Nature is an expert in cost-benefit analysis,' she says. 'Although she does her accounting a little differently. As for debts, she always collects in the long run.

The moment of betrayal is the worst, the moment when you know beyond any doubt that you've been betrayed: that some other human being has wished you that much evil

I am not running for mayor yet. But if it comes to be true that people cannot voice an opinion unless they have been elected, then we are no longer in a democracy.

making final judgements about poets, cities or regions on the basis of an anthology is always dangerous: anthologies are mirages created, finally, by their editors.

This afternoon held that special quality of mournful emptiness I've connected with late Sunday afternoons ever since childhood: the feeling of having nothing to do.

My parents were gardeners themselves, and perforce they used environmental techniques because it was during the war, and you didn't have the new sorts of chemicals.

History, as I recall, was never this winsome, and especially not this clean, but the real thing would never sell: most people prefer a past in which nothing smells.

If one of the arguments against eating meat is to do with cruelty and animal intelligence, then lab meat avoids that. There's also the environmental argument for it.

Reading is one of the most individual things that happens. So every reader is going to read a piece in a slightly different way, sometimes a radically different way.

Why does the mind do such things? Turn on us, rend us, dig the claws in. If you get hungry enough, they say, you start eating your own heart. Maybe it's much the same.

Debt is part of the human condition. Civilization is based on exchanges - on gifts, trades, loans - and the revenges and insults that come when they are not paid back.

Every night when I go to bed I think, In the morning I will wake up in my own house and things will be back the way they were. It hasn’t happened this morning, either.

Axiom: you are a sea. Your eye- lids curve over chaos My hands where they touch you, create small inhabited islands soon you will be all earth: a known land, a country.

Science is not something that exists apart from human beings. It's one of the things we do as human beings, and we always have done science and technology in some form.

One good maxim to keep in mind, and I can't remember who said it, "You meet the same people on the way down that you meet on the way up, but you're going the other way."

When I was sixteen, it was simple. Poetry existed; therefore it could be written; and nobody had told me — yet — the many, many reasons why it could not be written by me.

I don't know why they are all so eager to be remembered. What good will it do them? There are some things that should be forgotten by everyone, and never spoken of again.

Don't misunderstand me. I am not scoffing at goodness, which is far more difficult to explain than evil, and far more complicated. But sometimes it's hard to put up with.

The central symbol for Canada-and this based on numerous instances of its occurrence in both English and French Canadian literature-is undoubtedly Survival, la Survivance.

A suicide is both a rebuke to the living and a puzzle that defies them to solve it. Like a poem, suicide is finished and refuses to answer questions as to its final cause.

Stick a shovel into the ground almost anywhere and some horrible thing or other will come to light. Good for trade, we thrive on bones; without them there'd be no stories.

We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.

I don't find the idea of sewing degrading. A thing is degrading when you are forced to do it, through economic reasons or through slavery or some other form of compulsion.

Where there's a doctor it's always a bad sign. Even when they are not doing the killing themselves it means a death is close, and in that way they are like ravens or crows.

Mary Baker Eddy is said to have had a phone installed in her coffin just in case she happened to wake up. I've been told that's an urban myth. Somebody should check it out.

It's probably a form of childish curiosity that keeps me going as a fiction writer. I ... want to open everybody's bureau drawers and see what they keep in there. I'm nosy.

Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.

Without the protection of surliness and levity, all children would be crushed by the past—the past of others, loaded onto their shoulders. Selfishness is their saving grace.

The future of narrative? Built in, part of the human template. Not going away. The future of the codex book, with pages and so forth? A platform for transmitting narratives.

Within one's own family, money is not the measure of things, unless the person is an absolute Scrooge. Only the most extreme kind of monster would put a price on everything.

If you're waiting for the perfect moment, you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.

But my dreaming self refuses to be consoled. It continues to wander, aimless, homeless, alone. It cannot be convinced of its safety by any evidence drawn from my waking life.

Their mothers had finally caught up to them and been proven right. There were consequences after all but they were the consequences to things you didn't even know you'd done.

She knows the rituals, she knows how we're supposed to be behaving...But I think these things are impenetrable and fraudulent, and I can't do them without feeling I'm acting.

Some cleric putting a match to her. /Neither of them looks happy about it. /Once lit, she'll burn like a book, /like a book that was ever finished, /like a locked-up library.

If you're put on a pedestal, you're supposed to behave yourself like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.

You can mean more than one. You can mean thousands. I'm not in any immediate danger, I'll say to you. I'll pretend you can hear me. But it's no good, because I know you can't.

Why are we designed to see the world as supremely beautiful just as we're about to be snuffed? Do rabbits feel the same as the fox teeth bite down on their necks? Is it mercy?

I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over.

He stops, looks up at this window, and I can see the white oblong of his face. We look at each other. I have no rose to toss, he has no lute. But it's the same kind of hunger.

Younger people have greatest fears. Why is that? Because they don't know the plot. They don't know their own individual plot... they don't know what's going to happen to them.

Don't let the bastards grind you down. I repeat this to myself but it conveys nothing. You might as well say, Don't let there be air; or Don't be. I suppose you could say that.

How old do you have to get before wisdom descends like a plastic bag over your head and you learn to keep your big mouth shut? Maybe never. Maybe you get more frivolous with age.

But who can remember pain, once it’s over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind.

It's his word against the Commander's, unless he wants to head a posse. Kick in the door, and what did I tell you? Caught in the act, sinfully Scrabbling. Quick, eat those words.

It's rather useless to write a gripping narrative with nothing in it but climate change because novels are always about people even if they purport to be about rabbits or robots.

I didn't go to school for a full year until I was 12. In the summer I was a wild child in the woods, with no shoes, and in the fall it was back to the city, shoe shops and school.

I'm interested in the Gothic novel because it's very much a woman's form. Why is there such a wide readership for books that essentially say, 'Your husband is trying to kill you'?

Where do you draw the line, between love and greed? We never did know, we always wanted more. We want to take it all in, for one last time, we want to eat the world with our eyes.

The cat jumps up on the bed and tries to get onto my head. It's his way of telling whether or not i'm dead. If i'm not, he wants to be scratched; if i am - he'll think of something

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