A symbol from the first, of mastery, experiments such as Hippocrates made and substituted for vague speculation stayed the ravages of plague.

As for butterflies, I can hardly conceive of one's attending upon you; but to question the congruence of the complement is vain, if it exists.

Sun and moon and day and night and man and beast each with a splendor which man in all his vileness cannot set aside; each with an excellence!

It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.

the small tuft of fronds or katydid legs above each eye, still numbering the units in each group; the shadbones regularly set about the mouth, to droop or rise

What is there in being able to say that one has dominated the stream in an attitude of self-defense; in proving that one has had the experience of carrying a stick?

So wary as to disappear for centuries and reappear but never caught, the unicorn has been preserved by an unmatched device wrought like the work of expert blacksmiths.

There is no pleasure subtler than the sensation of being a good workman; and in work there is the sense of consanguinity-unconscious as a rule but sometimes conscious.

[The] whirlwind fife-and-drum of the storm bends the salt marsh grass, disturbs stars in the sky and the star on the steeple; it is a privilege to see so much confusion.

Maine should be pleased that its animal is not a waverer, and rather than fight, lets the primed quill fall. Shallow oppressor, intruder, insister, you have found a resister.

When one cannot appraise out of one's own experience, the temptation to blunder is minimized, but even when one can, appraisal seems chiefly useful as appraisal of the appraiser.

Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.

Below the incandescent stars / below the incandescent fruit, / the strange experience of beauty; / its existence is too much; / it tears one to pieces / and each fresh wave of consciousness / is poison.

[On her use of quotations:] When a thing has been said so well that it could not be said better, why paraphrase it? Hence my writing, is, if not a cabinet of fossils, a kind of collection of flies in amber.

... imaginary gardens with real toads in them ... ... if you demand on one hand, the raw material of poetry in all its rawness and that which is on the other hand genuine, then you are interested in poetry.

We are what we were at birth, and each trait has remained in conformity with earth's and with heaven's logic: Be the devil's tool, resort to black magic, None can diverge from the ends which Heaven foreordained.

Life is energy, and energy is creativity. And even when individuals pass on, the energy is retained in the work of art, locked in it and awaiting release if only someone will take the time and the care to unlock it.

The prey of fear, he, always curtailed, extinguished, thwarted by the dusk, work partly done, says to the alternating blaze, "Again the sun! anew each day; and new and new and new, that comes into and steadies my soul."

the ocean, under the pulsation of lighthouses and noise of bell buoys, advances as usual, looking as if it were not that ocean in which dropped things are bound to sink-- in which if they turn and twist, it is neither with volition nor consciousness.

It is in general true that in order to create works of art one has to have leisure. On the other hand I think that one needs to experience resistance in a practical sense, and even that which is poignant to bring out what makes easy reading for others. Too much deprivation of course, means death.

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