Quotes of All Topics . Occasions . Authors
The two greatest works of war mythology in the west ... are the Iliad and the Old Testament... When we turn from the Iliad and Athens to Jerusalem and the Old Testament we find a single-minded single deity with his sympathies forever on one side. And the enemy, accordingly, no matter who it may be, is handled... pretty much as though he were subhuman: not a "Thou" but an "It."
The essence of oneself and the essence of the world: these two are one. [ The aim is not to see, but to realize that one is, that essence; then one is free to wander as that essence in the world.] Hence separateness, withdrawal, is no longer necessary. Wherever the hero may wander, whatever he may do, he is ever in the presence of his own essence-for he has the perfected eye to see.
When you find a writer who really is saying something to you, read everything that writer has written and you will get more education and depth of understanding out of that than reading a scrap here and a scrap there and elsewhere. Then go to people who influenced that writer, or those who were related to him, and your world builds together in an organic way that is really marvelous.
Myths are stories for our search through the ages for truth, for meaning, for significance. We all need to tell our story and to understand our story. We all need to understand death and to cope with death, and we all need help in our passages from birth to live and then to death. We need for life to signify, to touch the eternal, to understand the mysterious, to find out who we are.
Is the god the source, or is the god a human manner of conceiving of the force and energy that supports the world? In our tradition God is a male. This male and female differentiation is made, however, within the field of time and space, the field of duality. If God is beyond duality, you cannot say that God is a "He." You cannot say God is a "She." You cannot say God is an "It." (18)
The usual hero adventure begins with someone from whom something has been taken, or who feels there is something lacking in the normal experience available or permitted to the members of society. The person then takes off on a series of adventures beyond the ordinary, either to recover what has been lost or to discover some life-giving elixir. It's usually a cycle, a coming and a returning.
There are mythologies that are scattered, broken up, all around us. We stand on what I call a terminal moraine of shattered mythic systems that once structured society. They can be detected all around us. You can select any of these fragments that activate your imagination for your own use. Let it help shape your own relationship to the unconscious system out of which these symbols have come.
What I think is that a good life is one hero journey after another. Over and over again, you are called to the realm of adventure, you are called to new horizons. Each time, there is the same problem: do I dare? And then if you do dare, the dangers are there, and the help also, and the fulfillment or the fiasco. There's always the possibility of fiasco. But there's also the possibility of bliss.
What is the cause, though, of the growth of an acorn? The oak that is to come! What is to happen in the future is then the cause of what is occurring now; and, at the same time, what occurred in the past is also the cause of what is happening now. In addition, a great number of things round about, on every side, are causing what is happening now. Everything, all the time, is causing everything else
We're in a freefall into future. We don't know where we're going. Things are changing so fast, and always when you're going through a long tunnel, anxiety comes along. And all you have to do to transform your hell into a paradise is to turn your fall into a voluntary act. It's a very interesting shift of perspective and that's all it is... joyful participation in the sorrows and everything changes.
I think of mythology as a function of biology; the energies of the body are the energies that move the imagination. These energies are the source, then, of mythological imagery; in a mythological organization of symbols, the conflicts between the different organic impulses within the body are resolved and harmonized. You might say mythology is a formula for the harmonization of the energies of life.
Oh my God, does art engender humanity? It awakens your humanity. But humanity has nothing to do with political theory. Political theory is in the interests of one group of humanity, or one ideal for humanity. But humanity-my heavens, that's what proper art renders. We have a paradox. Going into the deepest aspects of inner space connects you with something that is the most vital for the outer realm.
I am Shiva-this is the great meditation of the yogis in the Himalayas...Hea ven and hell are within us, and all the gods are within us. This is the great realization of the Upanishads of India in the ninth century B.C. All the gods, all the heavens, all the worlds, are within us. They are magnified dreams, and dreams are manifestations in image form of the energies of the body in conflict with each other.
One of the great disadvantages of a literary or scriptural tradition like the biblical one is that a deity or context of deities becomes crystallized, petrified at a certain time and place. The deity doesn’t continue to grow, expand, or take into account new cultural forces and new realizations in the sciences, and the result is this make-believe conflict we have in our culture between science and religion.
The first step to the knowledge of the wonder and mystery of life is the recognition of the monstrous nature of the earthly human realm as well as its glory, the realization that this is just how it is and that it cannot and will not be changed. Those who think they know how the universe could have been had they created it, without pain, without sorrow, without time, without death, are unfit for illumination.
What if we choose not to do the things we are supposed to do? The principal gain is a sense of an authentic act - and an authentic life. It may be a short one, but it is an authentic one, and that's a lot better than those short lives full of boredom. The principal loss is security. Another is respect from the community. But you gain the respect of another community, the one that is worth having the respect of.
A ritual is the enactment of a myth. And, by participating in the ritual, you are participating in the myth. And since myth is a projection of the depth wisdom of the psyche, by participating in a ritual, participating in the myth, you are being, as it were, put in accord with that wisdom, which is the wisdom that is inherent within you anyhow. Your consciousness is being re-minded of the wisdom of your own life.
