Basically hated everything made in the '80s, music television - it was really about the '90s for me. 'Encino Man' was a big hit. 'Robin Hood: Men in Tights.'

When I'm away from a red carpet, I'm a big introvert, I'm very quiet, and I like to sit in silence at home with my cat, Nino, who is my whole world, or most of it.

Some people look at movies and think, 'Oh my gosh, that's so amazing.' But to me, I look at a politician or a scientist and think, 'They're creating the content of humanity.'

Comedy is a tool of togetherness. It's a way of putting your arm around someone, pointing at something, and saying, 'Isn't it funny that we do that?' It's a way of reaching out.

When I heard that Paul Feig was directing an all-female 'Ghostbusters,' I was prepared to do anything to be a part of this, to be a part of what sounded like an incredible project.

I have only had positive interactions in relation to my impressions of people, which I'm happy because I do them with love, and I hope that the people who I do them of really like them.

The first impression that I liked doing was an impression of Cheri Oteri's Barbara Walters impression on 'SNL.' I found that I could mimic that pretty well, and people got a kick out of that.

'Mean Girls' stands the test of time as one of the greatest comedies ever produced. I've seen it way too many times, and I just think it's the most brilliant thing ever written. I love it so much.

It's hard not to be the straight man when Zach Galifianakis is there. He's such a delightfully bizarre creature. Everything he does is so surprising. He's such a live wire. It's just so exciting to watch.

I always wanted to live alone for a month in a lakeside cabin. In my fantasy, I enter a state of perfect peace and grow my own kale and stuff, but in real life, I think I might be very bored after four days.

I do get approached occasionally, but not a ton. I'm unrecognizable because I'm coated in cat hair and sweat. And there's a sort of yeti quality to my presence... so I don't think that people can see the face.

I've been a big astrophysics nut since I was 12. I have always had a real soft spot for the bizarreness of quantum mechanics. But I gave up on being a scientist in high school - I'm just not that good at math.

You've gotta believe in yourself, and you just have to work harder at it than you've ever worked at anything before in your life. And if you keep doing that and keep believing in yourself, great things do happen.

I only come up with things when I am talking to myself, which I do constantly. The sidewalk and the subway are the best places for this. I speak at full volume and then laugh at myself if I like what I just said.

For an impression, I just find that I can do a lot of the people I love without much research, because I've already watched hours and hours of them on video and it seeped into my brain while I wasn't thinking about it.

It's much easier for me to do an impression of someone real, because you and the audience begin with a baseline understanding of this person's life. And then if you subvert that in any way, it's a little comedy surprise.

I worked as a telemarketer for an SAT-prep company. That was the worst of it, because I had to call people in post-Katrina New Orleans and offer them this very, very expensive SAT class. And I'm not even a good salesman.

I think that any sort of fantasy or sci fi that is grounded in something that could ostensibly be real - 'Jurassic Park' being my favorite example - is that much more prescient because it means that much more. Maybe one day, what if?

I was very serene, and I still am, until I start talking in another voice, then suddenly I have a lot of volume and I'm frantic. But I didn't want to be one of those people who's always talking in accents in real life, so I started doing sketch comedy.

I love doing impressions of politicians because the task is always to imagine the private lives of these people whose job it is to project an image of staunch, unflinching leadership and grace, and that's just not how human beings, in their heart of hearts, work.

I admire my boss, Lorne Michaels. He never stops producing. I think, for him, comedy is a tool of compassion, a way of rallying people together and saying, 'Guys, isn't the world bonkers? Aren't we all just trying our best?' There's a tenderness in everything he does.

There are a lot of places in the world I'd like to visit, like Laos, but I don't know whether I'll ever make it there. I'd love to go to Laos and Kazakhstan and some other places I wouldn't feel comfortable traveling to alone. But I haven't found anyone to go with me yet.

My couch is made of cat's hair. The cushions have been obscured, and it's made of salt-and-pepper fur. I can't have visitors. I can't ask people to sit on that couch because they become implicated in the furriness of it, and they're walking around, and it's not fair to people.

I had this dream in my head of, if I got hired by 'SNL, what that moment would be like. And I dreamed that I would, like, collapse on the sidewalk and cry to the heavens. I got this call, and it didn't happen naturally. But I did it anyway because I wanted to have that moment. So I did collapse.

For 'Ghostbusters,' the thing that makes it such an amazing franchise and an amazing idea is that it is adds the element of physics and technology. It's not just about ghosts. Who the heck came up with that? It is such a good idea, such a unique combination of stuff from different genres. Ghosts and sci fi.

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