If white and black and red and brown can come together to focus our energies on overcoming the racial malaise that persists, then this will have been a great moment.

There's a dark underside to philanthropy. People who give a bunch of money are deferred to, even when they are wrong. The emperor cannot be shown to have no clothes.

Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.

You must address the historical and political differences in race and ethnicity in this country before you hold tenaciously to insubstantial, and unsubtantiated, beliefs.

Michael Joseph Jackson's genius was the ability to be the raw article himself - the real article himself. He is part of the African American people who were marginalized.

We are not all the same; we don't think alike; and we have the right to openly express those differences in ways that, hopefully, will contribute to our community's welfare.

There are things that you can do on an individual level, even as you continue to fight oppression systemically, that make things a little bit better for an identifiable group.

I want young people to look at me and go, 'Damn, I want to be like that brother. He sharp, he be on point. He represent black people.' I want to make the life of the mind sexy.

I was very struck when Min. Farrakhan said if Jesus and Muhammad were here today, they'd be embracing each other. That's a tremendous message that needs to be heard more broadly.

It is true that race is a social fiction, a myth perpetuated by a variety of peoples throughout the modern period, especially, to further their own gains at the expense of others.

Black people watch more television than anybody else, which makes it legitimate to talk about television. Its anesthetizing effect has been quite real. But that concern isn't new.

When Dr. King was murdered, I had no idea who he was. But as soon as I heard his words on television that night when I was 9 years old, I was dumbstruck, awestruck by their power.

I went to the library and began to read some stuff on my own. My discovery of James Baldwin was life-changing. I read Go Tell It on the Mountain first, and that was hugely impactful.

I don't mind the job of saying to white people, "Yes, this is what I think you need to know, this is what I think you've been missing." And it's my job to educate white folks every day.

There is no conscious choice of heterosexual identity any more than there is a homosexual one. The last person in the world who wants to be homosexual, for the most part, are homosexuals.

My empathy for poor people comes from having been one of them for so long, from knowing that their humanity is more complex and that the truths of their suffering have to be told honestly.

I don't believe in that kind of American John Wayne individualism where people pull themselves up by their bootstraps. Someone changed your diapers. And if that's the case, you ain't self-made.

When I was 12 years old, my pastor came to the church: Dr. Fredrick Samson. And that was revolutionary because he mentored me and I got a chance to see up close the impact of a rhetorical genius.

..And the same rapper who revels in a woman's finely proportioned behind may also speak against racism and on behalf of the poor, even as he encourages them not to look at hip-hop as their salvation.

I don't think that an emphasis on the peculiar plight of black males at all suggests that others are not suffering, or that such attention suggests that black men and women feel sorry for themselves.

No other group has internalized its self-hatred as much as blacks have. It would be difficult to find other groups who behave similarly in that their most esteemed members berate its poorest members.

When you look at a guy like a Jay-Z or look at a guy like a Nas, you don't necessarily qualify them as conscious rap purely, although they are extremely conscious of the social inequities that prevail.

What are you for? It may be, to a degree, consoling that white brothers and sisters did not vote for [Donald] Trump, and do not participate in that brand of animus, that gas-bagging of enormous bigotry.

Hip hop music is important precisely because it sheds light on contemporary politics, history, and race. At its best, hip hop gives voice to marginal black youth we are not used to hearing from on such topics.

I've written a lot of other books and this book [Tears we cannot stop] was different. I couldn't just say what I wanted to say in the same style that I said it in those other books. I felt compelled to preach.

That is an extremely important role: how white brothers and sisters laterally spread knowledge, insight, and challenge in a way that white brothers and sisters will not hear it from a person like me, necessarily.

In our high-tech, high-skilled economy where low-skilled work is being scaled back, phased out, exported, or severely under-compensated, all the right behavior in the world won't create better jobs with more pay.

There are many Americans who regardless of the intelligence or the profound political persuasion of a figure will never vote for a black man. Not all of them are racists; some are skeptical, and some are suspicious.