The conquest of the fear of death is the recovery of life's joy. One can experience an unconditional affirmation of life only when one has accepted death, not as contrary to life, but as an aspect of life. Life in its becoming is always shedding death, and on the point of death. The conquest of fear yields the courage of life. That is the cardinal initiation of every heroic adventure - fearlessness and achievement.
When you are in accord with nature, nature will yield its bounty. This is something that is coming up in our own consciousness now...recognizi ng that by violating the environment in which we are living, we are really cutting off the energy and source of our own living. And it’s this sense of accord, so that living properly in relation to what has to be done in this world one fosters the vitality of the environment.
For those in whom a local mythology still works, there is an experience both of accord with the social order, and of harmony with the universe. For those, however, in whom the authorized signs no longer work-or, if working, produce deviant effects-there follows inevitably a sense both of dissociation from the local social nexus and of quest, within and without, for life, which the brain will take to be for 'meaning'.
The ego is as you think of yourself. You in relation to all the commitments of your life, as you understand them. The self is the whole range of possibilities that you've never even thought of. And you're stuck with you're past when you're stuck with the ego. Because if all you know about yourself is what you found out about yourself, well, that already happened. The self is a whole field of potentialities to come through.
Well, one of the problems about being psychoanalyzed is, as Nietzsche said, "Be careful lest in casting out your devils that you cast out the best thing that's in you." So many people who are really in deep analysis look as though and act as though they have been filleted. There's no bone there, there's no stuff! How to get rid of ego as dictator and turn it into messenger and servant and scout, to be in your service, is the trick.
Life, in both its knowing and its doing, has become today a "free fall," so to say, into the next minute, into the future. So that, whereas, formerly, those not wishing to hazard the adventure of an individual life could rest within the pale of a comfortably guaranteed social order, today all the walls have burst. It is not left to us to chooseto hazard the adventure of an unprecedented life: adventure is upon us, like a tidal wave.
The real important function of the church is to present the symbol, to perform the rite, to let you behold this divine message in such a way that you are capable of experiencing it. What the relationship of the Father and the Son and the Holy Ghost to each other might be, in technical terms, is not half important as you, the celebrant, feeling the Virgin Birth within you, the birth of the mystic, mythic being that is your own spiritual life.
[Comedies], in the ancient world, were regarded as of a higher rank than tragedy, of a deeper truth, of a more difficult realization, of a sounder structure, and of a revelation more complete. The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man. ...Tragedy is the shattering of the forms and of our attachment to the forms...
In one of the Upanishads it says, when the glow of a sunset holds you and you say 'Aha,' that is the recognition of the divinity. And when you say 'Aha' to an art object, that is a recognition of divinity. And what divinity is it? It is your divinity, which is the only divinity there is. We are all phenomenal manifestations of a divine will to live, and that will and the consciousness of life is one in all of us, and that is what artwork expresses.
I prefer the gradual path My feeling is that mythic forms reveal themselves gradually in the course of your life if you know what they are and how to pay attention to their emergence. My own initiation into the mythic depths of the unconscious has been through the mind, through the books that surround me in this library. I have recognized in my quest all the stages of the hero's journey. I had my calls to adventure, my guides, demons, and illuminations.
......the interesting thing was that the Roman Catholic monks and the Buddhist monks had no trouble understanding each other. Each of them was seeking the same experience and knew that the experience was incommunicable. The communication is only an effort to bring the hearer to the edge of the abyss; it is a signpost, not the thing itself. But the secular clergy reads the communication and gets stuck with the letter, and that's where you have the conflict.
The unfolding through time of all things from one is the simple message, finally, of every one of the creation myths reproduced in the pages of these volumes-including that of our contemporary biological view, which becomes an effective mythic image the moment we recognize its own inner mystery. By the same magic, every god that is dead can be conjured again to life, as any fragment of rock from a hillside, set respectfully in a garden, will arrest the eye.
In the older view the goddess Universe was alive, herself organically the Earth, the horizon, and the heavens. Now she is dead, and the universe is not an organism, but a building, with gods at rest in it in luxury: not as personifications of the energies in their manners of operation, but as luxury tenants, requiring service. And Man, accordingly, is not as a child born to flower in the knowledge of his own eternal portion but as a robot fashioned to serve.
The wonder is that the characteristic efficacy to touch and inspire deep creative centers dwells in the smallest nursery fairy tale-as the flavor of the ocean is contained in a droplet or the whole mystery of life within the egg of a flea. For the symbols of mythology are not manufactured; they cannot be ordered, invented, or permanently suppressed. They are spontaneous productions of the psyche, and each bears within it, undamaged, the germ power of its source.
Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end. The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.
Sometimes the serpent is represented as a circle eating its own tail. That’s an image of life. Life sheds one generation after another, to be born again. The serpent represents immortal energy and consciousness engaged in the field of time, constantly throwing off death and being born again. There is something tremendously terrifying about life when you look at it that way. And so the serpent carries in itself the sense of both the fascination and the terror of life.
You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.
