off and experience life instead of working - I was learning to fly jets, went on an African safari, sailed the Caribbean - which wasn't necessarily bad.

I decided when I was a kid that I would only go out of the house if I felt good enough to be bothered. Could I be interrupted at dinner? Am I in the mood? If I am, I go out. If I'm not, I don't! So, it's the art of deciding what the truth of your job is, and what you can and cannot handle. You can design your stresses.

I love watching old movies, and some of the holiday-themed ones are really great. I also have a bizarre thing that I'll do: I'll turn on a foreign-language TV station, usually Spanish, and watch a whole show, riveted, even though I have no idea what anyone is saying. I don't know why I find that so addictive, but I do!

The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good. All I have to do is execute the material enough where they buy into it. I've had the great luxury of the audiences accepting that.

When I say 'yes' to a movie it's usually because, to a greater or lesser extent, it's because I'm enthusiastic about the character. How well that character ultimately comes off depends on a lot of things: your relationship with the director and so on. But at first, you're on board because you think you can do something with it.

I'm from a working-class family. We didn't have a lot, but we had the arts. You're talking to a guy who is making a living at doing what he loves doing - acting, singing and dancing. So any career ups and downs were not that significant to me; the only things that really powerfully impinged on me were my losses, and there were many in my life.

Let's share our abundance and make our country stronger. We can encourage programs that collect and distribute excess prepared food to local organizations that are helping the hungry in our own communities. We can also support programs that supply commodities to food banks. It's all part of committing our country's wealth and resources to end childhood hunger.

You come to work knowing you're going to do good work without any doubt. You can go where you need to go and nothing is wrong and you pick the rightnesses out. If something doesn't work, you let them go, but you don't hold onto those wrongnesses. You just hold onto the rightnesses, so it's a playing field that anyone would want and feel much more comfortable with.

Sometimes when something really works well, it becomes a target, forty years for me, I've been a part, and I've loved every minute of it. My family has done so well with it. It's been a beautiful thing for me. I've saved lives with it and saved my own life several times. Through my loss of my son, it helped me every step of the way for two years solid, and here I am.

I never in a million years thought I would be starring in Hairspray, ever. Because if you think about my past, it's been 30 years of playing a macho leading man, so when I was offered it, I said: "Why? Why me? What have I done to deserve that you think I should do this?" After much convincing, over a year and two months, I was convinced they wanted to make a great movie.

I'd been on a road trip right out of college, with a buddy of mine. It was uneventful. We didn't get laid. Although one time it was about 800 degrees and we were in Texas. We had shorts on and nothing else and somehow a motorcycle cop pulls up beside me and says, 'Come on, get on it, get on, go, go, go!' So I speeded up and it turns out we're in a huge state funeral. There are about 40 black Cadillacs in a row and then a green van called Mr Greenjeans, with two guys with no clothes in it.

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