Quotes of All Topics . Occasions . Authors
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
I sang those old gospel songs for my mother, and she said, is that you? And I said, yes, ma'am. And she came over and put her arms around me and said, God's got his hands on you.
Sam Phillips asked me to go write a love song, or maybe a bitter weeper. So I wrote a song called, "Cry Cry Cry," went back in and recorded that for the other side of the record.
I took the easy way, and to an extent I regret that. Still, though, the way we did it was honest. We played it and sang it the way we felt it, and there's a lot to be said for that.
I was wearing black clothes almost from the beginning. I feel comfortable in black. I felt like black looked good onstage, that it was attractive, so I started wearing it all the time.
The fire and excitement may be gone now that we don't go out there and sing them anymore, but the ring of fire still burns around you and I, keeping our love hotter than a pepper sprout.
Oh, I'd love to wear a rainbow everyday, And tell the world that everything's okay, But I'll try to carry off a little darkness on my back, Till things are brighter, I'm the Man in Black.
My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
I knew I wanted to sing when I was a very small boy. When I was probably 4 years old. My mother played a guitar and I would sit with her and she would sing and I learned to sing along with her.
I love the freedoms we got in this country, I appreciate your freedom to burn your flag if you want to, but I really appreciate my right to bear arms so I can shoot you if you try to burn mine.
Sam Phillips always encouraged me to do it my way, to use whatever other influences I wanted, but never to copy...if there hadn't been a Sam Phillips, I might still be working in a cotton field.
You've got to know your limitations. I don't know what your limitations are. I found out what mine were when I was twelve. I found out that there weren't too many limitations, if I did it my way.
I'm so uncomfortable wearing colors in public. I really am. Even denim. If I've got a day off in a town, I want to go out for a walk I'll put on denim. But almost everything I've got the black on.
There's a man going 'round taking names / And he decides who to free and who to blame / Everybody won't be treated all the same / There'll be a golden ladder reaching down / When the Man comes around.
That was American Recordings. I said, I like the name, maybe it'd be OK. So I said, I'd like to meet the guy [Rick Rubin ].I'd like for him to tell me what he can do with me that they're not doing now.
Everybody was wearing rhinestones, all those sparkly clothes, and cowboy boots. I decided to wear a black shirt and pants and see if I could get by with it. I did and I've worn black clothes ever since.
I think in my world of religion, you're called to preach or you don't preach. Called by God to preach. I never been ordained by God to preach the gospel. I have a calling, it's called to perform and sing.
Rick Rubin came to my concert in Orange County, Calif. I believe this was, like, '83 when he first came and listened to the show. And then afterwards, I went in the dressing room and sat and talked to him.
So we raise her up every morning, we take her down every night, we don't let her touch the ground and we fold her up right. On second thought, I do like to brag 'cause I'm mighty proud of the Ragged Old Flag.
No matter how much you've sinned, no matter how much you've stumbled, no matter how much you fall, no matter how far you've got from God, don't give up. You can still be redeemed. As someone says, keep the faith.
[My father] did every kind of work imaginable from painting to shoveling to herding cattle. And he's always been such an inspiration to me because of the very kinds of things that he did and the kind of life he lived.
It's like a novelist writing far out things. If it makes a point and makes sense, then people like to read that. But if it's off in left field and goes over the edge, you lose it. The same with musical talent, I think.
You can ask the people around me. I don't give up. I don't give up. I don't give - and it's not out of frustration and desperation that I say I don't give up. I don't give up because I don't give up. I don't believe in it.
In the Air Force, I had an old Wilcox Gay recorder, and I used to hear guitar runs on that recorder going (vocalizing) like the chords on "I Walk The Line." And I always wanted to write a love song using that theme, that tune.
I got really excited about it. But then we went into the studio and tried to record some with different musicians, and it didn't sound good. It didn't work. So we put together the album [Unchained] with just a guitar and myself.
You build on failure. You use it as a stepping stone. Close the door on the past. You don't try to forget the mistakes, but you don't dwell on it. You don't let it have any of your energy, or any of your time, or any of your space.
I knew that when I left there at the age of 18, I wouldn't be back. And it was common knowledge among all the people there that when you graduate from high school here, you go to college or go get a job or something and do it on your own.
