Quotes of All Topics . Occasions . Authors
I'm a bit awkward.
You, Me and The Apocalypse' is epic!
I'm really into the detective drama genre.
I think Dennis Kelly's a really good writer.
I've always wanted to play a cop, desperately.
Certainty regarding your career aged 15 is very unusual.
I wish I didn't have to validate myself by reading reviews.
I love the fantasy genre, I'd love to be a member of the X-Men.
I'm not much of a risk taker, I'm more of an arty farty person.
I'm a pretty positive person, so a bad mood is quite a big deal.
It's really important that people don't view success as a competition.
I am a notorious and constant worrier. I'm worried if I'm not worried.
I'm that person at school who always had a cold and an eye patch and asthma.
I don't want to sound like a broken record but I do tire of the reality TV thing.
In an ideal world, I would constantly be doing different characters in different worlds.
The great thing about theatre is that the performance develops over the run - it changes each time.
It should be very normal to see people of different races and ethnic minorities playing different parts.
I have a camp fascination with all things musical theatre - I've even got the box set of 'Britannia High.'
The power I would like is to be able to turn off negative emotions and bad moods with the flick of a switch.
I don't know a lot about my Jamaican heritage, so I relish any opportunity to learn about Caribbean culture.
There are a lot of period dramas out there but not many opportunities for a mixed-race actress to play a period role.
Some people think all young actors should come up through the ranks of theatre. I don't necessarily think that's true.
As an actor, I believe that theatre is the one of the most immediate and exciting mediums to inspire young girls to succeed.
I've always wanted to play a police officer or a detective, because I think if I wasn't an actress that is what I would want to do.
I've got to be honest, with every job I do there's a part of me, that child in me, that goes, 'This is the one.' And it rarely actually is.
It's important to find your tribe. If you can find people you can share ideas with, people you're mutually stimulated by it helps you move forward.
For women to succeed in politics, business and entrepreneurial ventures they have to battle against a stereotype of being heartless and unfeminine.
Getting a casting means that a lot of people have put a lot of faith in you and your abilities, and you constantly think 'I hope I don't let them down.'
People in TV get too worried about making things accessible but I don't think all of the viewing population want everything to be sanitised and dumbed down.
I never had the guts to go to Calais. I didn't see for myself the conditions people were living in, or hear their stories firsthand. That doesn't sit well with my conscience.
I briefly flirted with the idea of more stable career choices but they never excited me. I know it's a bit of a cliche but I remember doing school plays in primary school and feeling at home on the stage.
Something they taught us at drama school, and it's taken me a long time to realise it's true through practice, is that you can't put judgments on a character you're playing, especially while you're doing it.
One of the joys about my job is that I've been able to constantly move and keep changing. The whole point of being an actor is you change your exterior everytime you do a new job and that's what keeps it exciting.
I think at any point in your career as a creative, whether you're an actor, writer whatever it's a real turning point when someone who's not you turns around and validates your work it gives you a lot of confidence.
There are decisions I could have made, moves I could have made, that would have got me seen more. I do it because I enjoy the craft and the challenge of trying to make something that doesn't exist come alive, and that's what I'm in it for.
Writing 'If Chloe Can' has taken me on an amazing journey: from launching the event at Downing Street, to a performance to 1,000 inner-city school girls at a West End theatre, then to an audience of hundreds more at the Royal Society of Chemistry.