What he [Michael Jackson] did was he allowed us, through his voice and his instrument, to see a glimpse of the heaven that he himself was denied. That sacrifice was the ultimate source of redemption that he gave to us.

Michael Jackson carried urban America and eventually American society on his vocal cords for a good 25 to 30 years before even hip-hop became the vox populi of America, and then as an adult he shattered racial barriers.

Bill Cosby is a famous black guy who has a bully pulpit the size of the world; it's global. He puts his colossal foot on the vulnerable necks of poor people, and as a result of that, we don't have a balanced conversation.

With the evolution of social media that includes blogging, Facebook, and Twitter, who and how information is delivered has changed tremendously. The landscape for news is a different place, and people have to accept that.

The only way for white folks to reclaim the full arc of their humanity, the full trajectory of their ethical content, of their ethical identity, is to surrender the white innocence that prevents them from being fully mature.

[The World Series] introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.

Mrs. James, my fifth-grade teacher, introduced us to some of the great literature of African American culture. I won my first blue ribbon reciting the vernacular poems of Paul Lawrence Dunbar, in particular "Little Brown Baby."

My job is to explain stuff you don't know or already know and have to unlearn. My job is to teach you stuff you don't know that you need to know, stuff you should know. I'm going to take what you already know and re-describe it.

I have written 13 books, full of my ideas about a variety of issues - from black women, to hip-hop culture, to the civil rights struggle. Even when I address such figures as Tupac Shakur and Bill Cosby, my ideas are quite evident.

The demonizing of black identity is much more of a global phenomenon than many would like to admit. I've traveled abroad extensively, and it's hard to ignore the subordination of darker peoples to lighter peoples the world around.

I'm a 'tweener,' man! I couldn't march with Dr. King and them. And I'm too old to be a hip-hopper. But I've been granted honorary status in each generation... I see my tongue as a bridge over which ideas can travel back and forth.

Race was thick in the O.J. Simpson case from the very beginning, but it wasn't evident. And I think the O.J. Simpson case revealed that there is subtle race, and there is sophisticated race, and there's evident and observable race.

There is a consciousness as an agent of one's own destiny as a person in America, there are things that can be done, there are advantages and benefits which exist that are directly related to - and even rest upon - white privilege.

[ Mrs. James, my fifth-grade teacher] introduced us to these authors early on and taught us that their literature is important. Langston Hughes - we read his poetry. We studied who W.E.B DuBois was. And so she whetted our appetites.

The problem is we are left only with empathy - which is critical, if it can be developed - without substantive manifestations of that empathy. It's one thing to attain it intellectually, but it's another thing to do something about it.

The heartbeat of your originality is deep within a body of thought that continually wrestles with the contradictions and limitations that we're constantly trying to overcome, the curiosities and the ignorances of the people we seek to help.

Body piercing and baggy clothes express identity among black youth, and not just beginning with hip-hop culture. Moreover, young black entrepreneurs like Sean 'P. Diddy' Combs and Russell Simmons have made millions from their clothing lines.

There's a great book about John Kennedy and his relationship to civil rights called 'The Bystander.' The title alone suggests that he did as little as possible, any minimal critical effort, to really facilitate civil rights in the White House.

By denying its musical and artistic merit, hip hop's critics get to have it both ways: they can deny the legitimate artistic standing of rap while seizing on its pervasive influence as an art form to prove what a terrible effect it has on youth.

America is capable at single moments of receiving the depth and the breadth of the homiletical vision of black America when a black preacher rises to his or her craft at the height of his or her ambition and the desire to tell America the truth.

We should all be about the business of finding, discussing and furthering solutions to our problems. But none of that can be done without at first speaking honestly about the problems we confront, with whoever in our ranks will listen and respond.

I think that what Donald Trump is doing, the way in which racism, xenophobia, anti-Muslim belief and the like are being expressed through the campaign of Donald Trump, calls for, I think, a very vigorous and aggressive response to what he's saying.

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