In the Orient the ultimate divine mystery is sought beyond all human categories of thought and feeling, beyond names and forms, and absolutely beyond any such concept as of a merciful or wrathful personality, chooser of one people over another, comforter of folk who pray, and destroyer of those who do not. Such anthropomorphic attributions of human sentiments and thoughts to a mystery beyond thought is-from the point of view of Indian thought-a style of religion for children.
Furthermore, we have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the hero-path. And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; and where we had thought to be alone, we shall be with all the world.
If you go to a master to study and learn the techniques, you diligently follow all the instructions the master puts upon you. But then comes the time for using the rules in your own way and not being bound by them....You can actually forget the rules because they have been assimilated. You are an artist. Your own innocence now is of one who has become an artist, who has been, as it were, transmuted.... You can't have creativity unless you leave behind the bounded, the fixed, all the rules.
You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.
And then he says, "The writer must be true to truth." And that's a killer, because the only way you can describe a human being truly is by describing his imperfections. The perfect human being is uninteresting - the Buddha who leaves the world, you know. It is the imperfections of life that are lovable. And when the writer sends a dart of the true word, it hurts. But it goes with love. This is what Mann called "erotic irony," the love for that which you are killing with your cruel, analytical word.
Just think, Vishnu sleeps in the cosmic ocean, and the lotus of the universe grows from his navel. On the lotus sits Brahma, the creator. Brahma opens his eyes, and a world comes into being, governed by an Indra. Brahma closes his eyes, and a world goes out of being. The life of a Brahma is 432,000 years. When he dies, the lotus goes back, and another lotus is formed, and another Brahma. Then think of the galaxies beyond galaxies in infinite space, each a lotus, with a Brahma sitting on it, opening his eyes, closing his eyes.
Now all the myths that you have heard and that resonate with you, those are the elements from round about that you are building into a form in your life. The thing worth considering is how they relate to each other in your context, not how they relate to something out there-how they were relevant on the North American prairies or in the Asian jungles hundreds of years agon, but how they are relevant now-unless by contemplating their former meaning you can begin to amplify your own understanding of the role they play in your life.
I think a person who takes a job in order to live - that is to say, for the money - has turned himself into a slave. Work begins when you don't like what you're doing. There's a wise saying: make your hobby your source of income. Then there's no such thing as work, and there's no such thing as getting tired. That's been my own experience. I did just what I wanted to do. It takes a little courage at first, because who the hell wants you to do just what you want to do; they've all got lots of plans for you. But you can make it happen.
The psychological dangers through which earlier generations were guided by the symbols and spiritual exercises of their mythological and religious inheritance, we today (in so far as we are unbelievers, or, if believers, in so far as our inherited beliefs fail to represent the real problems of contemporary life) must face alone, or, at best with only tentative, impromptu, and not often very effective guidance. This is our problem as modern, "enlightened" individuals, for whom all gods and devils have been rationalized out of existence.
We have today to learn to get back into accord with the wisdom of nature and realize again our brotherhood with the animals and with the water and the sea. To say that divinity informs the world and all things is condemned as pantheism. But pantheism is a misleading word. It suggests that a personal god is supposed to inhabit the world, but that is not the idea at all. The idea is trans-theological. It is of an indefinable, inconceivable mystery, thought of as a power, that is the source and end and supporting ground of all life and being.
So I think the Guru can be a delusion. But everything can be deluding. The thing central about the Guru in the West is that he represents an alien principle of the spirit, namely, that you don't follow your own path; you follow a given path. And that's totaly contrary to the Western Spirit! Our spirituality is of the individual quest, individual realization- authenticity in your life out of your own center. So you must take the message of the East, assimilate it to your own dimension and to your own thrust of life, and not get pulled off track.
Sacred space and sacred time and something joyous to do is all we need. Almost anything then becomes a continuous and increasing joy. What you have to do, you do with play. I think a good way to conceive of sacred space is as a playground. If what you're doing seems like play, you are in it. But you can't play with my toys, you have to have your own. Your life should have yielded some. Older people play with life experiences and realizations or with thoughts they like to entertain. In my case, I have books I like to read that don't lead anywhere.
The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man. The objective world remains what it was, but, because of a shift of emphasis within the subject, is beheld as though transformed. Where formerly life and death contended, now enduring being is made manifest-as indifferent to the accidents of time as water boiling in a pot is to the destiny of a bubble, or as the cosmos to the appearance and disappearance of a galaxy of stars.
Anyone who has had an experience of mystery knows that there is a dimension of the universe that is not that which is available to his senses. There is a pertinent saying in one of the Upanishads: When before the beauty of a sunset or of a mountain you pause and exclaim, ‘Ah,’ you are participating in divinity. Such a moment of participation involves a realization of the wonder and sheer beauty of existence. People living in the world of nature experience such moments every day. They live in the recognition of something there that is much greater than the human dimension.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
In the field of consciousness research-and also in physics and astronomy-we are breaking past the cause-and-effect, mechanistic way of interpreting things. In the biological sciences, there is a vitalism coming in that goes much further toward positing a common universal consciousness of which our brain is simply an organ. Consciousness does not come from the brain. The brain is an organ of consciousness. It focuses consciousness and pulls it in and directs it through a time and space field. But the antecedent of that is the universal consciousness of which we are all just a part.