There's no way around grief and loss: you can dodge all you want, but sooner or later you just have to go into it, through it, and, hopefully, come out the other side. The world you find there will never be the same as the world you left.
You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.
All your life, you will be faced with a choice. You can choose love positivity and gratitude that things aren't worse or hate negativity and bitterness that things aren't better ...I choose love positivity and gratitude that things aren't worse.
I wear the black for the poor and the beaten down, Livin' in the hopeless, hungry side of town, I wear it for the prisoner who has long paid for his crime, But is there because he's a victim of the times. I wear the black for those who never read
Gospel music was the thing that inspired me as a child growing up on a cotton farm, where work was drudgery and it was so hard that when I was in the field I sang all the time. Usually gospel songs because they lifted me up above that black dirt.
I've always explored various areas of society. And I love the young people. And I had an empathy for prisoners and did concerts for them back when I thought that it would make a difference - you know? - that they really were there to be rehabilitated.
I met Sam Phillips when he came in [studio] and I said, I'm John Cash. I'm the one who's been calling. And if you'd listen to me, I believe you'll be glad you did. And he said, come on in. That was a good lesson for me, you know, to believe in myself.
I wore black because I liked it. I still do, and wearing it still means something to me. It's still my symbol of rebellion -- against a stagnant status quo, against our hypocritical houses of God, against people whose minds are closed to others' ideas.
I've never been accused of a felony. I never spent time behind bars except for a few overnight jail times back in the Sixties. [But] I think there's a little bit of a criminal in all of us. Everybody's done something they don't want anybody to know about.
[Sam Phillips] laughed at me. I just didn't like the way I Walk The Line sounded to me. I didn't know I sounded that way. And I didn't like it. I don't know. But he said let's give it a chance, and it was just a few days until - that's all it took to take off.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
Rick Rubin had his hair - I don't think it's ever been cut and very - dresses like a hobo, usually - clean but . Was the kind of guy I really felt comfortable with, actually. I think I was more comfortable with him than I would have been with a producer with a suit on.
I'm not really concerned about boundaries. I just follow my conscience and my heart. Follow your heart. That's what I do. Compassion is something I have a lot of, because I've been through a lot of pain in my life. Anybody who has suffered a lot of pain has a lot of compassion.
So I simply don't buy the concept of "Generation X" as the "lost generation." I see too many good kids out there, kids who are ready and willing to do the right thing, just as Jack was. Their distractions are greater, though. There's no more simple life with simple choices for the young.
The things that have always been important: to be a good man, to try to live my life the way God would have me, to turn it over to Him that His will might be worked in my life, to do my work without looking back, to give it all I've got, and to take pride in my work as an honest performer.
The Master of Lifes been good to me. He has given me strength to face past illnesses, and victory in the face of defeat. He has given me life and joy where other saw oblivion. He Has given new purpose to live for, new services to render and old wounds to heal. Life and love go on, let the music play.
My father was a cotton farmer first and - but he didn't have any land or what land he had, he lost it in the Depression. So he worked as a woodman and cut pulpwood for the paper mills, rode the rails in boxcars going from one harvest to another to try to make a little money picking fruit or vegetables.
My way of communicating with God as a boy (and often even now) was through the lyrics of a song. . . . So I didn't have the problem some people do who say, "I don't know how to pray." I used the songs to communicate with God. . . . To me, songs were the telephone to heaven, and I tied up the line quite a bit.
I started to write the song. And I was in Gladewater, Texas, one night with Carl Perkins and I said, I've got a good idea for a song. And I sang him the first verse that I had written, and I said it's called "Because You're Mine." And he said, "I Walk The Line" is a better title, so I changed it to "I Walk The Line."
I had a song called "Folsom Prison Blues" that was a hit just before "I Walk The Line." And the people in Texas heard about it at the state prison and got to writing me letters asking me to come down there. So I responded and then the warden called me and asked if I would come down and do a show for the prisoners in Texas.
I love songs about horses, railroads, land, Judgment Day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And Mother. And God.
We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.
Rick Rubin said, well, I don't know that we will sell records. He said, I would like you to go with me and sit in my living room with a guitar and two microphones and just sing to your heart's content everything you ever wanted to record. I said, that sounds good to me. So I did that. And day after day, three weeks, I sang for him.