I love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing.

Of course! The path to heaven doesn't lie down in flat miles. It's in the imagination with which you perceive this world, and the gestures with which you honor it.

Writers sometimes give up what is most strange and wonderful about their writing - soften their roughest edges - to accommodate themselves toward a group response.

And now I understand something so frightening &wonderful- how the mind clings to the road it knows, rushing through crossroads, sticking like lint to the familiar.

Emerson, I am trying to live, as you said we must, the examined life. But there are days I wish there was less in my head to examine, not to speak of the busy heart.

I have a notebook with me all the time, and I begin scribbling a few words. When things are going well, the walk does not get anywhere; I finally just stop and write.

The poem in which the reader does not feel himself or herself a participant is a lecture, listened to from an uncomfortable chair, in a stuffy room, inside a building.

Life is much the same when it's going well-- resonant and unremarkable. But who, not under disaster's seal, can understand what life is like when it begins to crumble?

With words, I could build a world I could live in. I had a very dysfunctional family, and a very hard childhood. So I made a world out of words. And it was my salvation.

As a child, what captivated me was reading the poems myself and realizing that there was a world without material substance which was nevertheless as alive as any other.

Come with me into the woods where spring is advancing, as it does, no matter what, not being singular or particular, but one of the forever gifts, and certainly visible.

I want to think again of dangerous and noble things. I want to be light and frolicsome. I want to be improbable and beautiful and afraid of nothing as though I had wings.

I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.

In this universe we are given two gifts: the ability to love and the ability to question. Which are, at the same time, the fires that warm us and the fires that scorch us.

I consider myself kind of a reporter - one who uses words that are more like music and that have a choreography. I never think of myself as a poet; I just get up and write.

Sunrise What is the name of the deep breath I would take over and over for all of us? Call it whatever you want, it is happiness, it is another one of the ways to enter fire.

The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.

There is a notion that creative people are absent-minded, reckless, heedless of social customs and obligations. It is, hopefully, true for they are in another world altogether.

I worked privately, and sometimes I feel that might be better for poets than the kind of social workshop gathering. My school was the great poets: I read, and I read, and I read.

The world is: fun, and familiar, and healthful, and unbelievably refreshing, and lovely. And it is the theater of the spiritual; it is the multiform utterly obedient to a mystery.

Writing a poem ... is a kind of possible love affair between something like the heart (that courageous but also shy factory of emotion) and the learned skills of the conscious mind.

Ordinarily, I go to the woods alone. When I'm alone I can hear the almost unhearable sound of the roses singing. If you have ever gone to the woods with me, I must love you very much.

And I do not want anymore to be useful, to be docile, to lead / children out of the fields into the text / of civility, to teach them that they are (they are not) better than the grass.

You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert, repenting. You only have to let the soft animal of your body love what it loves.

Love, love, love, says Percy. And hurry as fast as you can along the shining beach, or the rubble, or the dust. Then, go to sleep. Give up your body heat, your beating heart. Then, trust.

There is nothing better than work. Work is also play; children know that. Children play earnestly as if it were work. But people grow up, and they work with a sorrow upon them. It's duty.

I have a little dog who likes to nap with me. He climbs on my body and puts his face in my neck. He is sweeter than soap. He is more wonderful than a diamond necklace, which can't even bark.

The woods that I loved as a child are entirely gone. The woods that I loved as a young adult are gone. The woods that most recently I walked in are not gone, but they're full of bicycle trails.

The man who has many answers is often found in the theaters of information where he offers, graciously, his deep findings. While the man who has only questions, to comfort himself, makes music.

I know I can walk through the world, along the shore or under the trees, with my mind filled with things of little importance, in full self-attendance. A condition I can't really call being alive.

You are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. Without fanfare, without embarrassment, without doubt,I talk directly to your soul. Listen to me.

...whoever you are, not matter how lonely the world offers itself to your imagination, calls to you like the wild geese, harsh & exciting - over & over announcing your place in the family of things.

There were times over the years when life was not easy, but if you're working a few hours a day and you've got a good book to read, and you can go outside to the beach and dig for clams, you're okay.

Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say “Look!” and laugh in astonishment, and bow their heads. (from “Mysteries, Yes”)

To live in this world, you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.

When I am alone I can become invisible. I can sit on the top of a dune as motionless as an uprise of weeds, until the foxes run by unconcerned. I can hear the almost unhearable sound of the roses singing.

Who knows what will happen or where I will be sent, yet already I have given a great many things away, expecting to be told to pack nothing, except the prayers which, with this thirst, I am slowly learning.

A fact: one picks it up and reads it, and puts it down, and there is an end to it. But an idea! That one may pick up, and reflect upon, and oppose, and expand, and so pass a delightful afternoon altogether.

The end of life has its own nature, also worth our attention. I don't say this without reckoning in the sorrow, the worry, the many diminishments. But surely it is then that a person's character shines or glooms.

Truly, we live with mysteries too marvelous to be understood. How grass can be nourishing in the mouths of the lambs. How rivers and stones are forever in allegiance with gravity while we ourselves dream of rising.

Because of the dog's joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as love the dog of our own life, and the dog down the street, and all the dogs not yet born.

You may not agree, you may not care, but if you are holding this book you should know that of all the sights I love in this world — and there are plenty — very near the top of the list is this one: dogs without leashes.

At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.

And over one more set of hills, along the sea, the last roses have opened their factories of sweetness and are giving it back to the world. If I had another life I would want to spend it all on some unstinting happiness.

How heron comes It is a negligence of the mind not to notice how at dusk heron comes to the pond and stands there in his death robes, perfect servant of the system, hungry, his eyes full of attention, his wings pure light

Believe me, if anybody has a job and starts at 9, there's no reason why they can't get up at 4:30 or five and write for a couple of hours, and give their employers their second-best effort of the day - which is what I did.

The god of dirt came up to me many times and said so many wise and delectable things, I lay on the grass listening to his dog voice, frog voice; now, he said, and now, and never once mentioned forever from, One or Two Things

Wherever I am, the world comes after me. It offers me its busyness. It does not believe that I do not want it. Now I understand why the old poets of China went so far and high into the mountains, then crept into the pale mist.

I decided very early that I wanted to write. But I didn't think of it as a career. I didn't even think of it as a profession... It was the most exciting thing, the most powerful thing, the most wonderful thing to do with my life.

Drive down any road, take a train or an airplane across the world, leave your old life behind, die and be born again~ wherever you arrive they'll be there first, glossy and rowdy and indistinguishable. The deep muscle of the world.

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