Teens are strange and magical.

I'm pretty sure I peaked at 15.

I just love the comics industry.

As a consumer, I love superheroes.

I've always been a texting advocate.

Never post boring back-to-back selfies.

I find texting to be kind of a safe space.

Instagram is not a place for tone or irony.

There's a really generous readership with YA.

LaCroix sparkling water is absolutely delicious.

I do not care for musicals. In fact, I hate them.

I am obsessed with Neil Patrick Harris on Twitter.

I was born in Korea and left before my first birthday.

Rihanna's boots are too scared to look bad on Rihanna.

Aside from the can, everything about LaCroix is gentle.

Home is where my house pants live. And they're hideous.

Pirates, me hearties, are the Patronus of the freelancer.

I love New York, but sometimes New York is so mean to you.

Eventually, I just want to write wavy little short stories.

Part of me just wants 'Jane' magazine back, and 'Sassy,' too.

I'm definitely an indoor kid who's turned into an inside person.

A fanboy's heart is filled with love, enthusiasm, and insecurity.

Learning to ride a bike in a public park means anyone can see you.

I have horrible shoe hang-ups. Particularly when it comes to flats.

SoulCycle feels gross, is gross, and I'm grateful to have found it.

When I was five, I compound-fractured my arm, pulverising my elbow.

Food rules. Little rivals the pleasure of tearing into a glistening burger.

Never post food on your Instagram. Nobody cares, and only old people do it.

My sweet spot as a writer and, especially, as an essayist is sub-1500 words.

Home is where I climb out of my mecha-suit-of-a-poised-persona and power down.

Reading aloud to other people is wonderful - if you have people who will suffer it.

You always feel like a hack and a fraud when you're writing. It's just how it goes.

Hopefully, if I get enough of a fan army together, people will let me write fiction.

Bieber has taste and pull, which is as important to making quality pop as actual talent.

'Emergency Contact' is about the anxiousness that is inherent in meat space interactions.

I'm a sucker when it comes to under-explored human potential and 'stuff that makes you be better.'

'Avatar' is staggering. It's seismic. Evolutionarily speaking, it is cladogenesis in a thunderclap.

When you have tools with which to stalk everyone all the time, the most seemingly aloof person wins.

The first time I drank LaCroix, I half expected it to be filled with self-tanner. Or Axe body spray.

Consider this: alms aside, Wikipedia is fueled by competitive pedantry and emo-ness. How great is that?

Everyone is such a mystery, yet we chug along so much of the time presuming we're all on the same page.

If you are someone's emergency contact - you are their person, and they are your person - there is work involved.

Never hold up your entire group of friends in real life trying to capture a perfect Instagram pose. Nobody cares.

I'm great at leaving. I am less talented at getting left, though I should be better, given how much it's happened.

Try life as your own boss, on your own voyage. No daily commute. No salad bar at 12:15. No cc'ing about the meeting.

I commit words to paper and the Internet for everyone to pick apart, so I think I tend to be a lot more cynical and dulled.

I love how British people call Asian people 'oriental' unless they're talking about Indian people, who get to be called Asian.

Even the coolest jobs get stultifying with repetition, and the only way to break that cycle is to bring another job into the mix.

Never post anything personal to your Facebook wall. Or anyone else's, for that matter. Only snitches and teachers look at Facebook.

The second single from 'Purpose,' Justin Bieber's fourth studio album, 'Sorry' is an infectious confection - a Dorito for your ears.

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