My fans are the most important people in my career, and I've always wanted to do something in return for them.

Regardless of what film you make, you want people to watch your film, and you ultimately need commercial success.

Everything is new about 'Siruthai.' This is the first time I'm playing a dual role - a thief and a police officer!

For me, working on the sets with Mani Ratnam is so familiar. It is the place where I grew up, so I am not nervous here.

Working on my Pongal release, 'Siruthai,' was a superb experience. I really enjoyed it, as it was a pucca commercial film.

I think people need to understand the amount of emotions I can pull off. I want films I'm offered to have these dimensions.

Your entire world revolves around your kid, especially when you are a dad to a girl child. Your responsibilities become more.

I loved movies and watched a lot of them. But my father insisted that I get a good education before I joined the film industry.

My fans are indulging in social welfare activities from time to time and have also been helping economically backward students.

'Dev' is a love story but isn't about romance. It is also about loving friends as well as family and loving every moment of life.

I loved Suriya's performance in 'Vaaranam Aayiram'; his expressions in the movie, especially the train sequences, were really fresh.

We should teach our children about the reality of failure. Instead of buying them iPhones and iPads, we should teach them values and reality.

So many want me to do another 'Paruthiveeran'; others are fans of my 'Siruthai' avatar. Extreme expectations, but I have to strike a balance.

In Tamil Nadu, watching a film on a festival is a part of our culture. People prefer going to a theatre rather than bursting crackers at home.

Each time when my films get released, people always compare it with my debut film 'Parutthiveeran' and comment that nothing comes near that flick.

I met lot of fighter pilots and heard their breathtaking experiences. They risk their lives for our well being. Not many understand the risks involved.

Since one of my roles is that of a con man, I actually mingled with a few pickpockets in north Chennai to get a hang of their body language and mindset.

When my first film 'Paruthiveeran' released, I had no time to get excited. It was a worrying time for me. I was anxious to know how it would be accepted.

There's nothing experimental about 'Kaashmora,' as it's a blend of fantasy and entertainment. The only experiment we did was with my makeover in the film.

I have been receiving calls from all quarters since the release of 'Madras.' I need to thank audiences for believing in me and making this film successful.

It's very important to play a police role convincingly. It ups you in your career. Even 'Siruthai,' in which I played a cop in one of the roles, was a gamechanger.

I always remember what my dad told me when I decided to turn into an actor. He was emphatic that whatever I do, I should get accepted by the audiences who watch my films.

A film like 'Dangal' is universal; though it narrates a story that happened in Punjab/Haryana, we like its inspirational story and its idea of celebrating the girl child.

I'd like to have coffee with Farhan Akhtar. He's an all-rounder in the film industry, and I have heard many good things about how he goes about planning all his productions.

I've known Radhikaa akka for a long time, and have seen her perform like a pro in front of the camera. But, to work with her and mouth dialogues in her presence had me in jitters.

Many people tell me that my pairing with Tamannaah worked big time towards the success of 'Paiyaa.' In 'Siruthai,' our on-screen chemistry will crackle as we share a terrific rapport.

I was dying to start shooting for 'Paiyya.' I had worn no good clothes for months, and I was dying to wear good clothes. And, for 'Paiyya,' they gave me eight clothes to change in a day!

When 'Yuganiki Okkadu,' the Telugu dubbed version of 'Aayirathil Oruvan,' released, I didn't like dubbing for my character. Someone much older had done it, and it didn't have the flavour.

I see many youngsters giving up their IT jobs and going to farming or taking up organic farming so that kids in future will stay a bit more healthier. That's one cause I really want to take up.

After I did my graduation in mechanical engineering, I got a scholarship to go to the U.S. to do my master's. So I did that. I also worked there for a while. After my master's, I did a course in Film Appreciation.

When 'Siruthai' became a hit, there was suddenly a lot at stake. A lot of people were telling me what to do and what not to. But at some point, you realise that's not the way to go. Good or bad, you need to be making your own choices.

Actors usually feel skeptical about double hero films because one character might overshadow the other, but the late scriptwriter K. Subash has penned 'Karuppu Raja Vella Raja' in such a way that Vishal and I have equal scope in the film.

I would say I was not working in the real sense in 'Paiyaa.' After doing very heavy scenes in my first two films, in 'Paiya,' I was romancing a girl, talking all sorts of funny things, and doing all light things just as if I were not acting!

My dad was very busy with his films, and I got the opportunity to mingle with him only when I was in 10th standard. More than anna Suriya, my sister and I used to discuss many things with him. But he never, ever advised me, instead will only share his life experiences.

When I was in the U.S., I was caught by the cops for speeding and charged a fine of 200 dollars. I didn't have so much money then - I was still a student - but I certainly didn't want to spend a night behind bars. I called a few of my friends frantically and they bailed me out of the situation.

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